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In 19th-century America, it was assumed that woman patients would be treated by male doctors. The idea of a "woman doctor" was deemed by many to lie somewhere between unfathomable and repugnant. Then along came Susan Dimock. A young North Carolinian who dreamed of becoming a physician, and grew up to practice medicine in Boston, Dimock was not the first American woman to battle the patriarchal medical establishment. But in the 1870s, she was arguably the best-educated, most-skilled woman surgeon in the nation as well as living proof that a woman could be competent, smart, lovely, and kind--all in the same package. Dimock's life reads like an adventure story, from recoiling at slave auctions and witnessing Civil War battles to escaping her fire-engulfed Southern hometown, then finding her place among Boston's most enterprising women. She studied medicine in Zurich and Vienna, hiked the Swiss Alps, executed complex surgeries, and trained America's first professional nurses, ultimately inspiring a new generation of female surgeons. It is no surprise that a prestigious Viennese medical professor, when asked for advice to aspiring young doctors, replied simply, "Make yourself to be like Miss Dimock." This biography is the first to give Susan Dimock her rightful place in medical, women's, and world history.
Among the Americans who joined the ranks of the Doughboys fighting World War I were thousands of America's newest residents. Good Americans examines the contributions of Italian and Jewish immigrants, both on the homefront and overseas, in the Great War. While residing in strong, insular communities, both groups faced a barrage of demands to participate in a conflict that had been raging in their home countries for nearly three years. Italians and Jews "did their bit" in relief, recruitment, conservation, and war bond campaigns, while immigrants and second-generation ethnic soldiers fought on the Western front. Within a year of the Armistice, they found themselves redefined as foreigners and perceived as a major threat to American life, rather than remembered as participants in its defense. Wartime experiences, Christopher Sterba argues, served to deeply politicize first and second generation immigrants, greatly accelerating their transformation from relatively powerless newcomers to a major political force in the United States during the New Deal and beyond.
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-