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In his most inventive exploration of the medium yet, David Thomson—one of our most provocative authorities on all things cinema—shows us how to get more out of watching any movie. Guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on-screen—actors, shots, cuts, dialogue, music—to the specifics of how, where, and with whom we do the viewing, Thomson explicates the movie watching experience with his customary candor and wit. Delivering keen analyses of films ranging from Citizen Kane to 12 Years a Slave, in How to Watch a Movie, Thomson shows moviegoers how to more deeply appreciate both the artistry and the manipulation of film—and in so doing enriches our viewing experience immensely.
An inside look at how some of the biggest names in the film industry view their craft In this unique collection, New York Times film critic Rick Lyman sits down with notable directors, actors, screenwriters, cinematographers, and other film industry professionals to watch and discuss a movie that each person considers seminal or influential on his or her career. Steven Soderbergh on how All the President's Men influenced Erin Brockovich * Quentin Tarantino on The Golden Stallion * Ang Lee on Love Eternal * Denzel Washington on Ordinary People * Ron Howard on The Graduate and many more Each interviewee's character is revealed in the resulting essays, which deepen our appreciation of landmark films, and give us extraordinary insight into the process of filmmaking. Lyman enhances every essay with a brief biography, career history, and complete filmography of each of the subjects, which puts them in a historical and creative context. Drawn from the enormously popular series in The New York Times, Watching Movies will fascinate film students and curious moviegoers alike.
If you love movies, then this is the book for you! It is a hands-on guide for the those wishing to expand their enjoyment of movies. The book is embedded with over 90 film clips that can be viewed immediately on your smartphone or other internet connected screen. You will begin to watch movies with new eyes.This book is useful for the individual or for small groups. It has indispensable helps on how to take what you learn and truly converse with those around you from a biblical understanding.Movie-makers are telling us about how they see the world. Learn to see and understand their messages. Take those messages and use that information to bridge the gap with others in order to share the gospel.
As the global financial crisis unfolds people everywhere are seeking to understand how markets devolved to this perilous, volatile state. In this dazzling and meticulously researched work of financial history, first published in 2003, and now thoroughly revised and updated, law professor and financial expert Frank Partnoy tells the story of how "classical" Wall Street securities like stocks and bonds were quietly eclipsed by ever more "quantum" products like derivatives. He documents how, starting in the mid-1980s, each new level of financial risk and complexity obscured the sickness of corporate America, and how Wall Street's evolving paradigm moved farther and farther beyond the understanding -- and regulation -- of ordinary investors and government overseers, leading inevitably to disaster.
Entertainment Weekly's controversial critic of more than two decades looks back at a life told through the films he loved and loathed. Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself. Gleiberman paints a bittersweet portrait of his complicated and ultimately doomed friendship with Pauline Kael, the legendary New Yorker film critic who was his mentor and muse. He also offers an unprecedented inside look at what the experience of being a critic is really all about, detailing his stint at The Boston Phoenix and then, starting in 1990, at EW, where he becomes a voice of obsession battling-to a fault-to cling to his independence. Gleiberman explores the movies that shaped him, from the films that first made him want to be a critic (Nashville and Carrie), to what he hails as the sublime dark trilogy of the 1980s (Blue Velvet, Sid and Nancy, and Manhunter), to the scruffy humanity of Dazed and Confused, to the brilliant madness of Natural Born Killers, to the transcendence of Breaking the Waves, to the pop rapture of Moulin Rouge! He explores his partnership with Lisa Schwarzbaum and his friendships and encounters with such figures as Oliver Stone, Russell Crowe, Richard Linklater, and Ben Affleck. He also writes with confessional intimacy about his romantic relationships and how they echoed the behavior of his bullying, philandering father. And he talks about what film criticism is becoming in the digital age: a cacophony of voices threatened by an insidious new kind of groupthink. Ultimately, Movie Freak is about the primal pleasure of film and the enigmatic dynamic between critic and screen. For Gleiberman, the moving image has a talismanic power, but it also represents a kind of sweet sickness, a magnificent obsession that both consumes and propels him.
Watching a movie is more than an opportunity to be entertained. Watching a movie is an opportunity to meet with God. In a few brief chapters, How to Talk to a Movie will forever change the way you watch movies by opening your eyes and ears to what movies are saying, how they are saying it, and how God might be speaking to you through them.
Whether we stream them on our laptops, enjoy them in theaters, or slide them into DVD players to watch on our TVs, movies are part of what it means to be socially connected in the twenty-first century. Despite its significant role in our lives, the act of watching films remains an area of social activity that is little studied, and thus, little understood.In "Watching Films," an international cast of contributors correct this problem with a comprehensive investigation of movie going, cinema exhibition, and film reception around the world. With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centers its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights about the ways in which new viewing arrangements and technologies influence how films get watched everywhere from Canada to China to Ireland.A long-overdue consideration of an important topic, "Watching Films" provides an engrossing overview of how we do just that in our homes and across the globe."
A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before.
Many people don't like to watch movies or have time to do so. That's okay. This book is not about watching movies. It's about looking at how you live your life and what you want for your future. Movies are just stories about life so even if you don't watch them, you can still learn from them here. Some of life's most important lessons are learned through stories. What better way to hear these stories than on the big screen? Movies draw us in and touch our lives in ways we never imagined. The best part is that our supply is limitless. Here we have stories for all ages. As we watch the characters on the screen, we see ourselves; our need for love and understanding, hope for the future, or wish for revenge against someone who wronged us. We see how the characters on the screen deal with these emotions, but as Christians, how should we deal with ours? In this study, movies from different times and different genres offer us an opportunity to delve into the Bible and see the choices our heavenly Father wants us to make under similar circumstances. Each lesson will review one or more aspects of the movie and provide an opportunity for reflection or discussion. Bible passages are also referenced to enhance understanding. Now that we have this information, what do we do with it? Odds are that people around you every day are looking for this information as well. What a comfortable way to share your faith with your friends, co-workers, or neighbors while you discuss the latest flick. These Bible studies can be taught to a group of people or they can be done individually. Popcorn is optional.