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War Land on the Eastern Front is a study of a hidden legacy of World War I: the experience of German soldiers on the Eastern front and the long-term effects of their encounter with Eastern Europe. It presents an 'anatomy of an occupation', charting the ambitions and realities of the new German military state there. Using hitherto neglected sources from both occupiers and occupied, official documents, propaganda, memoirs, and novels, it reveals how German views of the East changed during total war. New categories for viewing the East took root along with the idea of a German cultural mission in these supposed wastelands. After Germany's defeat, the Eastern front's 'lessons' were taken up by the Nazis, radicalized, and enacted when German armies returned to the East in World War II. Vejas Gabriel Liulevicius's persuasive and compelling study fills a yawning gap in the literature of the Great War.
This work provides a clear and simple guide to the subject, based on meticulous and beautiful drawings. Organized in three sections, it includes chapters on construction details; methods of working particular structural shapes; both basic and advanced geometry and setting-out. It also includes forms and tables omitted from later editions to be used as templates for costing and estimating work. These are as relevant today as they were in the 1920s. It includes a new introduction by Christopher Weeks.
A written work is more than just letters on a page — it is a complex web of relationships. Some, like the relationship between words and phrases, or story and plot, are obvious. Others, such as the way writers interact with their physical tools, or how storytellers convey meaning to an audience, are less apparent. But to write well, one must recognize, understand, and be guided by all of these relationships. In Breathing the Page: Reading the Act of Writing, Betsy Warland takes the reader on her quest to articulate the powerful forces beneath the language of craft. In this collection of essays, Warland reveals that it is the manner in which we encounter these forces that makes, or breaks, every piece of writing. Her topics range from the environment one chooses to write in, to the tools on which we depend, to the way we subconsciously structure our anecdotes. A holistic guide for all those passionately involved in the production and flourishing of our literature, Warland’s essays have invigorated writers and readers alike. In this second edition, Warland continues her quest to investigate the relationships between the writer, the reader, the tools of writing craft, and the unpredictable vibrancy of the narrative. Through nine new essays, she draws awareness to the specific narrative templates we inherit as we grow up and provides strategies for navigating these templates when we meet resistance, contradiction, failure, and lack.