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Best known for his short stories, The Legend of Sleepy Hollow and Rip van Winkle, Washington Irving was a prolific essayist, biographer, and historian, as well as a member of the American diplomatic staff. The three volumes of his Journals provide detailed accounts of Irving's travels, experiences, and observations, creating an enlightening backdrop to both his literary and historical works. Noteworthy for his descriptions of his travels in Europe, of particular interest is Irving's perspective on 19th century American culture and politics, including his beloved New York, as well as his commentary on the treatment of Native Americans and their culture.
Account of an expedition in Oct. and Nov. 1832 through a part of the unorganized Indian country now the state of Oklahoma.
Bonded Leather binding
Brian Jay Jones crafts a deft biography of the author of “The Legend of Sleepy Hollow” and “Rip van Winkle”: quintessential New Yorker, presidential confidant, diplomat, lawyer, and fascinating charmer. The first American writer to make his pen his primary means of support, Washington Irving rocketed to fame at the age of twenty-six. In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker, to great acclaim. The public’s appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor—someone who fretted about money and employment, suffered from writer’s block, and doggedly cultivated his reputation. Jones offers a very human portrait of the often contrasting public and private lives of this true American original.
These are the notebooks of Washington Irving, containing the jottings made by Irving during his travels in Europe between 1815 and 1830. These journals have been kept in the Irving family until within the last few years of the 19th century. The number of people who think they could write is larger than most of us suspect; it is pleasantly larger than the number who think they can write. There is not one of the former but will be eager to read Irving's notebooks. For they are the genuine backstage of literature. They are real notebooks: they are not journals, written with an eye on the public, as are most of the notebooks that push into print. They are not a collection of Irving's profound thoughts. Neither are they commentaries; Waterloo was but just over, but you will find in these pages few choice bits of gossip concerning the men and affairs of that momentous period. Obeying the strange impulse which seems to be common to all of us, big and little, Irving did set down each day the state of the weather and if he slept well. But this is about as far as the journalizing goes: the rest is observations, character sketches, scraps of sentences, skeleton plots—these three volumes should help to dispel the notion that writers "make up" their books; only the poor writers invent anything, for they write for the sake of writing; fellows like Irving write for the sake of life, straining to catch and fix some of its overwhelming stream of pictures and passions.
Best known for his short stories, The Legend of Sleepy Hollow and Rip van Winkle, Washington Irving was a prolific essayist, biographer, and historian, as well as a member of the American diplomatic staff. The three volumes of his Journals provide detailed accounts of Irving's travels, experiences, and observations, creating an enlightening backdrop to both his literary and historical works. Noteworthy for his descriptions of his travels in Europe, of particular interest is Irving's perspective on 19th century American culture and politics, including his beloved New York, as well as his commentary on the treatment of Native Americans and their culture. vol. 3 of 3