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"The fandom driving the magazine is infectious, and the best pieces are simply essential.... A large part of Anthology's draw, as with Wax Poetics the magazine, is how gorgeous it looks: Many pieces come with lovingly reproduced album covers and 45 labels, arrayed neatly like so much recordcollector porn." -The Onion A.V. Club Wax Poetics Anthology, Volume 1, the first book from the esteemed music journal showcasing everyone from jazz and Hip Hop heavyweights to soul and funk musicians, gathers articles from their first five issues into an attractive hardbound edition filled with vintage photos and album art. Including profiles of the Wu-Tang Clan's RZA, funk drummers Clyde Stubblefield and John "Jab'O" Starks, Wild Style director Charlie Ahearn, the late jazz bassist and composer Charles Mingus, and many more, this first installment of the Wax Poetics Anthology is a must-have for record collectors and music connoisseurs alike. First published in December 2001, Brooklyn-born Wax Poetics hit newsstands with a new vision for music journalism, creating a bridge between the past and present of Hip Hop, jazz, funk, soul, reggae, disco, and Latin music. Although originally created for a concentrated market of music aficionados, the magazine's audience has grown exponentially, making musical anthropologists out of average music listeners and spawning a soul renaissance, complete with comeback tours and sophomore efforts. Wax Poetics illuminates the dark corners of our sonic past, while also striving to give new and innovative artists the credit they truly deserve.
"Wax Poetics Anthology, Volume 2," the third book from the esteemed music journal showcasing everyone from jazz and Hip Hop heavyweights to soul and funk musicians, gathers articles from Issues 6 through 10 into a musthave hardbound edition for record collectors and music connoisseurs alike. When "Wax Poetics" debuted in 2001, many magazines were covering the artists of the day, but coverage on classic material was noticeably lacking. This second volume of "Wax Poetics Anthology" continues in the magazine's tradition of bridging the gap. From jazz pioneers like Eugene McDaniels, Sun Ra, and Joe Zawinul to influential Hip Hop artists like DJ Premier and the Beastie Boys, "Wax Poetics Anthology, Volume 2" presents a diverse array of musical puzzle pieces and gives readers the opportunity to make the connections themselves.
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
Poetry, for Jed Rasula, bears traces of our entanglement with our surroundings, and these traces define a collective voice in modern poetry independent of the more specific influences and backgrounds of the poets themselves. In This Compost Rasula surveys both the convictions asserted by American poets and the poetics they develop in their craft, all with an eye toward an emerging ecological worldview. Rasula begins by examining poets associated with Black Mountain College in the 1950s—Charles Olson, Robert Creeley, and Robert Duncan—and their successors. But This Compost extends to include earlier poets like Robinson Jeffers, Ezra Pound, Louis Zukofsky, Kenneth Rexroth, and Muriel Rukeyser, as well as Clayton Eshleman, Gary Snyder, Michael McClure, and other contemporary poets. Walt Whitman and Emily Dickinson also make appearances. Rasula draws this diverse group of poets together, uncovering how the past is a "compost" fertilizing the present. He looks at the heritage of ancient lore and the legacy of modern history and colonial violence as factors contributing to ecological imperatives in modern poetry. This Compost restores the dialogue between poetic language and the geophysical, biological realm of nature that so much postmodern discourse has sought to silence. It is a fully developed, carefully argued book that deals with an underrepresented element in modern American culture, where the natural world and those who write about it have been greatly neglected in contemporary literary history and theory.
Anthology of a selection of early modern works on memory.
One of the world's foremost collectors of all things hip-hop, DJ Ross One presents--for the first time ever--a much sought after collection of T-shirts in this lushly produced and detailed catalog showcasing over 500 of the genre's best. Rap Tees outshines all other rap tee collections and will be the definitive reference for generations to come. Providing not only a valuable reference and style guide to these ultra-rare shirts, Rap Tees is also a unique chronology of the history of hip-hop. Beginning with the earliest rap concert shirts from the Sugar Hill Gang and New York Fresh Fest, circa 1980-84, and spanning the next two decades, Rap Tees includes rare shirts from a wide selection of the who's-who of the business including: Public Enemy, Boogie Down Productions, Beastie Boys, Eric B and Rakim, Wu Tang Clan, Jay Z, Nas, EMPD, and many, many more. Rap Tees bookends the golden age of rap with unique street-corner memorial shirts commemorating the deaths of The Notorious B.I.G. and Tupac Shakur. Unlike typical rock n' roll shirts, hip-hop tees were often made in extremely limited quantities. The elusive concert, promotional, and bootleg tees included in this book are nearly impossible to find on the open market. Only DJ Ross One could track down these gems for you in this one-of-a-kind book, making Rap Tees the consummate guide for these unique pieces of music history.
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
The Gospel of Hip Hop: First Instrument, the first book from the I Am Hip Hop, is the philosophical masterwork of KRS ONE. Set in the format of the Christian Bible, this 800-plus-page opus is a life-guide manual for members of Hip Hop Kulture that combines classic philosophy with faith and practical knowledge for a fascinating, in-depth exploration of Hip Hop as a life path. Known as “The Teacha,” KRS ONE developed his unique outlook as a homeless teen in Brooklyn, New York, engaging his philosophy of self-creation to become one of the most respected emcees in Hip Hop history. Respected as Hip Hop’s true steward, KRS ONE painstakingly details the development of the culture and the ways in which we, as “Hiphoppas,” can and should preserve its future. "The Teacha" also discusses the origination of Hip Hop Kulture and relays specific instances in history wherein one can discover the same spirit and ideas that are at the core of Hip Hop’s current manifestation. He explains Hip Hop down to the actual meaning and linguistic history of the words “hip” and “hop,” and describes the ways in which "Hiphoppas" can change their current circumstances to create a future that incorporates Health, Love, Awareness, and Wealth (H-LAW). Committed to fervently promoting self-reliance, dedicated study, peace, unity, and truth, The "Teacha" has drawn both criticism and worship from within and from outside of Hip Hop Kulture. In this beautifully written, inspiring book, KRS ONE shines the light of truth, from his own empirical research over a 14-year period, into the fascinating world of Hip Hop.