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Overview of this mid-century modern architect and inventor who built in the Coachella Valley of California from the 1940s to the 1960s and in Colorado Springs beginning in the 1960s.
An “electrifying” biography of Walter White, a little-remembered Black civil rights leader who passed for white in order to investigate racist murders, help put the NAACP on the map, and change the racial identity of America forever (Chicago Review of Books). Walter F. White led two lives: one as a leader of the Harlem Renaissance and the NAACP in the early twentieth century; the other as a white newspaperman who covered lynching crimes in the Deep South at the blazing height of racial violence. Born mixed race and with very fair skin and straight hair, White was able to “pass” for white. He leveraged this ambiguity as a reporter, bringing to light the darkest crimes in America and helping to plant the seeds of the civil rights movement. White’s risky career led him to lead a double life. He was simultaneously a second-class citizen subject to Jim Crow laws at home and a widely respected professional with full access to the white world at work. His life was fraught with internal and external conflict—much like the story of race in America. Starting out as an obscure activist, White ultimately became Black America’s most prominent leader, during his time. A character study of White’s life and career with all these complexities has never been rendered, until now. By the award-winning, New York Times bestselling author of The Accidental President, Dewey Defeats Truman, and The Arsenal of Democracy, White Lies uncovers the life of a civil rights leader unlike any other.
Walter F. White of Atlanta, Georgia, joined the National Association for the Advancement of Colored People (NAACP) in 1918 as an assistant to Executive Secretary James Weldon Johnson. When Johnson retired in 1929, White replaced him as head of the NAACP, a position he maintained until his death in 1955. During his long tenure, White was in the vanguard of the struggle for interracial justice. His reputation went into decline, however, in the era of grassroots activism that followed his death. White's disagreements with the US Left, and his ambiguous racial background--he was of mixed heritage, could "pass" as white, and divorced a black woman to marry a white woman--fueled ambivalence about his legacy. In this comprehensive biography, Zangrando and Lewis seek to provide a reassessment of White within the context of his own time, revising critical interpretations of his career. White was a promoter of and a participant in the Harlem Renaissance, a daily fixture in the halls of Congress lobbying for civil rights legislation, and a powerful figure with access to the administrations of Roosevelt (via Eleanor) and Truman. As executive secretary of the NAACP, White fought incessantly to desegregate the American military and pushed to ensure equal employment opportunities. On the international stage, White advocated for people of color in a decolonized world, and for economic development aid to nations like India and Haiti, bridging the civil rights struggles at home and abroad.
Perhaps not southerners in the usual sense, Franklin D. Roosevelt, Harry S. Truman, and Lyndon B. Johnson each demonstrated a political style and philosophy that helped them influence the South and unite the country in ways that few other presidents have. Combining vivid biography and political insight, William E. Leuchtenburg offers an engaging account of relations between these three presidents and the South while also tracing how the region came to embrace a national perspective without losing its distinctive sense of place. According to Leuchtenburg, each man "had one foot below the Mason-Dixon Line, one foot above." Roosevelt, a New Yorker, spent much of the last twenty-five years of his life in Warm Springs, Georgia, where he built a "Little White House." Truman, a Missourian, grew up in a pro-Confederate town but one that also looked West because of its history as the entrepôt for the Oregon Trail. Johnson, who hailed from the former Confederate state of Texas, was a westerner as much as a southerner. Their intimate associations with the South gave these three presidents an empathy toward and acceptance in the region. In urging southerners to jettison outworn folkways, Roosevelt could speak as a neighbor and adopted son, Truman as a borderstater who had been taught to revere the Lost Cause, and Johnson as a native who had been scorned by Yankees. Leuchtenburg explores in fascinating detail how their unique attachment to "place" helped them to adopt shifting identities, which proved useful in healing rifts between North and South, in altering behavior in regard to race, and in fostering southern economic growth. The White House Looks South is the monumental work of a master historian. At a time when race, class, and gender dominate historical writing, Leuchtenburg argues that place is no less significant. In a period when America is said to be homogenized, he shows that sectional distinctions persist. And in an era when political history is devalued, he demonstrates that government can profoundly affect people's lives and that presidents can be change-makers.
Two weeks after the Americans, British, and Canadians invaded Western Europe on D-Day, June 6, 1944, the Soviet Union launched Operation Bagration on the Eastern Front, its massive attempt to clear German forces from Belarus. In one of the largest military campaigns of all time, involving 2 million Soviets and 800,000 Germans, the Red Army advanced 170 miles in two weeks and destroyed German Army Group Center. Using recently declassified Soviet documents as well as German and Soviet unit histories, Dunn recounts this landmark operation of World War II.
