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Today, the ideas of Carl von Clausewitz (1780-1831) are employed almost ubiquitously in strategic studies, military history and defence literatures, but often in a manner which distorts their true meaning. In this book, Waldman explores Clausewitz’s central theoretical device for understanding war - the ‘remarkable trinity’ of politics, chance and passion. By situating the great Prussian in historical context, he presents a conception truer to Clausewitz’s intention. Seeking to achieve this through an in-depth reinterpretation of On War and Clausewitz’s other writings, conducted through the prism of the trinity, this book draws on existing studies but argues that there is room for clarification. It presents fresh perspectives into aspects of Clausewitz's thought and emphasises elements of his theory that have often been neglected. Furthermore, it provides a solid basis from which debate on the nature of modern war can move forward.
Carl von Clausewitz's On War, his chef d'oeuvre of strategic and military theory, was first published in 1832, after his death. The book remains a touchstone, dissected and debated by scholars, students, and military personnel around the world who consider it the founding document of the field. Yet to Clausewitz himself, far more important than achieving recognition for his written works was glory on the field of battle. He dreamed of winning renown not with his pen, but with his sword, and wielded both with the same determination and zeal. In this new biographical study of Clausewitz, Donald Stoker moves skillfully between his career as a soldier and his work as a theoretician. Conventional wisdom holds that Clausewitz was "merely a staff officer" who didn't see much combat, but Stoker shows this to be far from true. As a soldier during the era of the French Revolution and Napoleonic Wars - perhaps the most intense period of continuous large-scale warfare in history - Clausewitz gained an enormous amount of battle experience. By reconstructing his role in various compaigns, from Jena-Auerstedt to Waterloo, this work offers new insights into Clausewitz as both a soldier in an a witness to the momentous fighting of his time. Taking readers through the heat of these battles, Stoker provides historical overview and strategic analysis, showing the connection between events and Clausewitz's own words, taken both from his works and the abundant letters written to his wife, Marie, and friends throughout his life. Clausewitz's contributions to military theory have solidified his reputation, which seems continually to rise, and Stoker assesses each of his significant works and their contribution to his legacy. Grounding Clausewitz's theoretical analyses on the field of battle, Stoker traces the road to On War, and provides an absorbing reassessment of both the warrior and the theorist. -- from dust jacket.
Two classic works of military strategy that shaped the way we think about warfare: The Art of War by Sun Tzu and On War by Karl von Clausewitz, together in one volume “Civilization might have been spared much of the damage suffered in the world wars . . . if the influence of Clausewitz’s On War had been blended with and balanced by a knowledge of Sun Tzu’s The Art of War.”—B. H. Liddel Hart For two thousand years, Sun Tzu’s The Art of War has been the indispensable volume of warcraft. Although his work is the first known analysis of war and warfare, Sun Tzu struck upon a thoroughly modern concept: “The supreme art of war is to subdue the enemy without fighting.” Karl von Clausewitz, the canny military theorist who famously declared that war is a continuation of politics by other means, also claims paternity of the notion “total war.” On War is the magnum opus of the era of the French Revolution and the Napoleonic wars. Now these two great minds come together in a single volume that also features an introduction by esteemed military writer Ralph Peters and the Modern Library War Series introduction by Caleb Carr, New York Times bestselling author of The Alienist. (The cover and text refer to The Art of War as The Art of Warfare, an alternate translation of the title.)
The volume considers Clausewitz's timeless On War against the background of actual armed conflict. With scholars from a range of disciplines and countries, it throws new light on a classic text and contemporary issues.
Much of today's Revolution in Military Affairs (RMA) literature subscribes to the idea that the information age will witness a transformation in the very nature of war. In this book, David Lonsdale puts that notion to the test.
In 1812, Napoleon launched his fateful invasion of Russia. Five decades later, Leo Tolstoy published War and Peace, a fictional representation of the era that is one of the most celebrated novels in world literature. The novel contains a coherent (though much disputed) philosophy of history and portrays the history and military strategy of its time in a manner that offers lessons for the soldiers of today. To mark the two hundredth anniversary of the French invasion of Russia and acknowledge the importance of Tolstoy's novel for our historical memory of its central events, Rick McPeak and Donna Tussing Orwin have assembled a distinguished group of scholars from diverse disciplinary backgrounds-literary criticism, history, social science, and philosophy-to provide fresh readings of the novel. The essays in Tolstoy On War focus primarily on the novel's depictions of war and history, and the range of responses suggests that these remain inexhaustible topics of debate. The result is a volume that opens fruitful new avenues of understanding War and Peace while providing a range of perspectives and interpretations without parallel in the vast literature on the novel.
Today, the ideas of Carl von Clausewitz (1780-1831) are employed almost ubiquitously in strategic studies, military history and defence literatures, but often in a manner which distorts their true meaning. In this book, Waldman explores Clausewitz’s central theoretical device for understanding war - the ’remarkable trinity’ of politics, chance and passion. By situating the great Prussian in historical context, he presents a conception truer to Clausewitz’s intention. Seeking to achieve this through an in-depth reinterpretation of On War and Clausewitz’s other writings, conducted through the prism of the trinity, this book draws on existing studies but argues that there is room for clarification. It presents fresh perspectives into aspects of Clausewitz's thought and emphasises elements of his theory that have often been neglected. Furthermore, it provides a solid basis from which debate on the nature of modern war can move forward.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
While many scholars agree that Clausewitz's On War is frequently misunderstood, almost none have explored his methodology to see whether it might enhance our understanding of his concepts. This book lays out Clausewitz's methodology in a brisk and straightforward style. It then uses that as a basis for understanding his contributions to the ever growing body of knowledge of war. The specific contributions this study addresses are Clausewitz's theories concerning the nature of war, the relationship between war and politics, and several of the major principles of strategy he examined. These theories and principles lie at the heart of the current debates over the nature of contemporary conflict. They also underpin much of the instruction that prepares military and civilian leaders for their roles in the development and execution of military strategy. Thus, they are important even in circles where Clausewitz is only briefly studied. While understanding On War is no more a prerequisite for winning wars than knowledge is a requirement for exercising power, Clausewitz's opus has become something of an authoritative reference for those desiring to expand their knowledge of war. By linking method and concept, this book contributes significantly to that end.