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"Bob Trabold's poetry is reflective of the rich life he lives. His work powerfully yet gently centers on the spiritual core and peaceful aspects of human existence. His poems are thought-provoking, insightful and most of all inspiring." Tone Bellizzi, Director, Davault Artists' Caf "Robert Trabold masterful style of his long-awaited collection Watching the River Flow By: Selected Poems"...with a poetic voice ...blends with that of the Endless River. With liquid poems, meditation, haikus, spirituality travel through the landscape of Europe translating artifacts of words bringing that verse back into the 21st century." "...Drifting back to the days of his youth, standing up for civil rights anti-war and nukes, the environment and other social injustices - his poetic eye comes full circle back on the road to the shore of the ancient river returning back to the ocean of time and the cosmic journey." James Romano, Performance Poets Assoc. of Long Island
The first bilingual volume of poems by leading Irish twentieth-century poet Seán Ó Ríordáin In the mid-twentieth century, a new generation of poets writing in Irish emerged, led by the young Seán Ó Ríordáin, among others. Ó Ríordáin’s work has stood the test of time well, and he continues to engage today’s Irish readers and writers. This well-rounded selection of poems brings most of Ó Ríordáin’s works to English-language readers for the first time. The poems appear in their original Irish alongside English translations by some of Ireland's leading poets. Also included for the first time in English is Ó Ríordáin’s essay What Is Poetry?, considered an extraordinary touchstone of critical insight for poets and literary commentators.The volume reflects Ó Ríordáin’s seven main concerns: poetry and its place in the artist’s life; the plural self; the relationship between the individual and society; gender relations; the nature of animals; Ireland, its language and culture; and mortality.
"Bob Trabold's poetry is reflective of the rich life he lives. His work powerfully yet gently centers on the spiritual core and peaceful aspects of human existence. His poems are thought-provoking, insightful and most of all inspiring." Tone Bellizzi, Director, Davault Artists' Café "Robert Trabold masterful style of his long-awaited collection 'Watching the River Flow By: Selected Poems"...with a poetic voice ...blends with that of the Endless River. With liquid poems, meditation, haikus, spirituality travel through the landscape of Europe translating artifacts of words bringing that verse back into the 21st century." "...Drifting back to the days of his youth, standing up for civil rights anti-war and nukes, the environment and other social injustices - his poetic eye comes full circle back on the road to the shore of the ancient river returning back to the ocean of time and the cosmic journey." James Romano, Performance Poets Assoc. of Long Island
Portraits of writers taken in Kennys Bookshop, Galway.
In recent years, the Cognitive Grammar account of language and mind has become an influential framework for the study of textual meaning and interpretation. This book is the first to bring together applications of Cognitive Grammar for a range of stylistic purposes, including the analysis of both literary and non-literary discourse. Demonstrating the diverse range of uses for Cognitive Grammar, chapters apply this framework to diverse text-types including poetry, narrative fiction, comics, press reports, political discourse and music, as well as exploring its potential for the teaching of language and literature in a range of contexts. Combining cutting-edge research in cognitive, critical and pedagogical stylistics, New Directions in Cognitive Grammar and Style showcases the latest developments in this field and offers new insights into our experiences of literary and non-literary texts by drawing on current understandings of language and cognition.
There is a set-phrase in Chinese referring to the phenomenon of Li Po: "Winds of the immortals, bones of the Tao." He moved through this world with an unearthly freedom from attachment, and at the same time belonged profoundly to the earth and its process of change. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1200 years ago, half a world away, but in his poems we see our world transformed. Legendary friends in eighth-century T'ang China, Li Po and Tu Fu are traditionally celebrated as the two greatest poets in the Chinese canon. David Hinton's translation of Li Po's poems is no less an achievement than his critically acclaimed The Selected Poems of Tu Fu, also published by New Directions. By reflecting the ambiguity and density of the original, Hinton continues to create compelling English poems that alter our conception of Chinese poetry.
The greatest American Jewish author of the nineteenth century, Emma Lazarus was a celebrated poet and humanitarian activist. This edition is a broad collection of her writings, including her essays, previously unpublished poems, her innovative late work, and, in its entirety, her most important book, Songs of a Semite (1882). Her best known poem, “The New Colossus” (the 1883 Statue of Liberty poem that made Lazarus a national icon), is also here, along with a selection of cultural documents that help contextualize her work in relation to contemporary debates about Jewish history, the Russian pogroms of the 1880s, the creation of a Jewish homeland in Palestine, immigration, and antisemitism.
In 1995, with the publication by New Native Press of Against Information & Other Poems, John Lane⿿s poems were hailed on the front page of Small Press Review as ⿿a fearless celebration of the materials of words...a sign of hope...⿿ The title poem of the collection has been mistaken for an advertisement, widely praised both nationally and internationally in reviews, scripted into an independent video, and featured on Canadian Public Radio⿿s popular news program ⿿As it Happens.⿿ Now, Abandoned Quarry publishes for the first time in a trade edition John Lane⿿s poems from Against Information and earlier small press limited editions, broadsides, and little magazines. Out of print, obscure, or simply unavailable except in rare book collections, the selection of poems in Abandoned Quarry show the growth and fullness of spirit of one of the important poets to emerge in the 1980s. Abandoned Quarry is a collection of poems by one of the South⿿s most admired environmental writers. The collection makes available for the first time under one cover poems from a dozen full collections and chapbooks. The poems range in subject matter through relationships, nature, improvisational pieces, and rants about the strangeness of the modern condition. Abandoned Quarry includes nearly all of John Lane⿿s published poetry over thirty years plus a selection of new poems.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Ciaran Carson is one of the most challenging and inventive of contemporary Irish writers, exhibiting verbal brilliance, formal complexity, and intellectual daring across a remarkably varied body of work. This study considers the full range of his oeuvre, in poetry, prose, and translations, and discusses the major themes to which he returns, including: memory and history, narrative, language and translation, mapping, violence, and power. It argues that the singularity of Carson’s writing is to be found in his radical imaginative engagements with ideas of space and place. The city of Belfast, in particular, occupies a crucially important place in his texts, serving as an imaginative focal point around which his many other concerns are constellated. The city, in all its volatile mutability, is an abiding frame of reference and a reservoir of creative impetus for Carson’s imagination. Accordingly, the book adopts an interdisciplinary approach that draws upon geography, urbanism, and cultural theory as well as literary criticism. It provides both a stimulating and thorough introduction to Carson’s work, and a flexible critical framework for exploring literary representations of space.
This collection addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. The 1916 Easter Rising, when Irish nationalists rose up against British imperial forces, became almost instantly mythologized in Irish political memory as a turning point in the nation's history that paved the way for Irish independence. Its centenary has provided a natural point for reflection on Irish politics, and this volume highlights an unexplored element in Irish political discourse, namely its frequent reliance on, reference to, and tensions with classical Greek and Roman models. Topics covered include the reception and rejection of classical culture in Ireland; the politics of Irish language engagement with Greek and Roman models; the intersection of Irish literature with scholarship in Classics and Celtic Studies; the use of classical referents to articulate political inequalities across gender, sexual, and class hierarchies; meditations on the Northern Irish conflict through classical literature; and the political implications of neoclassical material culture in Irish society. As the only country colonized by Britain with a pre-existing indigenous heritage of expertise in classical languages and literature, postcolonial Ireland represents a unique case in the field of classical reception. This book opens a window on a rich and varied dialogue between significant figures in Irish cultural history and the Greek and Roman sources that have inspired them, a dialogue that is firmly rooted in Ireland's historical past and continues to be ever-evolving.