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Beginning in the 1840s and continuing until his death, Dr. Asa Fitch (1809-1878) of Salem, NY, interviewed elderly neighbors, questioning them about the time of first European settlement, the Revolutionary War, and the first decades of the 19th century. Fitch was more than just a medical doctor. By the 1850s, he ranked as a world-famed entomologist, with important discoveries about insect life to his credit. He turned his precise, scientific mindset to good account in his oral history work. He seems to have functioned almost like a human tape recorder, transcribing and preserving vivid, colloquial statements from a wide range of individuals---most not fully literate people (that is, people who could read their Bible and sign their names but not write fluent accounts of the incidents of their lives.) Jeanne Winston Adler's excerpts from Fitch's manuscript ("Notes for a History of Washington County, NY," NY Genealogical & Biographical Soc., NYC; and elsewhere on microfilm) present the liveliest "voices" collected by the 19th-century scholar. Some portions of Adler's "Their Own Voices" (first published in 1983) were re-published in her "In the Path of War: Children of the American Revolution Tell Their Stories" (Cobblestone Publishing, 1998). A facsimile reprint of the 1983 book, containing all material originally excerpted from Fitch, is now offered here.
The story that unfolds in this work manifests the pursuit of one of the many historical mysteries that plague the early history of people of African descent in New York State - a mass migration of thousands of African descendants to Washington County, New York at the turn of the 19th century. The impact of this de-valued history and its absence from the historical record has distorted the recollection and remembrance of people of African descent in New York, whose ancestors were trapped in the confinement of enslavement and second-class citizenship. This unrecorded migration transpired while New York was beginning to alter its highly profitable economic system from an enslavement-based economy to a more capitalist system of production. They journeyed to Washington County, families and expectations in tow under the suggestion of a rumor of opportunity and anticipation that a better life was possible for them at the end of this arduous journey. Newly disposed of the day to day dehumanizing nature of enslavement, they struggled to find a more sustainable, prosperous and humane way of life. The correlation between my family, the Van Vrankens and the thousands of other individuals of African descent who migrated to Washington County during this period, is the personal, festering wound of omission that is still not healed or resolved. This work is a continuing byproduct of genealogical research begun by the author in 2000. It represents the second in a series of books relating to his families experiences in early New York. The first Book A Far Cry From Freedom: Gradual Abolition (1799-1827) New York States Crime Against Humanity, was published in 2006.
Robert W. Snyder's Crossing Broadway tells how disparate groups overcame their mutual suspicions to rehabilitate housing, build new schools, restore parks, and work with the police to bring safety to streets racked by crime and fear. It shows how a neighborhood once nicknamed "Frankfurt on the Hudson" for its large population of German Jews became "Quisqueya Heights"—the home of the nation's largest Dominican community. The story of Washington Heights illuminates New York City's long passage from the Great Depression and World War II through the urban crisis to the globalization and economic inequality of the twenty-first century. Washington Heights residents played crucial roles in saving their neighborhood, but its future as a home for working-class and middle-class people is by no means assured. The growing gap between rich and poor in contemporary New York puts new pressure on the Heights as more affluent newcomers move into buildings that once sustained generations of wage earners and the owners of small businesses. Crossing Broadway is based on historical research, reporting, and oral histories. Its narrative is powered by the stories of real people whose lives illuminate what was won and lost in northern Manhattan's journey from the past to the present. A tribute to a great American neighborhood, this book shows how residents learned to cross Broadway—over the decades a boundary that has separated black and white, Jews and Irish, Dominican-born and American-born—and make common cause in pursuit of one of the most precious rights: the right to make a home and build a better life in New York City.
The history of Washington Heights, Inwood, and Marble Hill is interesting not only because the communities played a major role in the American Revolution but because of their cultural and educational institutions and residents whose culture and ethnicity have contributed to the well-being of the area. These communities have always been a haven for immigrants who have come here to live and work since the pre-Columbian era. Native Americans came to trade goods, Jewish refugees came during the 1930s to flee the tyranny of the Nazis, and since the end of World War II there has been an influx of the Latino community. The area is also noted for its dolomitic Inwood marble, which has been quarried for government buildings in New York City and some of the federal buildings in Washington, D.C. Through vintage images, Washington Heights, Inwood, and Marble Hill illustrates the transformation of this area over the decades.
Ellen, a new resident of Lake George in upstate New York, hopes to interview a famed art critic but instead is entangled in a dangerous and confusing situation involving paintings that just might be undiscovered works of Georgia O¿Keeffe.