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Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed-media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valérie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves—an eclectic cast that includes Beyoncé, Radcliffe Bailey, Edwidge Danticat, Édouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Édouard Duval-Carrié, Natasha Trethewey, and Kara Walker, among others—are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual—whether in the context of the aftermath of slavery or of ecological and human-made catastrophes—their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
This book describes the essential processes and techniques for the scientific investigation of atrocity crimes.
Plunging under the cold ocean surface, her long blonde hair drags in the current and she frantically kicks towards the light. With her arms and legs tied she is helpless. As water fills her lungs, she has just one regret. She never told anyone about her date. On a lonely stretch of coast at daybreak in North Carolina's Outer Banks, Detective Casey White is shocked to find the drowned body of a much-loved local woman, Ann Choplin, her beautiful face covered with specks of sand. The green and white rope binding her wrists reveals the terrifying truth that this innocent mother's death was no accident. With the incoming tide flooding the scene and swallowing all evidence, Casey's team has nowhere to turn... but it's Casey who realizes this beach will be devastatingly familiar to her partner, ex-sheriff Jericho Flynn. His wife was found murdered here years ago, thrown into the ocean alive just like Ann. But the twisted and jealous woman guilty of that crime has been in prison for years. Days later, another woman is found drowned on the same beach, her wrists tied. Casey fears a copycat killer is on the loose, playing a deadly game with Jericho by digging up the horrors of his past. Certain that finding a link between these women will crack the case, Casey works through the night digging into their lives and finds an old photo of the two victims at school together, smiling in their cheerleader uniforms. But cold betrayal floods Casey as she sees Jericho in the background. She'd thought it was safe to let him into her life, but he never once mentioned he knew the victims. What other secrets is he hiding? When a coil of green and white rope is found in his garage, Casey's whole team is convinced that the mounting evidence is stacked against Jericho. But with Casey's instincts screaming that Jericho could never hurt anyone, it will mean risking her own career-and her life-to clear his name. If she's wrong, she is placing her trust in a killer... but if she's right, more innocent women are in terrible danger. An absolutely unputdownable crime thriller, with twists and turns that will leave you breathless. Fans of Robert Dugoni, Kendra Elliot and Rachel Caine will be addicted.
The authors provide a comprehensive picture of burial, mourning rituals, commemoration practices and veneration of the dead among the Negev Bedouin. A primary emphasis is the pivotal linkages between the living and the dead embodied in the intermediary role of healers, sorcerers, seers and other arbitrators between heaven and earth, who supplicate -- publicly and privately -- at the gravesite of chosen awliyah (deceased saints). This book brings together integrated findings of three scholars, based on decades of field work that combine close to 65 years of scrutiny. It maps out the locations and particularities of venerated tombs, the identity of the occupants and their individual abilities vis-a-vis the Almighty. Attitudes, beliefs and customs surrounding each gravesite, when combined on a longitudinal scale, reveal changes over time in beliefs and practices in grave worship and burial, mourning and condolence customs. Analysis of the data reveals that the dynamic of grave worship among the Negev Bedouin throws light on ancient traditions in a complex relationship with mainstream Islamic doctrine and the impact of modernity on Bedouin conduct and belief. The authors' observations and interviews with practitioners about their beliefs are compared and augmented with references that exist in the professional literature, including grave worship elsewhere in the Arab world. The Charm of Graves is essential reading for anthropologists, scholars of the sociology of religion, and students of Islam at university and popular levels. The topic has received only marginal attention in existing anthropological works and has been keenly awaited.
"Publications of the Academy of Natural Sciences of Philadelphia": v. 53, 1901, p. 788-794.
Vols. 4-17 include General public acts passed by the 105th - 118th Legislature of the state of New Jersey and lists of members of the Legislature.
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.