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Lost in the shadows of a tragedy that stripped Aurora of everything she once loved, she's back in the small town of Balsam Grove, ready to face all she's kept locked away for seven years. Or so she thinks. As one of the victims of a string of mysterious disappearances in the small, picturesque Appalachian Mountain town, darkness has become her home-her safe blanket when the world reveals its true colors. But as the walls of darkness start to move in on her, she knows the only way to free herself from her past is to face it, head-on. Upon arrival, Aurora isn't expecting her first collision to be with the boy she left all those years ago. The boy who betrayed her trust with no regrets. The boy who is now a man with the same stormy eyes that swept her into his current before she ever learned to swim. She'd thought he was safe. He'd thought their path was mapped out. Turns out neither of them was ready for the crash at the bottom of the cascade.
Leaders are fundamentally charged with getting things done - being productive. To do this, we have to understand that Time is every organization's most valuable asset. When leaders spend their time focused on the right goals, engaged in the right activities, and with the right people, they product the Waterfall Effect. The Waterfall Effect is the benefits that cascade down through the organization, into the community, and out to the customer/client base. There are six principles every leader can follow to be productive and create the Waterfall Effect: 1. Developing Field Vision - the ability to assimilate and respond to numerous data inputs. 2. Keeping the Glass Half Full - the impact of attitude at the leadership and managerial level. 3. Leveraging the Value of Silence - the timing of when to talk and when to remain quiet. 4. Peeling Back the Onion - the value of uncovering the hidden potential in others. 5. Setting the Bar - the importance of setting and maintaining proper expectations. 6. Triaging Priorities - the need for constant appraisal of what needs doing right now. This book covers all six principles in detail, providing you 18 concrete suggestions wrapped in examples, exercises and stories to drive the point home. Imagine, in under an hour, you could be producing the Waterfall Effect every day!
Animate the world around you! Follow along with veteran Disney effects artist Mauro Maressa as he teaches you how to create and animate natural phenomena like water, fire, smoke, lightning, lava, mud, and wind. Essential Effects will help you plan, draw, design, and animate traditional 2D effects, taking your ideas all the way from rough sketch to finished product. Using a series of full-color visual breakdowns and diagrams, this book gives you a clear, concise understanding of what it takes to create credible, compelling effects in your own projects. Key Features Build a strong foundation of observation and drawing skills that you can rely on for the rest of your career Tips and tricks for applying classic effects principles to computer-animated and CG projects Over 400 full-color images and diagrams for clear step-by-step learning
The Dictionary of Hallucinations, second edition, is an alphabetical listing of issues pertaining to hallucinations and other misperceptions. They can be roughly divided into four categories: 1. Definitions of individual hallucinatory symptoms 2. Medical conditions and substances associated with the mediation of hallucinations 3. Historical figures who are known to have experienced hallucinations 4. Miscellaneous issues Each of the definitions of individual hallucinatory symptoms includes: a definition of the term its etymological origin the year of introduction (if known) a reference to the author or authors who introduced the term (if known) a description of the current use a brief explanation of the etiology and pathophysiology of the symptom at hand (if known) references to related terms references to the literature The second edition of A Dictionary of Hallucinations serves as a reference manual for neuroscientists, psychiatrists, psychiatric residents, psychologists, neurologists, historians of psychiatry, general practitioners, and academics dealing professionally with concepts of hallucinations and other sensory deceptions. This new edition provides updated information and references, and includes newly discovered hallucinations, bringing together contributions by other authorities within the field, with all the entries edited by Prof. Blom.