“Nothing short of riveting...an engrossing first-person account by one of our finest actors” (Huffington Post)—both a coming-of-age story and a meditation on creativity, devotion, and craft—Bryan Cranston, beloved and acclaimed star of one of history’s most successful TV shows, Breaking Bad. Bryan Cranston began his acting career at the age of seven, when his father, a struggling actor and sometime director, cast him in a commercial for United Way. By fifth grade he was starring in the school play, spending hours at the local movie theater, and re-enacting favorite scenes with his brother in their living room. Cranston seemed destined to be an actor. But then his father left. And his family fell apart. Troubled by his father’s missteps, Cranston abandoned his acting aspirations and resolved to pursue a steadier career in law enforcement. Then, on a two-year cross-country motorcycle journey, Cranston re-discovered his talent for acting and found his mission and his calling. In this “must-read memoir” (The Philadelphia Inquirer), Cranston traces the many roles he inhabited throughout his remarkable life, both on and off screen. For the first time he shares the story of his early years as an actor on the soap opera Loving, his recurring spots on Seinfeld, and his time as bumbling father Hal on Malcolm in the Middle, to his tour-de-force, Tony-winning performance as Lyndon Baines Johnson in Broadway’s All the Way, to his most iconic role of all: Breaking Bad’s Walter White. “An illuminating window into the actor’s psyche” (People), Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. “By turns gritty, funny, and sad” (Entertainment Weekly), ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.
The Fire in the Flint (1924) is a novel by Walter Francis White. Although he is generally recognized for his accomplishments as the longtime leader of the NAACP, White also wrote several novels during the Harlem Renaissance exploring the themes of Alain Locke’s New Negro Movement. Praised by W. E. B. Du Bois in The Crisis and by Konrad Bercovici in The Nation, The Fire in the Flint remains an invaluable testament to the power of fiction to address political matters. Dr. Kenneth Harper finds it difficult to overcome the deep inequities of life in the American South. Born and raised in Georgia, he returns to his hometown following his graduation from medical school and service in the First World War. Determined to open a clinic for his friends and neighbors, he avoids confrontation with white townspeople and focuses on the task at hand. Soon, however, he encounters opposition from neighbors who regard his success and intelligence as a threat to their power. Eventually, Harper is forced to lay his life on the line by opposing the Ku Klux Klan. The Fire in the Flint is a powerful bildungsroman grounded in truth and moral decency. Praised by Nobel Laureate Sinclair Lewis upon publication, White’s novel is a largely forgotten masterpiece of the Harlem Renaissance, perhaps the finest decade for art in the history of American culture. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Francis White’s The Fire in the Flint is a classic of African American literature reimagined for modern readers.
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE STARRING MICHAEL B. JORDAN AND JAMIE FOXX • A powerful true story about the potential for mercy to redeem us, and a clarion call to fix our broken system of justice—from one of the most brilliant and influential lawyers of our time. “[Bryan Stevenson’s] dedication to fighting for justice and equality has inspired me and many others and made a lasting impact on our country.”—John Legend NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • Named One of the Best Books of the Year by The New York Times • The Washington Post • The Boston Globe • The Seattle Times • Esquire • Time Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn’t commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship—and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer’s coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice. Winner of the Carnegie Medal for Excellence in Nonfiction • Winner of the NAACP Image Award for Nonfiction • Winner of a Books for a Better Life Award • Finalist for the Los Angeles Times Book Prize • Finalist for the Kirkus Reviews Prize • An American Library Association Notable Book “Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields.”—David Cole, The New York Review of Books “Searing, moving . . . Bryan Stevenson may, indeed, be America’s Mandela.”—Nicholas Kristof, The New York Times “You don’t have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful.”—Ted Conover, The New York Times Book Review “Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he’s also a gifted writer and storyteller.”—The Washington Post “As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty.”—The Financial Times “Brilliant.”—The Philadelphia Inquirer
Arthur Elrod was the most successful interior designer working in Palm Springs from 1954 to 1974. His forward-thinking midcentury design appeared in primary homes, second houses, spec houses, country clubs, and experimental houses—in the desert and across the US. He was charming, handsome, and worked tirelessly for his A-list clientele.