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Jean Elizabeth Ward proudly presents this book with the poetry of Wang Wei, Famous Chinese Tang Poet, included are the poems inspired by and written by Jean Elizabeth Ward,an American Poet Laureate. Concluding with an introduction to Wei Yingwu, another Chinese Poet. COVER DESIGN:Acrylic over collage: Starward Studio, Jean Elizabeth Ward. www.poetryplusart.com
Chinese Tang Poet, Li T'ai-Po remembered,with Poetry,and Prose, and History, by American Poet Laureate, Jean Elizabeth Ward. Du Fu says, my friend, Li T'ai-Po is best known for the extravagant imagination and striking Taoist imagery in his poetry, and I must add...for his great love of wine. Like me, he spent much of his life travelling, although in his case ... it was because his wealth allowed him to, rather than because his poverty forced him to. It is said that he drowned in the Yangtze River, after falling from his boat, while drunkenly trying to embrace the reflections of the moon. In reality, Li Bai committed suicide, as evidenced by his farewell poem.We only met twice, however, Li Bai was my friend.
'Can I bear to leave these blue hills?' A generous selection from three of the greatest and most enjoyable of Chinese poets Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wang Wei (roughly 699-761). Wang Wei's Poems is available in Penguin Classics. Li Po (701-762). Tu Fu (712-770). Li Po and Tu Fu is available in Penguin Classics.
Memory is far more than a record of the past—in this groundbreaking tour of the mind and brain, one of the world's top memory researchers reveals the powerful role memory plays in nearly every aspect of our lives, from learning and decision-making to trauma and healing, and helps us take control of our unconscious mind to live happier, more deliberate lives. A new understanding of memory is emerging from the latest scientific research. In short, the memory is not what we think it is—a repository of the past that we tap into as we wish. It is actually a highly transformative power, active at all times, that shapes our present in often secretive and sometimes destructive ways. We are in many ways creatures of memory and only when we understand the mechanisms of memory can we truly understand ourselves and our motivations, and use our knowledge of those mechanisms to our advantage while avoiding their pitfalls. Why We Remember teaches the principles behind memory storage and retrieval and explains how our memories are always changing. It reveals how these processes affect what we think we know about ourselves and how we make decisions. It shows that the real power of psychotherapy isn't to remember what happened, but to change our interpretations of those events, so we can heal and grow. Memory is designed to be selective, meaningful and malleable. When we understand how memory works, we can cut through the clutter and remember the things we want to remember. We can not only remember more—we can remember better.
In this first full-fledged intellectual biography of the brilliant and multifaceted Chinese scholar Wang Kuo-wei (1877-1927), Joey Bonner throws important new light on the range and course of ideas in early twentieth-century China. Coincidentally, she illuminates the nature of Wang's intimate, thirty-year personal and professional association with the well-known Chinese scholar Lo Chen-y (1866-1940) and provides a most comprehensive and compelling account of her biographee's posthumously controversial career in the years following the 1911 Revolution. Pursuing her subject across the whole spectrum of his many scholarly interests, Bonner critically examines Wang's essays on German philosophy and philosophical aesthetics; his poetry, literary criticism, and aesthetic theory; and his works on ancient Chinese history, particularly of the Shang dynasty. Insightfully relating his strenuous intellectual search in the fields of philosophy, literature, and history to his very personal quest for truth, beauty, and virtue, Bonner shows in this finely crafted book how Wang's unhappiness in later life as well as his suicide can be understood only within the context of his humanistic concerns in general and his extreme commitment in the postimperial period to the Confucian ethicoreligious tradition in particular. Without compromising the clearheaded critical detachment that characterizes her analysis of the intricacies of his thought, Bonner has produced a portrait of Wang Kuo-wei suffused with warmth and sympathetic respect.
"Tens of thousands of epitaphs or funerary biographies survive from imperial China. Written to be engraved on stone and placed in a grave, they typically focus on the deceased's biographical information and exemplary words and deeds, expressing survivors' longing for the dead. Epitaphs provide glimpses of the lives of people who are not well-documented in such sources as the dynastic histories and local gazetteers: women, men who did not leave a mark politically, and children. This anthology makes available a set of funerary biographies covering nearly two thousand years of history, from the Han dynasty through the nineteenth century, selected for their potential as teaching material for courses on Chinese history, literature, and women's studies as well as world history. Funerary biographies, due to their inclusion of telling details about personal conduct, family life, local conditions, and social, cultural, and religious practices, can illustrate ways of thinking and the realities of daily life. Since most funerary biographies can be read and analyzed on multiple levels, they have the potential to stimulate discussion of topics such as the emotional tenor of family life, rituals associated with death, whether the values seen in these biographies should be called Confucian, ways to analyze women's lives from sources written by men, and how to use sources that can be assumed to be biased. These biographies will be especially effective when combined with more readily available primary sources such as official documents, religious and intellectual discourses, and anecdotal stories, promising to generate interesting discussion about literary genre, the ways historians use sources, and how writers shape their accounts"--
Jean Elizabeth Ward proudly presents this book with the poetry of Wen Feiqing, the literary name of Wen Tingyun, Chinese Tang Poet famous for his Ci Poetry, included are the poems inspired by and written by Jean Elizabeth Ward,an American Poet Laureate. Concluding with an introduction to Wei Yingwu, another Chinese Poet.