Their grandeur takes our breath away. Their gentle sound compliments periods of mediation. Regardless of their size, waterfalls create in the observer a feeling of serenity, a sense of restrained power. To discover a falls is sublime, and now Waterfalls of Virginia and West Virginia is available to guide willing adventurers to locate easy as well as challenging waterfalls in the Old Dominion and Mountain States. This complete and comprehensive guide offers clear directions to over 200 waterfalls open to the public. In addition to a brief description of each falls, at-a-glance information including height, type, size of watershed, and difficulty of access help readers choose which waterfall to visit and when. Directions on photography, including how to set up the best shot--from time of day, angle, direction to location--makes this book indispensable to professional and amateur photographers. From Shenandoah National Park to New River Gorge National River, from the Monongahela National Forest to the George Washington and Jefferson National Forest, this book has a waterfall to fit any readers mood or sense of adventure. Waterfalls of Virginia and West Virginia is the only guidebook to the waterfalls of these two states.
Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Sound Effect tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century, and ending with headphone theatre which brings theatre's auditorium into an intimate relationship with the audience's internal sonic space, the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing, first a collective hearing, or audience is convened. Theatre begins with people entering an acoustemological apparatus that produces a way of hearing and of knowing. Once, this was a giant marble ear on a hillside, turned up to a cosmos whose inaudible music accounted for all. In modern times, theatre's auditorium, or instrument for hearing, has turned inwards on the people and their collective conversance in the sonic memes, tropes, clichés and picturesques that constitute a popular, fictional ontology. This is a study about drama, entertainment, modernity and the theatre of audibility. It addresses the cultural frames of resonance that inform our understanding of SOUND as the rubric of the world we experience through our ears. Ross Brown reveals how mythologies, pop-culture, art, commerce and audio, have shaped the audible world as a form of theatre. Garrick, De Loutherbourg, Brecht, Dracula, Jekyll, Hyde, Spike Milligan, John Lennon, James Bond, Scooby-Do and Edison make cameo appearances as Brown weaves together a history of modern hearing, with an argument that sound is a story, audibility has a dramaturgy, hearing is scenographic, and the auditoria of drama serve modern life as the organon, or definitive frame of reference, on the sonic world.
Biomechanics has a distinguished history extending at least to the 16th Century. However the later half oftbis century has seen an explosion ofthe field with it being viewed as affering exciting challenges for physical scientists and engineers interested in the life sciences, and wonderful opportunities for life scientists eager to collaborate with physical scientists and engineers and to render their scientific work more fundamental. That the field is now weil established and expanding is demonstrated by the formation of a World Committee for Biomechanics and the success and large participation in the 1st and 2nd World Congresses of Biomechanics, held respectively in San Diego in 1990 and in Amsterdam in 1994. With more than 1350 scientific papers delivered at the 2nd World Congress, either within symposia or oral or poster sessions, it would have been out of the question to try to produce comprehensive edited proceedings. Moreover, we are confident that most of the papers have been or will be published in one ofthe excellentjoumals covering the field. But of effort contributed by the plenary lecturers and the tutorial we thought that the large amount and keynote speakers of various symposia deserved tobe recognised in the form of a specific publication, thus also allowing those unable to attend the presentatiops . . tC\ sh?r~ in the findings. Furthermore, we feel that there is now a need to review aspects 'oftlie freld.
The Spiral After-Effect presents the visual phenomenon of the spiral after-effect in clinical investigations. This book explains how and under what conditions the illusion happens or can be modified. Organized into eight chapters, this book begins with an overview of the features of illusion that are similar to many of the characteristics of other movement perceptions, including vividness, velocity, and persistence. This text then examines the complex structure and the geometric function of the inducing stimulus. Other chapters consider the effects of drugs on the spiral illusion, which is rather strange when one considers the wide use of the phenomenon in patient groups who may be receiving substantial admixtures of compound for therapeutic purposes. This book discusses as well the relationship between intelligence and perception of the spiral after-effect. The final chapter deals with the conditioned after-effect. Clinical psychologists and readers who are interested in personality research will find this book useful.
Selected, peer reviewed papers from the 2012 International Conference on Energy and Environmental Protection (ICEEP 2012), June 23-24, 2012, Hohhot, China