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Since time immemorial war has inspired poets, firing their imaginations to produce some of the world's greatest verse. The poems included in this new compilation cover conflicts from every period of history -- from the wars of the ancients, through the Renaissance and the Middle Ages to the present day. The experiences and emotions they encompass are timeless: heroism, courage, stoicism, comaraderie, despair, understanding, empathy, joy. Including over 150 poems, this thought-provoking anthology is a fitting tribute to all those affected by war, past and present.
This is the first book exclusively devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. The essays brought together in this volume add significantly to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views of the war; and heightened appreciation for the anxieties they harbored about its aftermath. Both in the ways they come together and seem mutually influenced, and in the ways they disagree, Whitman and Melville grapple with the casualties, complications, and anxieties of the war while highlighting its irresolution. This collection makes clear that rather than simply and straightforwardly memorializing the events of the war, the poetry of Whitman and Melville weighs carefully all sorts of vexing questions and considerations, even as it engages a cultural politics that is never pat. Contributors: Kyle Barton, Peter Bellis, Adam Bradford, Jonathan A. Cook, Ian Faith, Ed Folsom, Timothy Marr, Cody Marrs, Christopher Ohge, Vanessa Steinroetter, Sarah L. Thwaites, Brian Yothers
A selection of modern French poems with critical commentary, glossary of literary terms, biographies and bibliography.
An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.
Overview: Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time.
This brand new anthology has been compiled to commemorate 10 years in Afghanistan. Announced in November 2010, contributions for a book of war poems were sought, and aided by appeals in the media, including BFBS Radio, the Army Families Federation and the charity Combat Stress, to name but a few; poems came from serving personnel of all ranks, veterans, families and friends. These poems all have one thing in common: they speak from and with the very soul of our Armed Forces of which we are so proud. With an introduction by Sir Andrew Motion, Poet Laureate 1999-2009 and foreword by the former Head of the TA (Territorial Army), His Grace, The Duke of Westminster, this high-profile anthology is sure to stimulate poetry enthusiasts and those with an interest in supporting HM Forces personnel. The book contains a large proportion of new poetry inspired by events and operations relating to Afghanistan, written by both previously unpublished, and established poets who have found this book a suitable and timely vehicle for their powerful prose and poetry. One of the most powerful entries is from a schoolgirl, whose Wootton Bassett inspired poem is sure to stir the emotions. £2 from each book supports Combat Stress.
This volume contains all of Owen's best known work, only four of which were published in his lifetime. His war poems were based on his acute observations of the soldiers with whom he served on the Western front, and reflect the horror and waste of World War One.
This book examines the varied responses of six French authors to war, the French occupation and imprisonment. Jean Cassou was imprisoned as a member of a Resistance network and held incommunicado. During this time he composed sonnets in his head which he was able to publish later. Jean Cayrol's deportation to Mauthausen concentration camp as a result of his Resistance activities inspired his poems and novels. Madeleine Riffaud, aged only 18 in 1942, portrayed her Resistance experience, imprisonment and torture in her post-war prose and poems. A well-known literary critic and writer, Pierre-Henri Simon, composed poetry in his Stalag and wrote fiction after the war. Max Jacob, who died in Drancy, wrote poems and letters reflecting his personal views and feelings on the 'imprisonment' of the Occupation itself. Philippe Soupault was actively engaged in Resistance with the founding of Radio Tunis to combat the Italian Fascist station Radio Bari, broadcasting across the Mediterranean and North Africa. Imprisoned for these activities in 1942, he used poetry to keep a spirit of resistance alive. Each of these authors sought to maintain the spirit of the Resistance, bear witness to the times, and contribute to the future, using literature as their instrument.
When war broke out in 1914 conscription seemed unnecessary; there was no shortage of volunteers ready to lay down their lives for their country. In this fascinating book, illustrated with contemporary drawings and photographs, Caroline Dakers explores exactly what their 'country' meant to the men and women who fought, died, survived. She suggests that, with a little subliminal help from literature, art and propaganda, the British volunteer, whether factory worker, farm hand or public school boy, felt that he was fighting for old England - village, church, meadow and carthorse, rather than city, factory, commerce and motor car. Drawing on a wide range of unpublished papers and family archives, Dr Dakers recreates the world of the countryside at war. There are chapters on agriculture (literally 'the home front'), and life and death in the manor house, vicarage, school and farm. And while all this was being fought for, The French countryside was smashed into a quagmire. This is the most complete picture yet of the impact of the First World War on rural England; a war which, if only in the ubiquitous village war memorials, still reverberates across the decades.