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Oystein Lund gives a new approach to texts in Isaiah 40-55 that deal with ways and desert transformation. Earlier exegesis has mainly read these texts in a literal way. In recent years, exegetes have pointed out that the so-called 'exodus texts' should rather be interpreted metaphorically. The author supports this, and accordingly seeks to continue this discourse by systematizing, intensifying, and deepening the argumentation for a metaphorical reading. He argues that most of the way-texts in Isaiah 40-55 are interrelated, and gradually contribute to explore questions regarding the way-situation of the people. The way-theme appears in the prologue, and in 40:27 a problem approach is established when the people is addressed: How can you say, O Jacob, and speak, O Israel, 'My way is hidden from the LORD, and my right passes by my God'? Several subsequent way-texts are related to this text, and together these draw a coherent picture in which the problematic way-situation of the people in the past and present is transformed. JHWH establishes new ways in which he leads his people through their difficult landscape. Oystein Lund argues that such a coherent reading of the way-texts gives good meaning, which is consistent with the over all message of Isaiah 40-55.
This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.
The last century of scholarship on the Old Testament citations in the Gospel of John has concentrated almost exclusively upon source-critical or redaction-critical issues with the aim of determining the Christological import of the citations. The current book brings a narrative-rhetorical methodology to bear upon the seven explicit Scriptural citations in the Gospel's 'Book of Signs' (1:19-12:50) that are prefaced by a distinct introductory formula (1:19-12:15). These citations are each addressed to, or imply, a particular textual audience, namely, 'the Jews'. This book argues that as such the citations do not merely have Christological significance but function at the narrative level to encourage an ideal reader to construct a particularly negative characterization of 'the Jews'.
Many books of the Hebrew Bible were either composed in some form or edited during the Exilic and post-Exilic periods among a community that was to identify itself as returning from Babylonian captivity. At the same time, a dearth of contemporary written evidence from Judah/Yehud and its environs renders any particular understanding of the process within its social, cultural and political context virtually impossible. This has led some to label the period a dark age or black box – as obscure as it is essential for understanding the history of Judaism. In recent years, however, archaeologists and historians have stepped up their effort to look for and study material remains from the period and integrate the local history of Yehud, the return from Exile, and the restoration of Jerusalem’s temple more firmly within the regional, and indeed global, developments of the time. At the same time, Assyriologists have also been introducing a wide range of cuneiform material that illuminates the economy, literary traditions, practices of literacy and the ideologies of the Babylonian host society – factors that affected those taken into Exile in variable, changing and multiple ways. This volume of essays seeks to exploit these various advances.
This volume of collected essays focuses on the relationship between the different texts within Isaiah 40–66. It reinvestigates and challenges the traditional division between chapters 40–55 and 56–66 and explores new ways of reading the last 27 chapters of the book of Isaiah. Each article examines Isaiah 40–55 and/or Isaiah 56–66 and highlights continuity and discontinuity within this material.Some contributions belong to the tradition of historical-critical research. They examine existing models of textual development of Isa 40–66 and offer new suggestions. They also explore the interplay between the historical development of the text and its thematic continuity and discontinuity. Is the consistent use of a theme a sign of single authorship? Alternatively, are changes in the way a given issue is treated a sign of multiple authorship? Other contributions explore the final form of Isa 40–66 and suggest reading strategies that do justice to the message of the extant text. Yet other articles make case studies of specific elements of Isa 40–66. What is the significance of these texts for the theological development of the ancient Israelite religion? Further, how do they interact with and transform other texts in the Hebrew Bible?
The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, as well as offers up-to-date information in an attractive and easily accessible format, accompanied by comprehensive recommendations for further reading.
Matthew crowds more Old Testament quotations and allusions into the prologue than anywhere else in his gospel. In this volume, Nicholas G. Piotrowski demonstrates the narratological and rhetorical effects of such frontloading. Particularly, seven formula-quotations constellate to establish a redemptive-historical setting inside of which the rest of the narrative operates. This setting is defined by Old Testament expectations for David’s great son to end Israel’s exile and rule the nations. Piotrowski contends that the rhetorical effect of this intertextual storytelling was to provide the Matthean community with an identity—in a contentious atmosphere—in terms of God’s historical design for the ages, now fulfilled in Jesus and his followers.
A thorough analysis of metaphor translation techniques used in Isaiah In this study Benjamin M. Austin analyzes all the plant metaphors in Isaiah and classifies them according to the metaphor translation techniques used by the Septuagint translator. Austin illustrates how the translator took the context of each metaphor into account and demonstrates how the natural features of the plants under discussion at times influenced their translation. He argues that the translator tried to render metaphors vividly and with clarity, sometimes adjusting them to match the experience of his audience living in Egypt. Austin also examines metaphors in terms of their vehicles (the objects of comparison), so that the translation of similar metaphors can be compared. Features A comparison of the Masoretic Text to the Septuagint and Targum A classification of metaphor translation strategies An introduction to the Hellenistic and the Jewish conception of metaphors
Isaiah 40-66, by Marvin A. Sweeney, is the nineteenth published volume in The Forms of Old Testament Literature (FOTL), a series that provides a form-critical analysis of the books and units in the Hebrew Bible. Building on his earlier FOTL volume Isaiah 1-39, Sweeney here presents his analysis of Isaiah 40-66 within both the synchronic literary form of Isaiah and the diachronic history of its composition. In keeping with the methodology and goals of the FOTL series, Isaiah 40-66 offers detailed examinations of the formal structure of the chapters covered; the genres that function within these chapters; the literary, historical, and social settings of the text; and the overall interpretation of Isaiah 40-66 and its constituent textual units. Including a glossary of the genres and formulas discussed, this commentary will be a useful resource to anyone wishing to engage more deeply with this central book in the Hebrew Bible.
This book explores figurative images of the womb and the simile of a woman in labor from the Hebrew Bible, problematizing previous interpretations that present these as disparate images and showing how their interconnectivity embodies relationship with YHWH. In the Hebrew Bible, images of the womb and the pregnant body in labor do not co-occur despite being grounded in an image of a whole pregnant female body; the pregnant body is instead fragmented into these two constituent parts, and scholars have continued to interpret these images separately with no discussion of their interconnectivity. In this book, Langton explores the relationship between these images, inviting readers into a wider conversation on how the pregnant body functions as a means to an end, a place to access and seek a relationship with YHWH. Readers are challenged and asked to rethink how these images have been interpreted within feminist scholarship, with womb imagery depicting YHWH’s care for creation or performing the acts of a midwife, and the pregnant body in labor as a depiction of crisis. Langton explores select texts depicting these images, focusing on the corporeal experience and discussing direct references and allusions to the physicality of a pregnant body within these texts. This approach uncovers ancient and current androcentric ideology which dictates that conception, gestation, and birth must be controlled not by the female body, but by YHWH. The Womb and the Simile of the Woman in Labor in the Hebrew Bible is of interest to students and scholars working on the Hebrew Bible, gender in the Bible and the Near East more broadly, and feminist biblical criticism.