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Belief in the coming of a Messiah poses a genuine dilemma. From a Jewish perspective, the historical record is overwhelmingly against it. If, despite all the tragedies that have befallen the Jewish people, no legitimate Messiah has come forward, has the belief not been shown to be groundless? Yet for all the problems associated with messianism, the historical record also shows it is an idea with enormous staying power. The prayer book mentions it on page after page. The great Jewish philosophers all wrote about it. Secular thinkers in the twentieth century returned to it and reformulated it. And victims of the Holocaust invoked it in the last few minutes of their life. This book examines the staying power of messianism and formulates it in a way that retains its redemptive force without succumbing to mythology.
Mary Ellen Mark (born March 20, 1940) is an American photographer known for her photojournalism, her portraiture, and her advertising photography. She has had 16 collections of her work published and has been exhibited at galleries and museums worldwide. She has received numerous accolades, including three Robert F. Kennedy Journalism Awards and three fellowships from the National Endowment for the Arts.
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.
Rhetoric is among the most ancient academic disciplines, and we all use it every day whether expertly or not. This book is a lively set of lessons on the subject. It is about rhetorical figures: practical ways of applying old and powerful principles--repetition and variety, suspense and relief, concealment and surprise, the creation of expectations and then the satisfaction or frustration of them--to the composition of a simple sentence or a complete paragraph. --from publisher description.
While investigating the murder of a suspected serial killer in the Lake Tahoe basin, Detective Michael Garrett is lead back to the small desert border town he once called home, where he uncovers a violent drug cartel that has begun expansion into the United States, and discovers the frightening reality that he has now placed not only himself, but his family and others in harms way. Driven by tourism, the last thing the city of Stateline, Nevada wanted to do was announce the presence of a serial killer. Driven by the laws of nature, the last thing Rosa Jimenez wanted was to become his next victim. Called to assist with a gruesome fi nding, Detective Garrett fi nds himself entrenched in an investigation he cant walk away from. Recognizing Rosa from his past, he was resolute that justice be served. As the investigation leads Garrett south, he seeks the assistance of an old friend and current Vice-Detective with the LAPD, David Ross. When Ross is unable to open doors in the Los Angeles area, Garrett realizes his next stop is his hometown on the Mexican border where he stumbles on a link to Los Zetas, a Drug Cartel that has formed an alliance with the Mexican Mafi a. Used to operating with impunity in Mexico, the cartel targets Garrett and his family as his investigation begins to threaten their business. In a daring attempt to make things right, the detectives cross the border to confront the man directing the cartel henchmen.
"The winter of the year my father carried a gun for his own protection was the coldest on record in Chicago." So begins Ward Just's An Unfinished Season, the winter in question a postwar moment of the 1950s when the modern world lay just over the horizon, a time of rabid anticommunism, worker unrest, and government corruption. Even the small-town family could not escape the nationwide suspicion and dread of "the enemy within." In rural Quarterday, on the margins of Chicago's North Shore, nineteen-year-old Wilson Ravan watches as his father's life unravels. Teddy Ravan -- gruff, unapproachable, secure in his knowledge of the world -- is confronting a strike and even death threats from union members who work at his printing business. Wilson, in the summer before college, finds himself straddling three worlds when he takes a job at a newspaper: the newsroom where working-class reporters find class struggle at the heart of every issue, the glittering North Shore debutante parties where he spends his nights, and the growing cold war between his parents at home. These worlds collide when he falls in love with the headstrong daughter of a renowned psychiatrist with a frightful past in World War II. Tragedy strikes her family, and the revelation of secrets calls into question everything Wilson once believed. From a distinguished chronicler of American social history and the political world, An Unfinished Season is a brilliant exploration of culture, politics, and the individual conscience.
A novel about journalism and one man’s moral choices, “evoking the rhythms of Ernest Hemingway’s early fiction . . . A quietly affecting, mournful achievement” (Richmond Times-Dispatch). Ned Ayres has never wanted anything but a newspaper career. His defining moment comes early, when Ned is city editor of his hometown paper. One of his beat reporters fields a tip: William Grant, the town haberdasher, married to the bank president’s daughter and the father of two children, once served six years in Joliet. The story runs—Ned offers no resistance to his publisher’s argument that the public has a right to know. The consequences, swift and shocking, haunt him throughout a long career—until eventually, as the editor of a major newspaper in post-Kennedy Washington, DC, Ned has reason to return to the question of privacy and its many violations.