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A complete behind the scenes look at Hellraiser 3.
A complete behind the scenes look at Hellraiser 3.
Supernatural fantasy’s greatest anti-hero goes back to hell! In Aloha from Hell, the ruthless avenger, a.k.a. Stark, finds himself trapped in the middle of a war between Heaven and Hell. Perfect for fans of Jim Butcher, Warren Ellis, Charlaine Harris, Kim Harrison, and Simon R. Green. Once again all is not right in L.A. Lucifer is back in Heaven, God is on vacation, and an insane killer mounts a war against both Heaven and Hell. Stark’s got to head back down to his old stomping grounds in Hell to rescue his long lost love, stop an insane serial killer, prevent both Good and Evil from completely destroying each other, and stop the demonic Kissi from ruining the party for everyone. Even for Sandman Slim, that’s a tall order. And it’s only the beginning.
Marlow Green's a high school boy in New York who's always in trouble for vandalism and acting out, and who one day stumbles into the middle of a battle with a demon and learns about The Devil's engine--an ancient machine which can grant anything you wish for--in exchange for your soul.
This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the “geography” of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience’s innate fear of the unknown. This notion recalls Freud’s theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger’s labyrinthine lair, an inescapable boiler room that enhances Freddie’s powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth’s Hostel films), or as a way to mythicize the very origin of evil (Bava’s Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa’s Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.
The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read. Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay.
The World’s Greatest Detective Meets Horror’s Most Notorious Villains! Late 1895, and Sherlock Holmes and his faithful companion Dr John Watson are called upon to investigate a missing persons case. On the face of it, this seems like a mystery that Holmes might relish – as the person in question vanished from a locked room. But this is just the start of an investigation that will draw the pair into contact with a shadowy organisation talked about in whispers, known only as the ‘Order of the Gash.’ As more people go missing in a similar fashion, the clues point to a sinister asylum in France and to the underworld of London. However, it is an altogether different underworld that Holmes will soon discover – as he comes face to face not only with those followers who do the Order’s bidding on Earth, but those who serve it in Hell: the Cenobites. Holmes’ most outlandish adventure to date, one that has remained shrouded in secrecy until now, launches him headlong into Clive Barker’s famous Hellraising universe… and things will never be the same again. With an introduction by Hellraiser II actress Barbie Wilde.
Hell has come home as Clive Barker returns to writing his signature creation! Clive Barker has “touched” Hellraiser only twice before: once to write The Hellbound Heart, and once more to write and direct the original Hellraiser film. With the HELLRAISER ongoing series, witness Barker’s long-awaited return to tell a new chapter in the official continuity — a trajectory that will forever change the Cenobites…and Pinhead! So prepare your soul for an epic journey into horror from one of the medium’s greatest voices, and starring one of the medium’s greatest characters, in an unforgettable new chapter of Hellraiser.
A world ending thrill ride of epic proportions. With so many characters and so many twists, it's like the horror equivalent of Game of Thrones. Iain Rob Wright is sick and twisted. - David Moody, author of the Autumn series. What will you do when the world ends? That's a question that needs answering quickly when the gates to Hell open up all over Earth. Taking place across the globe is an apocalypse like no other, and humanity will find itself at war against a smart and merciless foe. Follow the struggles to survive with several characters as things go from bad to worse. Humanity is dwindling. Guy Granger is a Coast Guard captain in search of his kids. Mina Magar is a photojournalist taking pictures of horror she could never have imagined. Rick Bastion is a fading pop star with his head in a bottle and no hope for his future. Tony Cross is a soldier stuck on the Iraq-Syria border, but fighting insurgents is no longer a priority as a new threat emerges. Follow them all as they fight to stay alive. When the gates open, all Hell will break loose!
"This is a cool idea for a book." -- Quentin Tarantino My Best Friend's Birthday: The Making of a Quentin Tarantino Film is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino's minimum wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy. He also makes the argument that My Best Friend's Birthday is something far more meaningful than a curiosity. Not only did it mark the screenwriting and directorial debut of Quentin Tarantino, one of the greatest filmmakers in history, but it also launched the careers of two other professional filmmakers, Craig Hamann and Roger Avary. My Best Friend's Birthday: The Making of a Quentin Tarantino Film provides an in-depth look at the film from its conception to its eventual demise and proves that even at the young age of 20, Tarantino already possessed the talent (in a still rough, unpolished form) that would lead him to make classic films such as Reservoir Dogs, Pulp Fiction, Kill Bill, Django Unchained, and Once Upon a Time in Hollywood. The film and screenplay for My Best Friend's Birthday, rough as they may be, provide us a glimpse of an artist on the verge of real success, still trying to find and hone his voice.