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Meeting Sola, his dusky Muse, will change the poet's artistic direction. At Amanda's 'Writers Write' workshop, where budding writers meet, their relationship soon starts to bloom, and Sola, his potential Muse inspires him to write love poems for her, and he will cast her as his ideal heroine for his debut novel: 'Spleen of Love'. Love poems from his previous time with Aleta seem to flow seamlessly into the poetry for Sola, his present love interest, with whom he experiences a renaissance in his approach to the written verse. Aleta has morphed into Sola and Sola into Aleta, at times. 'Waking in love' reflects his adoration for Sola, while in 'Love and Literature' the poet AKA Zed, learns about his love for Aleta, yet it seems the names of these racy women are perfectly interchangeable. 'Azza Island' is a further creation of a magical place in the skies, created for téte-à-tétes with Aleta, while the poet lived in Africa.
These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
A description of the character and music of birds, intended to assist in the identification of species common in the United States east of the Rocky Mountains.
Hector Terries, Distinguished Professor of History and a world famous, if controversial, figure in his field, arrives in Athens from Australia in 1985 hoping to discover what had happened to his former fiance, Alathea, who had inexplicably disappeared without a trace from the city twenty-four years earlier. Though a convinced rationalist and materialist, he comes to feel that he is being haunted by the ghost of the missing woman, whose phantom he encounters on several occasions. Researching Alatheas disappearance, Hector becomes unwittingly involved in terrorist violence, official corruption, multiple murders, and romantic entanglements, as well as highly disquieting psychic phenomena, eventually uncovering hidden truths so devastating that his hitherto dogmatic scientism is shaken, leaving him transformed by the experience. He finally realises that though his misfortunes seem to stem from the chaotic and vicious era in which he is living, he has in fact been condemned from birth to play a fated role in a contemporary Greek tragedy, with its roots stretching back into a far-distant past.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
For at least 30 years, there have been close parallels between studies of birdsong development and those of the development of human language. Both song and language require species-specific stimulation at a sensitive period in development and subsequent practice through subsong and plastic song in birds and babbling in infant humans leading to the development of characteristic vocalisations for each species. This book illustrates how social interactions during development can shape vocal learning and extend the sensitive period beyond infancy and how social companions can induce flexibility even into adulthood. Social companions in a wide range of species including birds and humans but also cetaceans and nonhuman primates play important roles in shaping vocal production as well as the comprehension and appropriate usage of vocal communication. This book will be required reading for students and researchers interested in animal and human communication and its development.
Originally published in 1980. Wallace Stevens: The Making of the Poem emphasizes the ideas that Wallace Stevens embeds in his poetry, providing the first study to provide an intellectual biography of Stevens. It examines Stevens' naturalism, his ideas of the self, and the imagination, among other topics. The concepts that emerge from long reading of the poetry of Stevens are slight and basic, but these concepts do accord, even if they never emerge into a coherent philosophy. The accordance is probably a result of Stevens' preference for naturalistic thought.