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The most sophisticated and complete work to date of punk and metal artist Alexander Heir.
A deep dive into the ubiquitous world of artist Sam Ryser, a pillar in the the underground NYC punk scene.
HIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.
This collects six wildly inventive short comics stories that might collectively be dubbed “speculative memoir.” Schrauwen’s deadpan depictions of his and his offspring's upcoming lives include alien abduction, dialogue with future agents, and coded messages in envelopes at breakfast.
Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Collecting over 100 new and recent paintings, drawings and mixed-media works along with an introduction by Hamilton Morris (Hamilton's Pharmacopeia), We Ate the Acid is the latest product of Roberts' visionary journeys and a testament to his expansive, singular imagination.
When we crashed over the line two and a half minutes later, there was a short, disbelieving silence and I could feel my knee trembling behind its sarcastic &‘Disco' patch. A song I'd written had just been played to the finish, and what's more, it hadn't sounded weak, or delusional—it had, in fact, kicked.I backed down from the mic. Here was a new world of sound. Its sky was borderless, and its horizon curled off a previously flat earth. I'd been given a virtual super power and a flame to shoot from my fingers.In Dead People I Have Known, the legendary New Zealand musician Shayne Carter tells the story of a life in music, taking us deep behind the scenes and songs of his riotous teenage bands Bored Games and the Doublehappys and his best-known bands Straitjacket Fits and Dimmer. He traces an intimate history of the Dunedin Sound—that distinctive jangly indie sound that emerged in the seventies, heavily influenced by punk—and the record label Flying Nun.As well as the pop culture of the seventies, eighties and nineties, Carter writes candidly of the bleak and violent aspects of Dunedin, the city where he grew up and would later return. His childhood was shaped by violence and addiction, as well as love and music. Alongside the fellow musicians, friends and family who appear so vividly here, this book is peopled by neighbours, kids at school, people on the street, and the other passing characters who have stayed on in his memory.We also learn of the other major force in Carter's life: sport. Harness racing, wrestling, basketball and football have provided him with a similar solace, even escape, as music.Dead People I Have Known is a frank, moving, often incredibly funny autobiography; the story of making a life as a musician over the last forty years in New Zealand, and a work of art in its own right.
A collection of imagery from the multidisciplinary artist Jesse Draxler's career, 2013- present.
Cavegirl Monologue//Totally Ruined functions as a double release of Heather Benjamin's work from throughout her career 2008-present. Cavegirl Monologue, a larger full-color art book showcases recent work and unreleased full color paintings she has been making over the last year. It also has a selection from her recent Romantic Story collection that was wildly popular and is now out of print. Totally Ruined: Heather Benjamin Zines and Flyers 2008-2018 is a staple bound collection of highlights from her illustrations, zines and punk flyers from throughout her decade long practice, including much of her early material that is out of print, and is included with the release as an addendum.
The most thorough and thoughtful treatment of the Heavy Metal dress code and the culture it lives and breathes to date.
Peace by Piece Not since Viktor Frankl's Man's Search for Meaning have I read a narrative of trauma survival and recovery that has impacted me this profoundly. Cheryl writes in unflinching first person, giving voice to the little girl trapped in the dark heart of abject torture-the terror and loss is real-time and sensorial for the reader-and out the other side into the light of recovery and healing. It is a breathless journey that leaves the reader awe-struck and reverent to the resilience of children to survive evil with their innocence intact and the eternally-springing hope of being loved and accepted by their abusers. This book is a rare treat that navigates the path of heartbreak to the path of posttraumatic growth all the way to the restoration of life, love, safety, joy, meaning and satisfaction-peace by piece. It is an intimately personal story that shimmers with honesty and is not once melodramatic or contrived. Instead, this book is a finely chiseled heroine's story. The story of a courageous adult who returns to her painful past to rescue and champion her younger self out of the miasma of past violence to the Grace of the present that-by the end of the book-we find ourselves celebrating. Reading the last page of this book felt as though something important was achieved and something precious received-not just for Cheryl, but also for myself and all humankind. A month after reading this book I find it still continues to haunt me...in the best of ways. J. Eric Gentry, PhD, DAAETS, FAAETS President Forward-Facing Institute