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Drawing extensively on primary sources, and with the focus on examining what the war was like to live through - for example the living conditions for soldiers, the conduct of war, etc. - this study illuminates the human cost of war and its effect on society, both in our own day as well as in the 17th century.
This social as well as a military history recreates the scenes of civil war in England, between 1642 and 1649.
A Military History of the English Civil War examines how the civil war was won, who fought for whom, and why it ended. With a straightforward style and clear chronology that enables readers to make their own judgements and pursue their own interests further, this original history provides a thorough critique of the reasons that have been cited for Parliament's victory and the King's defeat in 1645/46. It discusses the strategic options of the Parliamentary and Royalist commanders and councils of war and analyses the decisions they made, arguing that the King’s faulty command structure was more responsible for his defeat than Sir Thomas Fairfax's strategic flair. It also argues that the way that resources were used, rather than the resources themselves, explain why the war ended when it did.
A brilliant appraisal of the Civil War and its long-term consequences, by an acclaimed historian. The political upheaval of the mid-seventeenth century has no parallel in English history. Other events have changed the occupancy and the powers of the throne, but the conflict of 1640-60 was more dramatic: the monarchy and the House of Lords were abolished, to be replaced by a republic and military rule. In this wonderfully readable account, Blair Worden explores the events of this period and their origins - the war between King and Parliament, the execution of Charles I, Cromwell's rule and the Restoration - while aiming to reveal something more elusive: the motivations of contemporaries on both sides and the concerns of later generations.
A fresh approach to the English civil war, War in England 1642-1649 focuses on answering a misleadingly simple question: what kind of war was it to live through? Eschewing descriptions of specific battles or analyses of political and religious developments, Barbara Donagan examines the 'texture' of war, addressing questions such as: what did Englishmen and women believe about war and know about its practice before 1642? What were the conditions in which a soldier fought - for example, how efficient was his musket (not very), and how did he know where he was going (much depended on the reliability of scouts and spies)? What were the rules that were supposed to govern conduct in war, and how were they enforced (by a combination of professional peer pressure and severe but discretionary army discipline and courts martial)? What were the officers and men of the armies like, and how well did they fight? The book deals even-handedly with royalists and parliamentarians, examining how much they had in common, as well as discussing the points on which they differed. It looks at the intimacy of this often uncivil war, in which enemies fought at close quarters, spoke the same language and had often been acquainted before the war began, just as they had often known the civilians who suffered their presence. A final section on two sieges illustrates these themes in practice over extended periods, and also demonstrates the integration of military and civilian experience in a civil war. Drawing extensively on primary sources, Donagan's study illuminates the human cost of war and its effect on society, both in our own day as well as in the seventeenth century.
Examines the experiences of Catholics during the period when England was ruled by Puritan Protestants.
The sequence of civil wars that ripped England apart in the seventeenth century was the single most traumatic event in this country between the medieval Black Death and the two world wars. Indeed, it is likely that a greater percentage of the population were killed in the civil wars than in the First World War. This sense of overwhelming trauma gives this major new history its title: God’s Fury, England’s Fire. The name of a pamphlet written after the king’s surrender, it sums up the widespread feeling within England that the seemingly endless nightmare that had destroyed families, towns and livelihoods was ordained by a vengeful God – that the people of England had sinned and were now being punished. As with all civil wars, however, ‘God’s fury’ could support or destroy either side in the conflict. Was God angry at Charles I for failing to support the true, protestant, religion and refusing to work with Parliament? Or was God angry with those who had dared challenge His anointed Sovereign? Michael Braddick’s remarkable book gives the reader a vivid and enduring sense both of what it was like to live through events of uncontrollable violence and what really animated the different sides. The killing of Charles I and the declaration of a republic – events which even now seem in an English context utterly astounding – were by no means the only outcomes, and Braddick brilliantly describes the twists and turns that led to the most radical solutions of all to the country’s political implosion. He also describes very effectively the influence of events in Scotland, Ireland and the European mainland on the conflict in England. God’s Fury, England’s Fire allows readers to understand once more the events that have so fundamentally marked this country and which still resonate centuries after their bloody ending.