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Off the coast of Cape Cod lies a small windswept island called Penikese. Alone on the island is a school for juvenile delinquents, the Penikese Island School, where Daniel Robb lived and worked for three years as a teacher. By turns harsh, desolate, and starkly beautiful, the island offers its temporary residents respite from lives filled with abuse, violence, and chaos. But as Robb discovers, peace, solitude, and a structured lifestyle can go only so far toward healing the anger and hurt he finds not only in his students but within himself. Lyrical and heartfelt, Crossing the Water is the memoir of his first eighteen months on Penikese, and a poignant meditation on the many ways that young men can become lost.
2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA) 2023 Winner, Gordon K. and Sybil Lewis Book Award, Caribbean Studies Association An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.
From the award-winning author of How I Became a Ghost, a tale of unlikely friendship and miracles. When Martha Tom helps Lil Mo and his family escape from the plantation across the river, it's just the beginning of a Choctaw adventure of a lifetime.
In Crossing the Next Meridian, Wilkinson explains to a general audience some of the core problems that face the American West, both now and in the years to come. An expert on federal public lands, Native American issues, and the West's arcane water laws, Wilkinson looks at the outmoded ideas that pervade land use and resource allocation. He argues that significant reform of Western law is needed to combat environmental decline and heal splintered communities. Interweaving legal history with examples of present-day consequences, both intended and unintended, Wilkinson traces the origins and development of Western laws and regulations. He relates stories of Westerners who face these issues on a day-to-day basis and discusses what can and should be done to bring government policies in line with the reality of twentieth-century American life. His examination seeks a middle ground between those who champion unrestricted growth and those who advocate complete preservation.
"Crossing the Water, a collection of poems written just prior to those in Ariel, . . . is of immense importance in recording [Plath's] extraordinary development. One senses on every page a voice coming into its own, the chaos of a lifetime at last getting ready to assume its final, triumphant shape." — Kirkus Reviews Sylvia Plath's extraordinary collection pushes the envelope between dark and light, between our deep passions and desires that are often in tension with our duty to family and society. Water becomes a metaphor for the surface veneer that many of us carry, but Plath explores how easily this surface can be shaken and disturbed.
Portsmouth, NH, March 5th, 1873... A confluence of events resulted in the murders of two women and brought national attention to the Maine/NH seacoast area. By mid day of Thursday, the 6th, word reached Portsmouth police that an atrocity had taken place on one of the islands, called Smuttynose. A group of fishermen from the Isles of Shoals were stunned with disbelief and rambling in heavily accented English when they broke the news to authorities. Two of their own were savagely murdered. The killer could still be out there on the small cluster of islands or had somehow made it back to Portsmouth in a dory on a very cold night. He had to be caught and, what's more, they knew who did it. Police Chief Thomas Entwhistle calmed the men and slowly began to piece the story together.The murders of Karen and Anethe Christensen by a Prussian immigrant who rowed ten miles to their deserted island, stirred controversy when it happened and continues to do so today. Cold Water Crossing sheds new light on that event and brings to life, the tragedy of one Norwegian immigrant family.
A powerful exploration of grief and resilience following the death of the author's son that combines memoir, reportage, and lessons in how to heal Everyone deals with grief in their own way. Helen Macdonald found solace in training a wild gos­hawk. Cheryl Strayed found strength in hiking the Pacific Crest Trail. For Carol Smith, a Pulitzer Prize­ nominated journalist struggling with the sudden death of her seven-year-old son, Christopher, the way to cross the river of sorrow was through work. In Crossing the River, Smith recounts how she faced down her crippling loss through reporting a series of profiles of people coping with their own intense chal­lenges, whether a life-altering accident, injury, or diag­nosis. These were stories of survival and transformation, of people facing devastating situations that changed them in unexpected ways. Smith deftly mixes the stories of these individuals and their families with her own account of how they helped her heal. General John Shalikashvili, once the most powerful member of the American military, taught Carol how to face fear with discipline and endurance. Seth, a young boy with a rare and incurable illness, shed light on the totality of her son's experiences, and in turn helps readers see that the value of a life is not measured in days. Crossing the River is a beautiful and profoundly moving book, an unforgettable journey through grief toward hope, and a valuable, illuminating read for anyone coping with loss.
Three Hundred Years of African-American Writing This is the most comprehensive collection of writing by and about African-Americans ever to appear in one volume. Combining an extensive selection of poetry, prose, speeches, songs, documents, and letters dating from the pre-Colonial era through to the present day, it offers a testament to the pervasive influence of African-Americans on the political, creative, and cultural development of not just the United States but the whole world.
In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castañeda Vera, a priest-practitioner of Santería, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand. The result is Crossing the Water, an extraordinary visual record of Afro-Cuban religious experience. A book of more than 150 striking photographs in both black and white and color, Crossing the Water includes images of elaborate Santería altars and Palo spirit cauldrons, as well as of Santiago and his religious "family" engaged in ritual practices: the feeding of the spirits, spirit possession, and private and collective healing ceremonies. As the charismatic head of a large religious community, Santiago helps his godchildren and others who consult him to cope with physical illness, emotional crises, contentious relationships, legal problems, and the hardships born of day-to-day survival in contemporary Cuba. He draws on the distinct yet intertwined traditions of Santería, Palo Monte, and Espiritismo to foster healing of both mind and body--the three religions form a coherent theological whole for him. Santiago eventually became Garoutte's and Wambaugh's spiritual godfather, and Crossing the Water is informed by their experiences as initiates of Santería and Palo Monte. Their text provides nuanced, clear explanations of the objects and practices depicted in the images. Describing the powerful intensity of human-spirit interactions, and evoking the sights, smells, sounds, and choreography of ritual practice, Crossing the Water takes readers deep inside the intimate world of Afro-Cuban spirituality.
Over the past ten years, more than 4,000 people have died while crossing the Arizona desert to find jobs, join families, or start new lives. Other migrants tell of the corpses they pass—bodies that are never recovered or counted. Crossing With the Virgin collects stories heard from migrants about these treacherous treks—firsthand accounts told to volunteers for the Samaritans, a humanitarian group that seeks to prevent such unnecessary deaths by providing these travelers with medical aid, water, and food. Other books have dealt with border crossing; this is the first to share stories of immigrant suffering at its worst told by migrants encountered on desert trails. The Samaritans write about their encounters to show what takes place on a daily basis along the border: confrontations with Border Patrol agents at checkpoints reminiscent of wartime; children who die in their parents’ desperate bid to reunite families; migrants terrorized by bandits; and hovering ghost-like above nearly every crossing, the ever-present threat of death. These thirty-nine stories are about the migrants, but they also tell how each individual author became involved with this work. As such, they offer not only a window into the migrants’ plight but also a look at the challenges faced by volunteers in sometimes compromising situations—and at their own humanizing process. Crossing With the Virgin raises important questions about underlying assumptions and basic operations of border enforcement, helping readers see past political positions to view migrants as human beings. It will touch your heart as surely as it reassures you that there are people who still care about their fellow man.