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Discover the joy and versatility of watercolors with forty gorgeously illustrated lessons for any skill level. Watercolors are beautiful in their simplicity: a basic palette of paints, a few brushes, and nice thick paper will do the job. The medium is also beautiful, though, in its depths and complexities. Here, watercolor artist and instructor Emma Block focuses on techniques, materials, and lessons to help you explore new watercolor techniques, build creative confidence, and discover your unique style of painting. She'll show you—with clear, step-by-step instructions—how to paint everything from people, plants, and animals perfect for framing to patterns and washes perfect for stationery and housewares. The forty lessons cover useful topics like: Quality materials and how they can elevate your craft Color theory 101 to help you confidently create artwork all your own A techniques glossary full of exciting new skills to learn Tips for finding creative inspiration in your everyday life Note: For complete instructions on mixing hair colors (page 192), visit https://www.runningpress.com/articles/errata-note-watercolor-life/.
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
The Guided Reading: Visualize resource book for third and fourth grades features 36 readers—six sets of two each for below-, on-, and above-level student readers. Filled with charts and photos, it enhances group lessons with informational text about flight, storms, sports, Egypt, coral, and more. Guided Reading: Visualize provides you with a comprehensive guided reading resource. This book includes: -discussion guides -leveled readers with intriguing topics -prompts to encourage students to work with the text and text features -graphic organizers and an observation sheet Separated into three readability levels, informational readers capture students’ attention with appealing topics, graphic charts, colorful photos, and detailed maps. Students are encouraged to apply guided reading strategies to the text and complete writing prompts to reflect on what they learned. The 12-book Ready to Go: Guided Reading series for grades 1–6 helps you with guided reading organization by providing an all-in-one set. These 80-page reading comprehension resource books feature three reproducible pages, six discussion guides, and 36 readers. Each grade span includes four books, focusing on the following comprehension strategies: -Analyze -Determine Importance -Synthesize -Visualize These resource books contain short nonfiction texts and text features such as photographs, charts, maps, and callout boxes to keep students interested in reading.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Life is better at the lake—but you already knew that. Capture the sweetest parts of lake life with 100 peaceful devotions and gorgeous photography in Devotions from the Lake. This beautiful book offers insight into how God meets us through rest and play, and how to bring all the best parts of “lake life” to everyday life. Life has a way of slowing down and simplifying when you’re by the water. Enjoying long walks, ice cream cones, and watercolor sunsets with your family and friends is a way of life on lake days . . . wouldn’t it be a dream to live like that year-round? Devotions from the Lake includes 100 devotions and beautiful photography.It is a wonderful way to start each day at the lake with quiet devotional time as you gain deeper insight into how God meets us through rest and play and how to bring all the best parts of “lake life” to everyday life. It’s the perfect gift for any lake lover or a happy way to keep a little piece of the lake with you at all times.

Hirshhorn Museum

United States. Congress. House. Committee on Public Works. Subcommittee on Public Buildings and Grounds

Published: 1966

Total Pages: 154


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Considers H.R. 15121 and related bills, to establish the Joseph H. Hirshhorn Museum and Sculpture Garden in D.C. Includes index of sculptors, names of sculpture collections, and artists represented in the collection of paintings, watercolors and drawings (p. 27-112). Also considers relocating in the Smithsonian the exhibits of the Armed Services Institute of Pathology.
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature. Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period. The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William HolmanHunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium. Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Drawing on the natural folk art tendencies of children, who love to collect buttons, bottle caps, shells, and Popsicle sticks to create beautiful, imperfect art, this activity guide teaches kids about the history of this organic art and offers inspiration for them to create their own masterpieces. The full breadth of American folk art is surveyed, including painting, sculpture, decorative arts, and textiles from the 17th century through today. Making bubblegum wrapper chains, rag dolls, bottle cap sculptures, decoupage boxes, and folk paintings are just a few of the activities designed to bring out the artist in every child. Along the way kids learn about the lives of Americans throughout history and their casual relationships to everyday art as they cut stencils, sew needlepoint samplers, draw calligraphy birds, and design quilts. Important folk artists such as the last surviving Shakers, the legendary Grandma Moses, and the Reverend Howard Finster are also explored in sidebars throughout the book.