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Glen Larum's first novel, Waltz Against the Sky, explores the fates awaiting four young men who leave home behind for various reasons and venture out into the world. Evan Blaine, an out-of-work newspaper editor who has fumbled through this more than once before, finds himself seizing another chance; Dink Downs, who has lost his first regular job on a Florida road crew, gets swept along by his older brother, Del, an ex-con who has agreed to drive across country to deliver an automobile for a former cellmate; and teen-ager Tony Angione is hitch-hiking from New Jersey to California to see if he can find himself, employment, and a future with an uncle who may be more myth than the building contractor who can answer his prayers. The paths of these four - Blaine, the Downs brothers, and Angione - are all destined to converge in West Texas, where they bump up against the people whom strangers are most likely to encounter in a strange place, and regional law enforcement officials like Sheriff Leo Blunt and his deputies, who are used to administering justice in their own way. As Waltz begins, Sheriff Blunt's world is turned upside down by an uncommon crime, a breakout from an unlocked jail and events spiral out of control from that moment. A flashback layering technique featuring varying viewpoints carries the reader along as the characters reach their appointments with destiny. While many of the encounters with the ordinary population, particularly Blaine's and Angione's, seem to affirm a basic goodness in people, there is an underlying tension that plays out to an unexpected end. Told in a laconic western voice, the story uses distinctive narrative variation to weave different perspectives of past and present into plainsong about ordinary people dancing with fate, yet rarely recognizing their partner. The novel makes a powerful case that while randomness calls the tune in life, it is the moral ambiguity of people in power that provides the background sheet music. The only question is, will anyone waltz away?
Once again Axel Crochet, bearded musicologist-at-large, stumbles into murderous intrigue amid church politics and academic amphigory, where tempers run so high because the stakes are so low. In Cats Paw, Axel is convinced by a colleague at Pittsburghs Monongahela University to investigate the sudden death of the university organist, putting both his academic position and his life in jeopardy. In The Carcassonne Codex, Axel attends a professional meeting in Minneapolis. He soon finds himself thrust in the middle of a murderous plot after he is handed a pill bottle by a hotel housemaid and becomes suspicious about the death of a noted medievalist. In If Thine Eye Offend Thee, Axel begins a new position as music director at a wealthy church where abuses by the rector have alienated the congregation and evoked calls for his removal. Axel encounters a warm welcome from the choir, but hostility from the sinister senior warden. In this trilogy of murder mysteries, a curious musicologist with a propensity for attracting mayhem must overcome professional jealousies, evil plots and bizarre chains of events.
Federal Judge Patrick O'Shea is found swinging from his courtroom chandelier clad only in his robe. Everyone wanted him dead. FBI task force officer Katie O'Connor and her teamwork with the FBI and others to untangle the ever-growing lists of suspects including his estranged wife and judicial colleague. Small town attorney and former federal law clerk, Buck Davis, helps the court by identifying vengeful litigants and overseeing the law clerks during the turbulent time. Davis juggles his small town law practice with his budding romance with Katie, and rebuilding his relationship with his opioid addicted brother.
At the beginning of the 19th century the waltz brought men and women face-to-face, dancing tightly embraced and staring into each other's eyes, a position that provoked a great deal of anxiety in many circles: bishops of Austria signed decrees against waltzing, France banned it at court, and even Leo XII sought to suppress the waltz by papal decree. Nevertheless, composers wrote waltzes for the ballrooms, and the new bourgeoisie of Europe enjoyed the freedom and informality of the dance.The reception of the waltz as music was informed by 19th-century views on women. As a result, the waltz - both dance and music - acquired a distinctly gendered meaning. In Verdi's La Traviata, Puccini's La Bohème, and Berg's Wozzeck, the composers relied on the waltz's contradictory meanings of individual pleasure and social disapprobation to portray the women characters and their roles in the development of the plot.The popularity of the waltz persisted beyond the original era of the Viennese waltz. Twentieth-century composers wrote waltzes either to pay homage to the Viennese waltz and its creators or to evoke the spirit of that earlier period. In compositions such as La Valse and Wozzeck, Ravel and Berg make deliberate references to the Viennese waltz without yielding their own musical language to its convention.
The philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience.
