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"Wang Shu Amateur Architecture Studio is the first major book on the recent work of architect Wang Shu, Pritzker Price winner in 2012, and his wife Lu Wenyu. Together they have run Amateur Architecture Studio, based in Hangzhou, China, for nearly 20 years. At a time when Chinas explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Amateur Architecture Studio is keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down. Amateur Architecture Studios working ways successfully represent socially conscious and sustainable new architecture. Wang Shus architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react flexibly to the surroundings and history of a particular site. At heart, it comes down to preserving Chinese building customs and local awareness of material in a nation that is fast losing its building culture. The studios projects inhabit a fascinating field between allusions to traditional Chinese culture and large-scale modern architecture. This book is published on the occasion of the Louisiana Museum of Modern Art exhibition in 2017 of Wang Shu and Amateur Architecture Studios work. Featuring a wealth of images by architecture photographer Iwan Baan this is a detailed and reflective guide to Amateur Architecture Studios projects, philosophy and methodology." -- Publicaciones Arquitectura y Arte.
Buildings by Chinese architect Wang Shu--this year's winner of the Pritzker Prize-- feature clear and simple contemporary designs that make use of traditional methods and materials. The reuse of building materials is characteristic of his buildings. Shu's design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations elucidate Shu's on-site research. The reproductions of drawings in this book demonstrate how the designs change and become more concrete over the course of the process. The book provides unique insights into the work of an architect who has hitherto received little attention in Europe, thereby addressing a considerable omission in the publishing world.
A new design expression is being formed in China as architects look internally for visionary design instead of toward the West.
This book offers the first comprehensive overview of alternative approaches to architectural practice. At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be achieved in the future. Particularly pertinent in the current economic climate, this book offers the reader new approaches to architectural practice in a changing world. It makes essential reading for any architect, aspiring or practicing.
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.
Marco Frascari believed that architects should design thoughtful buildings capable of inspiring their inhabitants to have pleasurable and happy lives. A visionary Italian architect, academic and theorist, Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. As a student in Venice during the late 1960s, Frascari was taught and mentored by Carlo Scarpa. Later he moved to North America with his family, where he became a fulltime academic. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings, a small number of which were built. As a means of (re)constructing the theatre of imaginative theory within which these buildings were created, Sam Ridgway draws on a wide selection of Frascari’s texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari’s delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.
The comprehensive first monograph on Indian architect Anupama Kundoo The fourth volume in the book series The Architect's Studio presents the Indian architect Anupama Kundoo (born 1967). Kundoo is a much-revered architect whose work aims to shed light on a scarce resource in our life: time. Kundoo sees time as a forgotten resource in architecture. Constructed as a journey through time, this volume explores how Kundoo integrates traditional Indian building customs, crafts and materials into her current works. In general, Kundoo is concerned with using as few material resources as possible in her architecture, and is attentive to traditional building methods. A perfect distillation of her working methods can be found in the house she built for herself outside the community of Auroville, India. The house, constructed of terracotta, brick, concrete and wood, creates a seamless transition on a human scale between the interior and the exterior with elements of both mirroring each other within and without.
Architectural detailing is what makes a design unique, and an architect outstanding. Detail in Contemporary Timber Architecture provides analysis of both the technical and the aesthetic importance of details in modern timber architecture. Featuring the work of renowned architects from around the world, this book presents 50 of the most recently completed and influential timber designs for both residential and commercial architecture. Each project is presented with color photographs, site plans and sections and elevations, as well as numerous construction details. There is also a descriptive text, detailed captions and in-depth information for each project, including the location, client, architectural project team, main consultants and contractors. The projects are presented in clear and concise layouts over four pages. All of the drawings are styled consistently and presented at standard architectural scales to allow for easy comparison. There is also a CD-ROM which contains all the drawings as printed in the book, in both EPS and DWG (generic CAD) formats. In addition the book features an index of architects that includes the name, address and all contact details for each architect included. Detail in Contemporary Timber Architecture is an excellent reference work for practising architects as well as architecture and design students.
This essential reference for all students of architecture, design and the built environment provides a convenient single source for all the key texts in the recent literature on architecture and technology. The book contains over fifty carefully selected essays, manifestoes, reflections and theories by architects and architectural writers from 1900 to 2004. This mapping out of a century of architectural technology reveals the discipline's long and close attention to the experience and effects of new technologies, and provides a broad picture of the shift from the 'age of tools' to the 'age of systems'. Chronological arrangement and cross-referencing of the articles enable both a thematic and historically contextual understanding of the topic and highlight important thematic connections across time. With the ever increasing pace of technological change, this Reader presents a clear understanding of the context in which it has and does affect architecture.