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2007 — Jane Jacobs Urban Communication Publication Award – Urban Communication Foundation As twentieth-century city planners invested in new transportation systems to deal with urban growth, they ensured that the automobile rather than mass transit would dominate transportation. Combining an exploration of planning documents, sociological studies, and popular culture, Paul Fotsch shows how our urban infrastructure developed and how it has shaped American culture ever since. Watching the Traffic Go By emphasizes the narratives underlying our perceptions of innovations in transportation by looking at the stories we have built around these innovations. Fotsch finds such stories in the General Motors "Futurama" exhibit at the 1939 World's Fair, debates in Munsey's magazine, films such as Double Indemnity, and even in footage of the O. J. Simpson chase along Los Angeles freeways. Juxtaposed with contemporaneous critiques by Lewis Mumford, Theodor Adorno, and Max Horkheimer, Fotsch argues that these narratives celebrated new technologies that fostered stability for business and the white middle class. At the same time, transportation became another system of excluding women and the poor, especially African Americans, by isolating them in homes and urban ghettos. A timely, interdisciplinary analysis, Watching the Traffic Go By exposes the ugly side of transportation politics through the seldom-used lens of popular culture.
A stunning debut novel about that uncertain summer after high-school graduation. Emily has finally finished high school in the small town where she has lived her whole life. At last, she thinks, her adult life can begin. But what if you have no idea what you want your new life to look like? What then? While Lincoln gets ready to go backpacking in Australia, Melissa packs for university on the east coast, and a new guy named Tyler provides welcome distraction, Emily wonders whether she will end up working forever at Pamela’s Country Catering, cutting the crusts off party sandwiches and stuffing mushrooms. Is this her future? Being known forever as the local girl whose mother abandoned her in the worst way possible all those years ago? Visiting her spacey grandmother, watching nature shows on TV with her dad and hanging out with Robert the grocery clerk? Listening to the distant hum of the highway leading out of the town everyone can’t wait to leave? With poetic prose and a keen eye for the quirks and ironies of small-town life, Jane Ozkowski captures the bittersweet uncertainty of that weird, unreal summer after high school — a time that is full of possibility and completely terrifying at the same time. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.
As twentieth-century city planners invested in new transportation systems to deal with urban growth, they ensured that the automobile rather than mass transit would dominate transportation. Combining an exploration of planning documents, sociological studies, and popular culture, Paul Fotsch shows how our urban infrastructure developed and how it has shaped American culture ever since. Watching the Traffic Go By emphasizes the narratives underlying our perceptions of innovations in transportation by looking at the stories we have built around these innovations. Fotsch finds such stories in the General Motors "Futurama" exhibit at the 1939 World's Fair, debates in Munsey's magazine, films such as Double Indemnity, and even in footage of the O. J. Simpson chase along Los Angeles freeways. Juxtaposed with contemporaneous critiques by Lewis Mumford, Theodor Adorno, and Max Horkheimer, Fotsch argues that these narratives celebrated new technologies that fostered stability for business and the white middle class. At the same time, transportation became another system of excluding women and the poor, especially African Americans, by isolating them in homes and urban ghettos. A timely, interdisciplinary analysis, Watching the Traffic Go By exposes the ugly side of transportation politics through the seldom-used lens of popular culture.
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Out of the Crazywoods is the riveting and insightful story of Abenaki poet Cheryl Savageau's late-life diagnosis of bipolar disorder. Without sensationalizing, she takes the reader inside the experience of a rapid-cycling variant of the disorder, providing a lens through which to understand it and a road map for navigating the illness. The structure of her story--impressionistic, fragmented--is an embodiment of the bipolar experience and a way of perceiving the world. Out of the Crazywoods takes the reader into the euphoria of mania as well as its ugly, agitated rage and into "the lying down of desire" that is depression. Savageau articulates the joy of being consort to a god and the terror of being chased by witchcraft, the sound of voices that are always chattering in your head, the smell of wet ashes that invades your home, the perception that people are moving in slow motion and death lurks at every turnpike, and the feeling of being loved by the universe and despised by everyone you've ever known. Central to the journey in Out of the Crazywoods is the sensitive child who becomes a poet and writer who finds clarity in her art and a reason to heal in her grandchildren. Her journey reveals the stigma and the social, personal, and economic consequences of the illness but reminds us that the disease is not the person. Grounded in Abenaki culture, Savageau questions cultural definitions of madness and charts a path to recovery through a combination of medications, psychotherapy, and ceremony.
This book is for Adult Readers. It's a Science Fiction Thriller. It's a story about cloning. The main character is Mr. Sandman and he has a propensity for being very evil. He was cloned from an old gunfighter, and he seems to continue that trait. There's one thing he doesn't understand-his terrible and fantastic night-terrors. Raised by the "military", and a bad childhood, he soon learns well in defending himself; and has the eyes of an eagle when shooting guns. After his 18th birthday, they let him go on his own. He strives to keep himself alive. One day, he meets a young lady, and for the first time in his life, he feels love, and feels love back. One night, he seeks out a man to find what he's all about. Little does he know-this man is going to change his life. Mr. Sandman becomes a nonhuman. He has been changed into someone who is superior to our race, and a new species. As much as we wish, we dare not tell you any more, or it shall ruin this book for you. Could something like this really happen? Or could it be happening now?
April 2006, the height of the Iranian nuclear crisis. The Iranian secret police, with its thirty thousand agents, spies and informants, are everywhere. Relations between Iran and most of the rest of world are low; the Americans, with their itchy trigger fingers, are unpredictable. Against this backdrop, a cleaner at the British Embassy compound slips a piece of paper to the wife of the Commercial Attaché. The cleaner’s husband is one of Iran’s leading nuclear scientists and he wants to defect to the UK. The message reaches MI6 headquarters in London; urgent high-level meetings take place. Is it authentic or are the Iranians playing games? Is it even feasible? Agent Nick Houghton is sent to Tehran to investigate. A nail-biting thriller that will have readers flicking through the pages as the story reaches its gripping conclusion.