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City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'. Together with work from established authors, both bilingual writers who choose to write in English and expatriate authors who have made Hong Kong their home, a section of 'New Voices' introduces the work of unknown and young writers who are part of today's surge of new creativity.
This is the first book to bring together nine Asian English writers of Chinese descent from Singapore, Malaysia and Hong Kong: Catherine Lim, Christine Lim, Ee Tiang Hong, Kee Thuan Chye, Lee Kok Liang, Shirley Lim, Timothy Mo, Xu Xi and Agnes Lam. It discusses how the withdrawal of colonial power and the implementation of nation-building policies impact race/ethnicity, class and language in these former British colonies. The last chapters take a special look at postcolonialism and gender politics, and explore how Chinese women, at home or abroad, defy the Orientalist gaze and the native patriarchy.
Preliminary Material -- INTRODUCTION: WRITING RACE AND ASIA-PACIFIC MOBILITIES - CONSTRUCTIONS AND CONTESTATIONS /Robbie B.H. Goh -- VIVAN SUNDARAM'S “AMRITA”: TOWARDS A STYLE OF THE BODY /Tania Roy -- THE RETURN OF THE SCIENTIST: ESSENTIAL KNOWLEDGE AND GLOBAL TRIBALISM IN AMITAV GHOSH'S THE HUNGRY TIDE AND THE CALCUTTA CHROMOSOME /Robbie B.H. Goh -- ETHNICITY AND THE SOUTHEAST ASIAN DIASPORA IN LI-YOUNG LEE'S THE WINGED SEED /Walter S.H. Lim -- NARRATING RACE, GENDER, AND SEXUALITY IN R.K. NARAYAN'S THE PAINTER OF SIGNS /Chitra Sankaran -- CHINESE ETHNICITY IN POST-REFORMATION INDONESIAN WOMEN'S FICTION: A COMPARATIVE STUDY OF TWO NOVELS BY AYU UTAMI AND DEWI LESTARI /Harry Aveling -- RESI(G)NIFYING THE CHINESE AND FILIPINO IN CINEMATIC NARRATIVES /Caroline S. Hau -- PERFORMING ETHNICITY, ETHNICIZING HISTORY: THE EURASIANS OF SINGAPORE IN REX SHELLEY'S THE SHRIMP PEOPLE /Lily Rose Tope -- PERFORMING THE SELF: RACE AND IDENTITY IN TWO HONG KONG ENGLISH-LANGUAGE PLAYS /Kwok-Kan Tam -- BORDER CROSSING: PLACE, IDENTITY AND DIS/LOCATION OF THE SELF IN XU XI'S THE UNWALLED CITY /Terry Siu-Han Yip -- HYBRID BROWN GAIJIN IS A “DISTINGUISHED ALIEN” IN SAKOKU JAPAN /Julie Mehta -- UGLY AMERICANS AND LITTLE BROWN BROTHERS: SPECTACLES OF IDENTITY IN CONTEMPORARY PHILIPPINE DRAMA /Judy Celine Ick -- DISAPPEARING RACE: NORMATIVE WHITENESS AND CULTURAL APPROPRIATION IN AUSTRALIAN REFUGEE NARRATIVES /Wenche Ommundsen -- RACE IN ASIAN POETRY IN ENGLISH: ETHNIC, NATIONAL AND COSMOPOLITAN REPRESENTATIONS /Agnes S.L. Lam -- NOTES ON CONTRIBUTORS -- INDEX.
International Poetry Nights in Hong Kong (IPNHK) is an awardwinning biennial poetry festival established by renowned contemporary Chinese poet Bei Dao. Since its debut in 2009 in Hong Kong, IPNHK has become the most influential series of international poetry events in the sinophone areas, delivered internationally acclaimed poets' thoughts and ideas about poetry to contemporary China, and stimulated Chinese poets' reflection upon their own conditions of reading world poetry. Following the enormous success of previous editions, IPNHK's 2017 event is scheduled to happen between 22–26 November in Hong Kong, with the theme "cient Enmity", and invites more than twenty poets and lyricists from different parts of the world to share and read their works, in the hope of encouraging exchange among poets and lyricists. Poets include Gabeba Baderoon (South Africa), Javier Bello (Chile), Chen Dongdong (China), J?r?me Game (France), Major Jackson (US), George Szirtes (UK), Anja Utler (Germany), Haris Vlavianos (Greece) and others. The IPNHK anthology includes selections of the most internationally acclaimed contemporary poetry by the invited poets, accompanied by unique Chinese and English translations in bilingual or trilingual formats.
The notion of the postcolonial metropolis has gained prominence in the last two decades both within and beyond postcolonial studies. Disciplines such as sociology and urban studies, however, have tended to focus on the economic inequalities, class disparities, and other structural and formative aspects of the postcolonial metropolises that are specific to Western conceptions of the city at large. It is only recently that the depiction of postcolonial metropolises has been addressed in the writings of Suketu Mehta, Chris Abani, Amit Chaudhuri, Salman Rushdie, Aravind Adiga, Helon Habila, Sefi Atta, and Zakes Mda, among others. Most of these works probe the urban specifics and physical and cultural topographies of postcolonial cities while highlighting their agential capacity to defy, appropriate, and abrogate the superimposition of theories of Western modernity and urbanism. These ASNEL Papers are all concerned with the idea of the postcolonial (in the) metropolis from various disciplinary viewpoints, as drawn from a great range of cityscapes (spread out over five continents). The essays explore, on the one hand, ideas of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation, and, on the other, the possibility of transforming, reinventing and reconfigurating the ‘postcolonial condition’ in and through literary texts and visual narratives. In this context, the volume covers a broad spectrum of theoretical and thematic approaches to postcolonial and metropolitan topographies and their depictions in writings from Australia and New Zealand, South Africa, South Asia, and greater Asia, as well as the UK, addressing issues such as modernity and market economies but also caste, class, and social and linguistic aspects. At the same time, they reflect on the postcolonial metropolis and postcolonialism in the metropolis by concentrating on an urban imaginary which turns on notions of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation – as the continuing ‘postcolonial’ condition.
This is the first reference guide to the political, cultural and economic histories that form the subject-matter of postcolonial literatures written in English.The focus of the Companion is principally on the histories of postcolonial literatures in the Anglophone world - Africa, the Middle East, South Asia, South-east Asia, Australia and New Zealand, the Pacific, the Caribbean and Canada. There are also long entries discussing the literatures and histories of those further areas that have also claimed the title 'postcolonial', notably Britain, East Asia, Ireland, Latin America and the United States. The Companion contains:*220 entries written by 150 acknowledged scholars of postcolonial history and literature;*covers major events, ideas, movements, and figures in postcolonial histories*long regional survey essays on historiography and women's histories. Each entry provides a summary of the historical event or topic and bibliographies of postcolonial literary works and histories. Extensive cross-references and indexes enable readers to locate particular literary texts in their relevant historical contexts, as well as to discover related literary texts and histories in other regions with ease.
An unusual book of quirky essays, some deeply personal. Xu Xi writes from within, of Hong Kong's vanishing culture and sensibility as it transforms itself into a space that is 21st Century China. She zooms in on her own life in the city: on family, friends and a professional history as both business executive and author, on moments that offer wry observations of the shifting world around her. She casts her eye on films, pop stars, public transportation, and muses on the political, without losing sight of the distinctly apolitical culture that evolved through a history as the former British colony and Chinese "Special Administrative Region" after the 1997 "handover."
This pocketsized paperback is one of the twentyfour titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is "Ancient Enmity". IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme "ncient Enmity". Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.