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A Warning for Fair Women is a 1599 true-crime drama from the repertory of Shakespeare’s acting company. While important to literary scholars and theater historians, it is also readable, relevant, and stage-worthy today. Dramatizing the murder of London merchant George Saunders by his wife’s lover, and the trials and executions of the murderer and accomplices, it also sheds light on neighborhood and domestic life and crime and punishment. This edition of A Warning for Fair Women is fully updated, featuring a lively and extensive introduction and covering topics from authorship and staging to the 2018 world revival of the play in the United States. It includes a section with discussion and research questions along with resources on topics raised by the play, from beauty and women’s friendship to the occult. Ann C. Christensen presents a freshly edited text for today’s readers, with in-depth explanatory notes, scene summaries, a gallery of period images, and full scholarly apparatus.
"A critical edition of A Warning for Fair Women introduces new audiences to an important but neglected work of Elizabethan drama"--
An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.
An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.
One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.