Download Free Way Down In The Hole Book in PDF and EPUB Free Download. You can read online Way Down In The Hole and write the review.

Based on ethnographic observations and interviews with prisoners, correctional officers, and civilian staff conducted in solitary confinement units, Way Down in the Hole explores the myriad ways in which daily, intimate interactions between those locked up twenty-four hours a day and the correctional officers charged with their care, custody, and control produce and reproduce hegemonic racial ideologies. Smith and Hattery explore the outcome of building prisons in rural, economically depressed communities, staffing them with white people who live in and around these communities, filling them with Black and brown bodies from urban areas and then designing the structure of solitary confinement units such that the most private, intimate daily bodily functions take place in very public ways. Under these conditions, it shouldn’t be surprising, but is rarely considered, that such daily interactions produce and reproduce white racial resentment among many correctional officers and fuel the racialized tensions that prisoners often describe as the worst forms of dehumanization. Way Down in the Hole concludes with recommendations for reducing the use of solitary confinement, reforming its use in a limited context, and most importantly, creating an environment in which prisoners and staff co-exist in ways that recognize their individual humanity and reduce rather than reproduce racial antagonisms and racial resentment. Way Down the Hole Video 1 (https://youtu.be/UuAB63fhge0) Way Down the Hole Video 2 (https://youtu.be/TwEuw1cTrcQ) Way Down the Hole Video 3 (https://youtu.be/bOcBv_UnHIs​) Way Down the Hole Video 4 (https://youtu.be/cx_l1S8D77c)
Down in the Hole humorously re-imagines HBO and creator David Simon's The Wire as an illustrated Victorian novel. Highly anticipated since its initial online appearance and immediate viral proliferation, first-time authors and ersatz Victorian scholars Joy DeLyria and Sean Michael Robinson have painstakingly created a satirical and fictional world based on the characters and narrative of television's most loved drama, The Wire. To be published in time to celebrate The Wire's tenth anniversary, Down in the Hole: the unWired World of H.B. Ogden is a collection of excerpts and illustrations from The Wire, a Victorian serial novel of DeLyria and Robinson's invention, credited to fictional author H.B. Ogden. Excerpts from Ogden's work are knit together by the history of the novel, its author and illustrator, and the adventures of the passionate archivists who uncovered this forgotten text. The Baltimore Sun writes: "...[This] quintessentially Victorian vision of Ogden's The Wire...is a scintillating piece of faux-scholarship. It's set in an alternate universe where the HBO series doesn't exist—and where The Wire in any form, including Horatio Bucklesby Ogden's, has yet to be discovered." Gawker asks: "So, how long before we can actually buy this illustrated version of The Wire? I'd put it on my Amazon wish list now if I could."
Based on ethnographic observations and interviews with prisoners, correctional officers, and civilian staff conducted in solitary confinement units, Way Down in the Hole explores the myriad ways in which daily, intimate interactions between those locked up twenty-four hours a day and the correctional officers charged with their care, custody, and control produce and reproduce hegemonic racial ideologies. Smith and Hattery explore the outcome of building prisons in rural, economically depressed communities, staffing them with white people who live in and around these communities, filling them with Black and brown bodies from urban areas and then designing the structure of solitary confinement units such that the most private, intimate daily bodily functions take place in very public ways. Under these conditions, it shouldn’t be surprising, but is rarely considered, that such daily interactions produce and reproduce white racial resentment among many correctional officers and fuel the racialized tensions that prisoners often describe as the worst forms of dehumanization. Way Down in the Hole concludes with recommendations for reducing the use of solitary confinement, reforming its use in a limited context, and most importantly, creating an environment in which prisoners and staff co-exist in ways that recognize their individual humanity and reduce rather than reproduce racial antagonisms and racial resentment.
Ed Norris' career arc was dazzling. He spent 20 years as a crime-fighting savant with the New York Police Department, rising from beat cop to deputy commissioner of operations at age 36. As police commissioner of Baltimore, he breathed life into a demoralized force that lowered the city's infamous homicide count for the first time in a decade. After the 911 attacks, he took over the Maryland State Police and pushed innovative anti-terrorism strategies that made him a national leader in the field. At the University of Virginia, they taught a graduate course about how his leadership techniques transformed one of the most violent cities in the country. He was the golden boy of law enforcement, a brash, larger-than-life figure with a taste for fine restaurants, bespoke clothing and fast motorcycles. Then it all came crashing down. An investigation into a little-known police expense account morphed into what many felt was a politically-motivated hit job by federal prosecutors. Corruption charges were spiced with lurid allegations of pricey dinners with women and gifts purchased at Victoria's Secret. Ed Norris protested his innocence, but landed in federal prison. Thus began the hellish ordeal that ultimately cost him his livelihood, reputation, health and marriage. This is the incredible story of America's most promising cop, the dark forces that brought him down and his long, emotional journey back from the abyss.
Designed to inspire self-discovery, "There's a Hole in My Sidewalk" contains more than 100 touching poems that gently guide readers to a more authentic and fulfilling life.
A 2015 Caldecott Honor Book With perfect pacing, the multi-award-winning, New York Times best-selling team of Mac Barnett and Jon Klassen dig down for a deadpan tale full of visual humor. Sam and Dave are on a mission. A mission to find something spectacular. So they dig a hole. And they keep digging. And they find . . . nothing. Yet the day turns out to be pretty spectacular after all. Attentive readers will be rewarded with a rare treasure in this witty story of looking for the extraordinary — and finding it in a manner you’d never expect.
'Hello, I've discovered a hole in my apartment... it moves around ... yes ... if you could come and look at it ...bring it down to you, you say ... how ... hello!'.The protagonist has discovered a hole and tries to find an explanation. He seeks expert advice. But not everything can be explained. Perhaps he will just have to accept that it's there.THE HOLE has simple, expressive drawings by pen and computer. The hole is punched right through the book, so it exists in real life.Praise:'... a stylish and surreal picture book... line drawings combined with a minimal use of colour lends the book a stylish and elegant appearance. With few details, attention is drawn towards the simple points on each page, making the story quick to read and easy to understand for readers young and old. At the same time it raises a whole host of questions, both concrete and abstract, and invites several perusals. It is fortunate that the pages are sturdy - this is a book that will quickly become well-thumbed.' - Dagbladet About the AuthorØyvind Torseter is an artist. He has created many picture books and given individual as well as collective exhibitions. Øyvind Torseter won the Bologna Ragazzi Award 2008 with his picture book AVSTIKKERE (DETOURS), and has received several other prizes and nominations as well for his illustrations. But we suspect that THE HOLE will be his great international break-through. No online pdf can do justice to this fabulous story, as the physical hole going straight through the book cannot be visible on a screen. Still, you will get an idea of the philosophical implications raised in this book when looking at the illustrations.
Discover amazing and fascinating sea creatures in the hole in the bottom of the sea! Based on the traditional cumulative song, each verse introduces a new creature and its place in the food chain, with the shark chasing the eel, who chases the squid, who chases the snail. Enhanced CD includes videso animation and audio singalong.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.