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'War Cinema' presents an introduction to and overview of films that take war as their main theme. Framing the era with 'Apocalypse Now' and 'Apocalypse Now Redux', the author initially focuses on Vietnam on film in the 1970s and 1980s and how this divisive war was represented.
In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist's book War Cut. For this project, Richter photographed 216 details of his abstract painting "No. 648-2" (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war's outbreak (March 20 and 21, 2003). "My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below," Richter told an interviewer, for a New York Times feature on the publication. "I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes." Originally published only in German in 2004, this long-awaited English version of this important artist's book presents Richter's powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war's outbreak.
This catalog of woodcut images are based on the artist's personal experiences while serving in Vietnam as Combat Artist.
For the first time ever, a book unravels the complex process of the tremendous delegitimization efforts directed toward Israel. "The War of a Million Cuts" explains how these attempts at the delegitimization of Israel, as well as anti-Semitism can be fought. The book describes the hateful messages of those who defame Israel and the Jews, details why anti-Semitism and anti-Israelism have the same core motifs, and discusses the main groups of inciters, including Muslim states, Muslims in the Western world, politicians, media, NGOs, church leaders, those on the extreme left and the extreme right, Jewish self-haters, academics, social democrats and many others. It explains how the hate messages are effectively transmitted to the public at large, and discusses what impact the delegitimization has already made on Israel and the Jews.
WINNER OF THE COSTA BOOK OF THE YEAR 2018 WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2018 'A masterpiece of history and memoir' Evening Standard 'Superb. This is a necessary book - painful, harrowing, tragic, but also uplifting' The Times __________________________________________________ Little Lien wasn't taken from her Jewish parents in the Hague - she was given away in the hope that she might be saved. Hidden and raised by a foster family in the provinces during the Nazi occupation, she survived the war only to find that her real parents had not. Much later, she fell out with her foster family, and Bart van Es - the grandson of Lien's foster parents - knew he needed to find out why. His account of tracing Lien and telling her story is a searing exploration of two lives and two families. It is a story about love and misunderstanding and about the ways that our most painful experiences - so crucial in defining us - can also be redefined. ___________________________________________________ 'Luminous, elegant, haunting - I read it straight through' Philippe Sands, author of East West Street 'Deeply moving. Writes with an almost Sebaldian simplicity and understatement' Guardian 'Sensational and gripping . . . shedding light on some of the most urgent issues of our time' Judges of the Costa Book of the Year 2018
Text by Robert Storr.
Sam Sloane is an over-the-hill foreign correspondent still plagued by painful memories of his reporting days in Vietnam. He has refused to adapt to the cheapening of TV news and is called home to be fired. Back in the mahogany foxholes of New York, he finds himself confronting not only today’s corporate America, but the demons of his own past. A wounded cameraman helps him to deal with the nightmares and face the future. It’s a story of the intense friendship of comrades who live together and come close to dying together. It is also a poignant tale of Americans and Vietnamese, frightened men and lonely women, and of one little girl who is the symbol of wartime Vietnam. There is tragedy and profanity and dark humor but this story tells of more than man’s inhumanity to man. It speaks of man’s humanity to man.
Over 100 free-standing, easy-to-assemble World War II fighters wielding bazookas, firing mortars and machine guns, clearing mines, digging trenches, and more. Accessories include a tank, field gun, flag, pup tents, other items.
"Based on the adaptation by Alex Irvine."--Back cover