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Infused with rhythm and melody, Zakes Mda’s new novel invites you to travel from Lesotho’s Mountain Kingdom to the City of Gold through the history of famo. Famo music was born in the drinking dens of migrant mineworkers in Lesotho, where the men would sing to unwind after work, accompanied by the accordion, a drum and sometimes a bass. Meet the boy-child kheleke, a wandering musician, and his surprising sister Moliehi. Then sigh with pleasure at being reunited with Toloki, the professional mourner from Ways of Dying, and his beloved Noria. Passionate and ambitious, boy-child is a weaver of songs, and his own story is intertwined with the incredible yet true social history of the music: the Time of the Concertina and the Accordion, the wars of the famo gangs, and the battle for control of illegal mines. The end is always a journey – and what a journey this is!
From cover to cover, this book is full of imaginative, read-to-use liturgies, prayers and service outlines for the Christian year from one of the most creative and poetic voices in the church today. This collection includes themed complete worship outlines for: - Pentecost: finding a language of love in a world of strangers and restoring community; - Trinity: knowing that we belong and are loved; - Ordinary Time: journeying in faith, venturing out, encountering storms, not losing heart, replenishing our resources; - Transfiguration: seeing heaven in the everyday; - Harvest: fruitfulness in unexpected places; - All Saints and All Souls: expressing our grief, joyful remembrance, finding light in the darkness.
Historical Dictionary of Lesotho, Third Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on important personalities as well as aspects of the country's politics, economy, foreign relations, religion, and culture.
The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960s–early 1990s); the Janusian wave (1990s–2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa). Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, Francophone, and Lusophone writers from different theoretical positionalities and critical approaches, pointing out the unique innovative artistic qualities of this major subgenre of African literature. The focus on the “diasporic consciousness” of the writers and their works sets this handbook apart from others that solely emphasize migration, which is more of a process than the community of settled African people involved in the dynamic acts of living reflected in diasporic writings. This book will appeal to researchers and students from across the fields of Literature, Diaspora Studies, African Studies, Migration Studies, and Postcolonial Studies.
With this lively guide, young adventurers will discover the many treasures along southern Africa’s shores, learn all about the strange and beautiful creatures they can expect to see at the beach and where to find them, then try the fascinating activities and make their own first-hand discoveries. A companion volume to the popular Exploring Fynbos, this lively book is loaded with interesting topics in accessible text; interactive activities; ‘did you know’ boxes; ‘things to do’ panels. Sales points: an absorbing, interactive and fact-filled introduction to southern Africa’s shore life; a companion volume to Exploring Fynbos, both providing good-value fun and entertainment for young readers, while they learn; colourful illustrations and photographs; activities to inspire insight into our coastal environment.
Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."