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Curtis Bertrand was just a country boy in the U.S. Army in World War II. While in the South Pacific Theater he took 600 pictures to allow his folks back home on the farm to be eyewitnesses of what he was experiencing. He had no intention of being a photojournalist, but this pictorial provides a unique view of life and death during WWII. He never dreamed his private stash of pictures would be viewed over 70 years later. The author traces his father's steps from home to war and back using the war photos and official battalion diary which reveal some heartbreaking accounts and fearful experiences.INSIDE THIS BOOK YOU WILL WITNESS: New Guinea Battle Campaigns: From Australia to Dobodura and Saidor;The Battle for Biak Island and Capture of Mokmer Airdrome;The Philippine Islands: the Battle of Manila and its Reconstruction;World War II Airplanes with Erotic Nose Art;New Guinea Natives in Daily LifePRAISE FOR "DAD'S WAR PHOTOS"This book will bring back many memories for those veterans who are still with us, but perhaps more importantly it will allow the younger generations, especially those whose forefathers served in the Pacific, to see and understand more about the war that encompassed the world.Ray BowdenDorset, England I've never seen a book that covers so much of the war in a pictorial form. It presents a month-by-month account of what it was like to serve in an engineering battalion in support of the fighting troops in the South Pacific.Hughes GlantzbergI thoroughly enjoyed this book! Neal has done a great job of organizing the book so any reader can get a real taste of where his dad went and what he saw. I especially enjoyed the World War II nose art photos.Sheila FredricksonThis is a fascinating first person view of an enlisted man's perspective. You witness his part of the war through his eyes and camera lens. This is a part of the war few have documented so thoroughly from such a unique perspective. Fred Leger
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.
Pairs the works of combat photographers of the Vietnam War with essays from various writers to chronicle the impact the war had on the soldiers fighting it, the civilians caught in the cross fire, and the world as a whole.
From blitzkrieg and blackout to ghettos and Guadalcanal, World War II was a conflict that touched all nations and penetrated all aspects of people's lives. Sixty years after it ended, it still shapes the world we live in today. With over 1,750 A-Z entries, by more than 140 specialist contributors from Germany, Italy, and Japan, as well as from the Allied nations, the Companion provides uniquely worldwide coverage of the war. The strategies, forces, battles, and campaigns, and the social, political, and economicenvironments in which they operated are explored from both sides of the conflict. Every aspect of the war is covered: in-depth surveys of the countries involved in the conflict; politics and strategy; domestic and economic issues; resistance and intelligence; campaigns and battles; warfare and weapons; wartime leaders and influential people; slogans and slangThe Companion's comprehensive coverage and in-depth analysis are supported by hundreds of maps, charts, and diagrams, and a full chronology.
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
Ninety-seven compelling photographs culled from the Civil War archives of the Medford Historical Society feature such images as Confederate soldiers at Devil's Den, Rose Woods, Gettysburg, the trenches of Petersburg, and postwar Charleston. 25,000 first printing. $40,000 ad/promo.