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The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger of journalistic independence being compromised by military control, censorship, and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment. This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict, and interviews with prominent war and foreign correspondents including John Pilger, Robert Fisk, Mary Dvesky, and Alex Thomson.
'Courageous reporting - read this book!' Michael Moore_x000B_Original hardback edition of this New York Times bestseller.
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.
Combat, cigars, and whiskeyÑfrom the jungles of Cuba and the mountains of the Northwest Frontier, to the banks of the Nile and the plains of South Africa, comes this action-packed tale of Winston ChurchillÕs adventures as a war correspondent in the Age of Empire.
Honorable Mention recipient for the American Journalism Historians Association Book of the Year Award, this book outlines the rich history of more than 250 women who worked as war correspondents up through World War II, while demonstrating the ways in which the press and the military both promoted and prevented their access to war. Despite the continued presence of individual female war correspondents in news accounts, if not always in war zones, it was not until 1944 that the military recognized these individuals as a group and began formally considering sex as a factor for recruiting and accrediting war correspondents. This group identity created obstacles for women who had previously worked alongside men as “war correspondents,” while creating opportunities for many women whom the military recruited to cover woman’s angle news as “women war correspondents.” This book also reveals the ways the military and the press, as well as women themselves, constructed the concepts of “woman war correspondent” and “war correspondent” and how these concepts helped and hindered the work of all war correspondents even as they challenged and ultimately expanded the public’s understanding of war and of women.
Winner of a Jewish National Book Award and author of The List and Jacob's Oath, both of which achieved outstanding critical acclaim, NBC Special Correspondent Martin Fletcher delivers another breathtaking tale of love, war, and redemption. Tom Layne was a world-class television correspondent until his life collapsed in Sarajevo. Beaten and humiliated, he fell into a hole diagnosed as Post Traumatic Stress Disorder. Eleven years later he returns to the Balkans to film a documentary on the man who caused his downfall: Ratko Mladic, Europe's biggest killer since Hitler, wanted for genocide and crimes against humanity. Mysterious forces have protected Mladic for a decade, preventing his arrest, and these shadowy but deadly foes swing into action against the journalist. Tom soon falls into a web of intrigue and deceit that threatens his life as well as that of the woman he loves. Drawing upon his own experiences reporting on the wars in Bosnia and Sarajevo, Martin Fletcher has written a searing love story and a painfully authentic account of a war reporter chasing down the scoop of a lifetime.
Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.
A 2024 YALSA Top Ten Great Graphic Novel for Teens • An NPR Best Book of 2023 • A 2023 NCSS Notable Social Studies Book "Inspiring and exciting, powerful and very poignant" —Anderson Cooper ★ "[A] gripping narrative, told with great immediacy" —Horn Book, starred review ★ "Highly recommended." ―School Library Journal, starred review “A powerful true story that demonstrates the power of one young person determined to change the world” — Victoria Jamieson, author of Roller Girl A teenage boy risks his life to tell the truth in this gripping graphic memoir by youth activist Muhammad Najem and CNN producer Nora Neus. Muhammad Najem was only eight years old when the war in Syria began. He was thirteen when his beloved Baba, his father, was killed in a bombing while praying. By fifteen, Muhammad didn’t want to hide anymore—he wanted to act. He was determined to reveal what families like his were enduring in Syria: bombings by their own government and days hiding in dark underground shelters. Armed with the camera on his phone and the support of his family, he started reporting on the war using social media. He interviewed other kids like him to show what they hope for and dream about. More than anything, he did it to show that Syrian kids like his toddler brother and infant sister, are just like kids in any other country. Despite unimaginable loss, Muhammad was always determined to document the humanity of the Syrian people. Eventually, the world took notice. This tenderly illustrated graphic memoir is told by Muhammad himself along with CNN producer Nora Neus, who helped break Muhammad’s story and bring his family’s plight to an international audience.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.
Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!