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Winner of the 2004 Verse Prize, this second collection confirms Nutter's reputation for strange, beautiful, original work.
A collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
Leaves of Water is an inspirational, thought-provoking poetry book with poems featuring such topics as the calming symphony of rain on the leaves, the silence of the wind and the glory of God. Fr. Ralph Wright, who is a poet of great distinction, pens works that reflect his knowledge of and respect for the masters. His images are both beautiful and startling; his metaphors perceptive, his use of rhyme natural. His expertise lies in the unity of word and idea that is the essence of poetry. Leaves of Water is his sixth book of verse. The poetry of leaves of water is never obscure but nevertheless demands that we return, again and again, to delight in and savor both words and subtle meanings. Leaves of Water offers a soothing escape from the pressures and turmoil of every day life.
How to find wisdom and spiritual sustenance in a time of crisis and uncertainty? In Divine Fire, David Woo answers with poems that move from private life into a wider world of catastrophe and renewal. The collection opens in the most personal space, a bedroom, where the chaotic intrusions of adulthood revive the bafflements of childhood. The perspective soon widens from the intimacies of love to issues of national and global import, such as race and class inequality, and then to an unspoken cataclysm that is, by turns, a spiritual apocalypse and a crisis that could be in the news today, like climate change or the pandemic. In the last part of the book, the search for ever-vaster scales of meaning, both sacred and profane, finds the poet trying on different personas and sensibilities—comic, ironic, earnest, literary, self-mythologizing— before reaching a luminous détente with the fearful and the sublime. The divine fire of lovers fading in memory—“shades of the men in my blood”—becomes the divine fire of a larger spiritual reckoning. In his new book of poems, Woo provides an astonishing vision of the world right now through his exploration of timeless themes of love, solitude, art, the body, and death.
A vast collection of poems which won "Poetry" magazine's Levinson prize."Somehow the nuances of daily experience, the warmth, humor, and reflection the poet brings to subjects are quite unlike anyone else's." - J.Parisi
Shortlisted for the T. S. Eliot Prize Finalist for the Forward Prize for Best Collection The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States Even the men in black armor, the ones Jangling handcuffs and keys, what else Are they so buffered against, if not love’s blade Sizing up the heart’s familiar meat? We watch and grieve. We sleep, stir, eat. Love: the heart sliced open, gutted, clean. Love: naked almost in the everlasting street, Skirt lifted by a different kind of breeze. —from “Unrest in Baton Rouge” In Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
A profound literary debut that recounts a child’s singular story Since I made you, you may imagine I set myself on fire— or better, say: you lit the funeral pyre from ten thousand days away. A young woman in Paris encounters an uncanny presence on a tour of a small museum. A study by Rodin of the dancer Little Hanako—titled Head of Sorrow—triggers in the young woman recognition of her mother, a mother erased from her life since childhood. Thus begins Eleanor Chai’s Standing Water, one of the most remarkable first books of poetry in recent years. It is a journey into the past as well as the present—into the narrative hidden from the poet since birth, as well as the strategies that she has adopted to survive. It is a journey about how we learn to cope with, to perceive and describe, the world. It is a story about savage privilege and deprivation. Haunting the whole is the figure of the real Little Hanako—Rodin’s model, a Japanese artist displaced in Europe, the medium through which other artists dream and discover the world.