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Warhol's Queens offers a surprising mosaic consisting of his portraits of royal queens and images of drag queens. For Andy Warhol (1928-1987), both genuine as well as fake queens slipped into the role of idealized movie-star femininity, devoting their lives to handing down a glittering and sparkling way of life and presenting it to the public for (not all too) close inspection. The volume juxtaposes Warhol's Polaroids of Princess Caroline of Monaco, Farah Diba Pahlavi, and Crown Princess Sonja, now Queen Sonja of Norway, with drag queens, all of whom Warhol characterized as "living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be." Warhol's Queens presents intense faces with exceptionally colored lips, eyes, and hair that serve as sexual fetishes and are too tempting to be resisted. Along with in-depth scholarly essays, this book is a must both for Warhol fans as well as anyone interested in photography and portraiture.
Eight case studies focus on a specific group of European Empress consorts and Queen regnants from the 17th to the 20th century and their relationship to the media, using a unique, comparative, cross-media, and cross-period approach.
A tale of two Pop artists in 1960s New York This book charts the emergence of Marisol Escobar (1930-2016) and Andy Warhol (1928-87) in New York during the dawn of Pop art in the early 1960s. Through essays, interviews and prose, the book explores the artists' parallel rise to success, the formation of their artistic personas, their savvy navigation of gallery relationships and the blossoming of their early artistic practices from 1960 to 1968. The exhibition features key loans of Marisol's work from major global collections, along with iconic works and rarely seen films and archival materials from the Andy Warhol Museum's collection. By situating Marisol's work in dialogue with Warhol's, this new collection of writing seeks to reclaim the importance of her art; reframe the strength, originality and daring nature of her work; and reconsider her as one of the leading figures of the Pop era.
Andy Warhol was queer in more ways than one. This work explores, analyzes, and celebrates the role of Warhol's queerness in the making and reception of his film and art. It demonstrates that to ignore Warhol's queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.
The Queer Sixties assembles an impressive group of cultural critics to go against the grain of 1960s studies, and proposes new and different ways of the last decade before the closet doors swung open. Imbued with the zeitgeist of the 60s, this playful and powerful collection rescues the persistence of the queer imaginary.
Andy Warhol's Thirteen Most Wanted Men was commissioned by architect Philip Johnson for the exterior of his New York State Pavilion at the 1964 New York World's Fair. The mural was produced, installed, and then covered over in a coat of silver paint before the fair even opened. Together, the thirteen interviews in this book reveal the forces that might have caused the destruction of a work of art at a major international expo. Contributors include Hilary Ballon, Nicholas Chambers, Douglas Crimp, Diane di Prima, Dick Elman, Tom Finkelpearl, Albert Fisher, Brian L. Frye, John Giorno, Anthony Grudin, Larissa Harris, Felicia Kornbluh, Gerard Malanga, Jonas Mekas, Timothy Mennel, Richard Meyer, Billy Name, Brian Purnell, Anastasia Rygle, Eric Shiner, Richard Norton Smith, Lori Walters, and Mark Wigley.This publication accompanies the exhibition 13 Most Wanted Men: Andy Warhol and the 1964 New York World's Fair, organized by the Queens Museum, New York and The Andy Warhol Museum, Pittsburgh, on the fiftieth anniversary of the incident at the fair.
Warhol offers his observations of love, beauty, fame, work, and art and discusses the continuous play and display of his many fetishes.
Andy Warhol remains one of the world's most influential artists, and his reputation has only grown since his death in 1987. He first picked up a film camera in 1963. Within the space of five years, he made around 650 films. These are now recognised as a hugely significant part of Warhol's oeuvre, vital for understanding his output as a whole. Warhol in Ten Takes provides a comprehensive introduction to Warhol's film-making alongside ten essays on individual films (from canonical classics such as The Chelsea Girls, to sorely neglected titles such as Bufferin) from leading scholars of cinema, art and culture. Drawing on research from the Warhol archives, newly-unearthed images, and original interviews with denizens of the Factory, this book explores the richness and variety of Warhol's films and interrogates accepted perspectives on them – while acknowledging the challenge of ever fully coming to terms with the life and career of this extraordinary artist.
Andy Warhol (1928–1987) and Robert Mapplethorpe (1946–1989) are well known for significant work in portraiture and self-portraiture that challenged gender roles and notions of femininity, masculinity, and androgyny. This exciting and original book is the first to consider the two artists together, examining the powerful portraits they created during the vibrant and tumultuous era bookended by the Stonewall riots and the AIDS crisis. Several important bodies of work are featured, including Warhol'sLadies and Gentlemen series of drag queen portraits and Mapplethorpe's photographs of Patti Smith and of female body builder Lisa Lyon. These are explored alongside numerous other paintings, photographs, and films that demonstrate the artists' engagement with gender, identity, beauty, performance, and sexuality, including their own self-portraits and portraits of one another. Essays trace the convergences and divergences of Warhol and Mapplethorpe's work, and examine the historical context of the artists' projects as well as their lasting impact on contemporary art and queer culture. Firsthand accounts by the artists' collaborators and subjects reveal details into the making and exhibition of some of the works presented here. With an illustrated timeline highlighting key moments in the artists' careers, and more than 90 color plates of their arresting pictures, this book provides a fascinating study of two of the most compelling figures in 20th-century art.
In 1959, advertising illustrator and artist, Andy Warhol, got together with socialite Suzie Frankfurt to produce a limited edition cookbook for New York's beau monde. They called it Wild Raspberries (Ingmar Bergman's Wild Strawberries had just been released) and Warhol produced 19 colour illustrations to accompany their recipes. The camp, humorous and fanciful cookbook provides recipes for dishes including A&P Surprise, Gefilte of Fighting Fish, Seared Roebuck, Baked Hawaii and Roast Igyuana Andalusian among others - that were conceived by Frankfurt and hand-lettered, spelling mistakes and all, by Mrs Warhola - Andy's mother.