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Longlisted for the Man Booker International Prize 2017 A New York Times Top 10 Best Book of the Year An Economist Best Book of the Year The life of Urbain Martien—artist, soldier, survivor of World War I—lies contained in two notebooks he left behind when he died in 1981. In War and Turpentine, his grandson, a writer, retells his grandfather’s story, the notebooks providing a key to the locked chambers of Urbain’s memory. With vivid detail, the grandson recounts a whole life: Urbain as the child of a lowly church painter, retouching his father’s work;dodging death in a foundry; fighting in the war that altered the course of history; marrying the sister of the woman he truly loved; being haunted by an ever-present reminder of the artist he had hoped to be and the soldier he was forced to become. Wrestling with this tale, the grandson straddles past and present, searching for a way to understand his own part in both. As artfully rendered as a Renaissance fresco, War and Turpentine paints an extraordinary portrait of one man’s life and reveals how that life echoed down through the generations. (With black-and-white illustrations throughout)
Finalist for the 2020 National Jewish Book Awards In this dazzling work of historical fiction, the Man Booker International–long-listed author of War and Turpentine reconstructs the tragic story of a medieval noblewoman who leaves her home and family for the love of a Jewish boy. In eleventh-century France, Vigdis Adelaïs, a young woman from a prosperous Christian family, falls in love with David Todros, a rabbi’s son and yeshiva student. To be together, the couple must flee their city, and Vigdis must renounce her life of privilege and comfort. Pursued by her father’s knights and in constant danger of betrayal, the lovers embark on a dangerous journey to the south of France, only to find their brief happiness destroyed by the vicious wave of anti-Semitism sweeping through Europe with the onset of the First Crusade. What begins as a story of forbidden love evolves into a globe-trotting trek spanning continents, as Vigdis undertakes an epic journey to Cairo and back, enduring the unimaginable in hopes of finding her lost children. Based on two fragments from the Cairo Genizah—a repository of more than three hundred thousand manuscripts and documents stored in the upper chamber of a synagogue in Old Cairo—Stefan Hertmans has pieced together a remarkable work of imagination, re-creating the tragic story of two star-crossed lovers whose steps he retraces almost a millennium later. Blending fact and fiction, and with immense imagination and stylistic ingenuity, Hertmans painstakingly depicts Vigdis’s terrible trials, bringing the Middle Ages to life and illuminating a chaotic world of love and hate.
In this revealing and poignant story, Stefan Hertmans uncovers haunting details about the previous owner of his house and the crime he committed as a member of the Nazi police. In 1979 Stefan Hertmans became obsessed with a rundown townhouse in Ghent. The previous owners were mentioned only in passing during the acquisition, and it wasn’t until the new millennium, long after he had sold the house, that he came across a memoir by the owner’s son Adriaan Verhulst, a distinguished history professor and a former teacher of Hertmans’, which revealed that his father was a former SS officer. Hertmans finds he is profoundly haunted by images of the family as ghostly presences in the rooms he had once known so well, he begins a journey of discovery—not to tell the story of Adriaan’s father, but rather the story of the house and the people who lived in it and passed through it. Archives, interviews with relatives and personal documents help him imagine the world of this house as they reveal not only a marital drama, but also a connection between past visitors to the house and important figures in the culture and politics of Flanders now. A stunning and immersive reimagining of a family in a historical moment of great upheaval confirms Hertmans’ always brilliant melding of fiction and nonfiction.
Longlisted for the International Man Booker Prize A New York Times Top 10 Best Book of the Year An Economist Best Book of the Year Longlisted for the Best Translated Book Award The story of Urbain Martien lies con­tained in two notebooks he left behind when he died. In War and Turpentine, his grandson, a writer, retells his grandfather’s story, the notebooks providing a key to the locked chambers of Urbain’s memory. But who is he, really? There is Urbain the child of a lowly church painter; Urbain the young man, who narrowly escapes death in an iron foundry; Urbain the soldier; and Urbain the man, married to his true love's sister, haunted by the war and his interrupted dreams of life as an artist. Wrestling with this tale, the grandson straddles past and present, searching for a way to understand his own part in both. As artfully rendered as a Renais­sance fresco, War and Turpentine paints an ex­traordinary portrait of a man, re­vealing how a single life can echo through the ages.