This edited volume deploys Deleuzian thinking to re-theorize fascism as a mutable problem in changing orders of power relations dependent on hitherto misunderstood social and political conditions of formation. The book provides a theoretically distinct approach to the problem of fascism and its relations with liberalism and modernity in both historical and contemporary contexts. It serves as a seminal intervention into the debate over the causes and consequences of contemporary wars and global political conflicts as well as functioning as an accessible guide to the theoretical utilities of Deleuzian thought for International Relations (IR) in a manner that is very much lacking in current debates about IR. Covering a wide array of topics, this volume will provide a set of original contributions focussed in particular upon the contemporary nature of war; the increased priorities afforded to the security imperative; the changing designs of bio-political regimes, fascist aesthetics; nihilistic tendencies and the modernist logic of finitude; the politics of suicide; the specific desires upon which fascism draws and, of course, the recurring pursuit of power. An important contribution to the field, this work will be of great interest to students and scholars of international relations, fascism and international relations theory.
Internationally celebrated musician, Paul Ferraris plays the violin like an angel, but since his beloved wife passed away he and beautiful young daughter Gisela have been almost destitute. Now desperate, they arrive in Vienna, where Paul is much admired and sure of finding work in one of the great theatres. In the pitch black of the Vienna Woods at night, Gisela’s rescued from a rabble of rowdy students by a mysterious stranger. And even in the total darkness, somehow, she knows she’s safe with him – and somehow she falls into his arms in a rapturous, unseeing kiss. With her father busily rehearsing for a major concert and love blossoming in her heart, life for Gisela is heavenly. But then in the very woods where they first kissed, her handsome stranger breaks the spell with the revelation that he’s a Prince, heir to the Hungarian throne, and that he is leaving her forever to spare her the humiliation of a Royal family who will never accept the daughter of a mere musician. Gisela’s fairy tale turns sourer still as her father faces death in a duel – to lose her beloved Papa as well as the love of her life is simply too much to bear.
Four of Amy Sorrells’s novels in one e-book! Before I Saw You In a southern Indiana town ravaged by the heroin epidemic, Jaycee Givens lives with little more than a thread of hope. Jaycee is carrying grief and an unplanned pregnancy she conceals because she trusts no one, including kind, handsome Gabe, who is new to town and to the local diner where she works. Jaycee nurses her broken heart among a collection of unlikely friends, the closest thing to family that she has. Eventually, she can’t hide her pregnancy—not even from the baby’s abusive father, who is furious when he finds out. The choices Jaycee must make for the safety of her unborn child threaten to derail any chance she ever had for hope and redemption. Ultimately, she must decide whether the truest form of love means hanging on or letting go. How Sweet the Sound Anniston Harlan cares little for high society and the rigid rules and expectations of her grandmother, Princella. She finds solace working the orchards alongside her father and grandfather, and relief in the cool waters of Mobile Bay. Anniston’s aunt, Comfort Harlan, has never lived up to the family name, or so her mother Princella’s scowl implies. When she gleefully accepts her boyfriend Solly’s proposal, a flood tide of tragedy ensues, stripping Comfort of her innocence and unleashing generations of family secrets. While Comfort struggles to recover, Anniston discovers an unlikely new friend from the seedy part of town who helps her try to make sense of the chaos. Together, they and the whole town of Bay Spring, Alabama discover how true love is a risk, but one worth taking. Then Sings My Soul When Jakob’s wife dies, he and his daughter, Nel, must face the realities of his worsening dementia and emerging shadows Nel didn’t know lay beneath her father’s beloved, curmudgeonly ways. While Nel navigates the restoration and sale of Jakob’s dilapidated lake house, her high school sweetheart shows up in town, along with unexpected correspondence from Ukraine. And when she discovers a mysterious gemstone in Jakob’s old lapidary room, Jakob’s condition worsens as he begins having flashbacks about his baby sister from nearly a century past. As father and daughter race against time to discover the truth behind Jackob’s fragmented memories, the God they have both been running from shows that he redeems broken years and also the future. Lead Me Home Amid open fields and empty pews, small towns can crush big dreams. Abandoned by his no-good father and forced to grow up too soon, Noble Burden has set his dreams aside to run the family farm. Meanwhile, James Horton, the pastor of the local church, questions his own calling as he prepares to close the doors for good. As a severe storm rolls through, threatening their community and very livelihood, both men fear losing what they care about most . . . and reconsider where they truly belong.