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"The 1865 sheriff's census of Washington County, Arkansas, is the only county census known to exist from this enumeration. Its importance lies in having been taken just nine months after the end of the Civil War when the county was still recovering from major loss of life and property." Destruction of homes, schools, farms, and businesses, and confiscation of livestock and crops was wrought by both Union and Confederate forces. Washington County's 442 claims for personal property reimbursement filed with the Southern Claims Commission after the war were by far the greatest number of any Arkansas county. The war took a heavy toll on the county population which was down by 9,000 from the 1860 federal census. The census contains names, age groupings, and groupings by gender for white persons; free persons of color are identified only by name and gender. The census is arranged chronologically and includes names of several (but not all) townships: Clear Creek, Elm Spring, Mars Hill, Illinois, Vineyard, Cove Creek, Mountain, West Fork, White River, Richland, Prairie, and the city of Fayetteville. Cane Hill and Brush Creek Townships are not named, even though they existed when the census was taken. This book may enable researchers with roots in northwest Arkansas to identify their ancestors who first appeared or who had remained in Washington County during the difficult years of 1861 through 1865. Agricultural statistics are on the microfilm from which this information was copied, but are not included in this book.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Genealogists and other historical researchers have valued the first two editions of this work, often referred to as the genealogist's bible."" The new edition continues that tradition. Intended as a handbook and a guide to selecting, locating, and using appropriate primary and secondary resources, The Source also functions as an instructional tool for novice genealogists and a refresher course for experienced researchers. More than 30 experts in this field--genealogists, historians, librarians, and archivists--prepared the 20 signed chapters, which are well written, easy to read, and include many helpful hints for getting the most out of whatever information is acquired. Each chapter ends with an extensive bibliography and is further enriched by tables, black-and-white illustrations, and examples of documents. Eight appendixes include the expected contact information for groups and institutions that persons studying genealogy and history need to find. ""
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Following in the tradition of the Southern Women series, Arkansas Women highlights prominent Arkansas women, exploring women’s experiences across time and space from the state’s earliest frontier years to the late twentieth century. In doing so, this collection of fifteen biographical essays productively complicates Arkansas history by providing a multidimensional focus on women, with a particular appreciation for how gendered issues influenced the historical moment in which they lived. Diverse in nature, Arkansas Women contains stories about women on the Arkansas frontier, including the narratives of indigenous women and their interactions with European men and of bondwomen of African descent who were forcibly moved to Arkansas from the seaboard South to labor on cotton plantations. There are also essays about twentieth-century women who were agents of change in their communities, such as Hilda Kahlert Cornish and the Arkansas birth control movement, Adolphine Fletcher Terry’s antisegregationist social activism, and Sue Cowan Morris’s Little Rock classroom teachers’ salary equalization suit. Collectively, these inspirational essays work to acknowledge women’s accomplishments and to further discussions about their contributions to Arkansas’s rich cultural heritage. Contributors: Michael Dougan on Mary Sybil Kidd Maynard Lewis Gary T. Edwards on Amanda Trulock Dianna Fraley on Adolphine Fletcher Terry Sarah Wilkerson Freeman on Senator Hattie Caraway Rebecca Howard on Women of the Ozarks in the Civil War Elizabeth Jacoway on Daisy Lee Gatson Bates Kelly Houston Jones on Bondwomen on Arkansas’s Cotton Frontier John Kirk on Sue Cowan Morris Marianne Leung on Hilda Kahlert Cornish Rachel Reynolds Luster on Mary Celestia Parler Loretta N. McGregor on Dr. Mamie Katherine Phipps Clark Michael Pierce on Freda Hogan Debra A. Reid on Mary L. Ray Yulonda Eadie Sano on Edith Mae Irby Jones Sonia Toudji on Women in Early Frontier Arkansas
Offers a guide to census indexes, including federal, state, county, and town records, available in print and online; arranged by year, geographically, and by topic.
In the first book-length study of Arkansas slavery in more than sixty years, A Weary Land offers a glimpse of enslaved life on the South’s western margins, focusing on the intersections of land use and agriculture within the daily life and work of bonded Black Arkansans. As they cleared trees, cultivated crops, and tended livestock on the southern frontier, Arkansas’s enslaved farmers connected culture and nature, creating their own meanings of space, place, and freedom. Kelly Houston Jones analyzes how the arrival of enslaved men and women as an imprisoned workforce changed the meaning of Arkansas’s acreage, while their labor transformed its landscape. They made the most of their surroundings despite the brutality and increasing labor demands of the “second slavery”—the increasingly harsh phase of American chattel bondage fueled by cotton cultivation in the Old Southwest. Jones contends that enslaved Arkansans were able to repurpose their experiences with agricultural labor, rural life, and the natural world to craft a sense of freedom rooted in the ability to own land, the power to control their own movement, and the right to use the landscape as they saw fit.
The Ozarks of the mid-1800s was a land of divisions. The uplands and its people inhabited a geographic and cultural borderland straddling Midwest and west, North and South, frontier and civilization, and secessionist and Unionist. As civil war raged across the region, neighbor turned against neighbor, unleashing a generation of animus and violence that lasted long after 1865. The second volume of Brooks Blevins's history begins with the region's distinctive relationship to slavery. Largely unsuitable for plantation farming, the Ozarks used enslaved persons on a smaller scale or, in some places, not at all. Blevins moves on to the devastating Civil War years where the dehumanizing, personal nature of Ozark conflict was made uglier by the predations of marching armies and criminal gangs. Blending personal stories with a wide narrative scope, he examines how civilians and soldiers alike experienced the war, from brutal partisan warfare to ill-advised refugee policies to women's struggles to safeguard farms and stay alive in an atmosphere of constant danger. The war stunted the region's growth, delaying the development of Ozarks society and the processes of physical, economic, and social reconstruction. More and more, striving uplanders dedicated to modernization fought an image of the Ozarks as a land of mountaineers and hillbillies hostile to the idea of progress. Yet the dawn of the twentieth century saw the uplands emerge as an increasingly uniform culture forged, for better and worse, in the tumult of a conflicted era.
The history and migration of Thomas Leach, his ancestors and descendants.