For many of us, our earliest and most meaningful experiences with literature occur through the medium of a translated children’s book. This volume focuses on the complex interplay that happens between text and context when works of children’s literature are translated: what contexts of production and reception account for how translated children’s books come to be made and read as they are? How are translated children’s books adapted to suit the context of a new culture? Spanning the disciplines of Children’s Literature Studies and Translation Studies, this book brings together established and emerging voices to provide an overview of the analytical, empirical and geographic richness of current research in this field and to identify and reflect on common insights, analytical perspectives and trajectories for future interdisciplinary research. This volume will appeal to an interdisciplinary audience of scholars and students in Translation Studies and Children’s Literature Studies and related disciplines. It has a broad geographic and cultural scope, with contributions dealing with translated children’s literature in the United Kingdom, the United States, Ireland, Spain, France, Brazil, Poland, Slovenia, Hungary, China, the former Yugoslavia, Sweden, Germany, and Belgium.
One of The New York Times Book Review's "10 Best Books of 2015" An NYRB Classics Original The Door is an unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship to Hungary’s Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda’s housekeeper and she has taken control over Magda’s household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda. They share a kind of love—at least until Magda’s long-sought success as a writer leads to a devastating revelation. Len Rix’s prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer.
INTERNATIONAL BESTSELLER and winner of the International Literature Prize. At once an exquisite love story and a coming-of-age novel, an allegory for the state of Israel and for the biblical tale from which it draws its title, Judas is one of Amos Oz’s most powerful novels. Jerusalem, 1959. Shmuel Ash, a biblical scholar, is adrift in his young life when he finds work as a caregiver for a brilliant but cantankerous old man named Gershom Wald. There is, however, a third, mysterious presence in his new home. Atalia Abravanel, the daughter of a deceased Zionist leader, a beautiful woman in her forties, entrances young Shmuel even as she keeps him at a distance. Piece by piece, the old Jerusalem stone house, haunted by tragic history and now home to the three misfits and their intricate relationship, reveals its secrets. “[A] magnificent novel . . . Oz pitches the book’s heartbreak and humanism perfectly from first page to last.”—New York Times Book Review “Scintillating . . . An old-fashioned novel of ideas that is strikingly and compellingly modern.”—Observer “Oz has written one of the most triumphant novels of his career.”—Forward “A [big] beautiful novel . . . Funny, wise, and provoking.”—Times (UK)
In the summer of 1864, sixteen-year-old Rhoda Strong lives in the Lumbee Indian settlement of Robeson County, North Carolina, which has become a pawn in the bloody struggle between the Union and Confederate armies. The community is besieged by the marauding Union Army as well as the desperate Home Guard who are hell-bent on conscripting the young men into deadly forced labor. Daughter of a Scotsman and his formidable Lumbee wife, Rhoda is fiercely loyal to her family and desperately fears for their safety, but her love for the outlaw hero Henry Berry Lowrie forces her to cast her lot with danger. Her struggle becomes part of the community's in a powerful story of love and survival. Nowhere Else on Earth is a moving saga that magnificently captures a little-known piece of American history.
ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “A darkly incantatory tragicomedy of love and betrayal ... Beautifully paced, emotionally wise.” —The Boston Globe In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen—Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs—sit at night, none too patiently. The pair are trying to locate Maurice’s estranged daughter, Dilly, whom they’ve heard is either arriving on a boat coming from Tangier or departing on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles. Rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today, Night Boat to Tangier is a superbly melancholic melody of a novel, full of beautiful phrases and terrible men.
“An absorbing popular history of one of history’s most popular drinks.” —Booklist Gin has been a drink of kings infused with crushed pearls and rose petals, and a drink of the poor flavored with turpentine and sulfuric acid. Born in alchemists’ stills and monastery kitchens, its earliest incarnations were juniper flavored medicines used to prevent plague, ease the pains of childbirth, and even to treat a lack of courage. In The Book of Gin, Richard Barnett traces the life of this beguiling spirit, once believed to cause a “new kind of drunkenness.” In the eighteenth century, gin-crazed debauchery (and class conflict) inspired Hogarth’s satirical masterpieces “Beer Street” and “Gin Lane.” In the nineteenth century, gin was drunk by Napoleonic War naval heroes, at lavish gin palaces, and by homesick colonials, who mixed it with their bitter anti-malarial tonics. In the early twentieth century, the illicit cocktail culture of Prohibition made gin—often dangerous bathtub gin—fashionable again. And today, with the growth of small-batch distilling, gin has once-again made a comeback. Wide-ranging, impeccably researched, and packed with illuminating stories, The Book of Gin is lively and fascinating, an indispensable history of a complex and notorious drink. “The Book of Gin is full of history that will make you grin . . . An enchanting read.” —Cooking by the Book