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This book reconstructs the lines of nihilism that Walter Benjamin took from Friedrich Nietzsche that define both his theory of art and the avant-garde, and his approach to political action. It retraces the eccentric route of Benjamin's philosophical discourse in the representation of the modern as a place of “permanent catastrophe”, where he attempts to overcome the Nietzschean nihilism through messianic hope. Using conventions from literary criticism this book explores the many sources of Benjamin's thought, demonstrating that behind the materialism which Benjamin incorporates into his Theses on the Concept of History is hidden Nietzsche's nihilism. Mauro Ponzi analyses how Benjamin’s Arcades Project uses figures such as Baudelaire, Marx, Aragon, Proust and Blanqui as allegories to explain many aspects of modernity. The author argues that Benjamin uses Baudelaire as a paradigm to emphasize the dark side of the modern era, offering us a key to the interpretation of communicative and cultural trends of today.
This book presents an overview of important currents of thought in social and cultural anthropology, from the 19th century to the present. It introduces readers to the origins, context and continuing relevance of a fascinating and exciting kaleidoscope of ideas that have transformed the humanities and social sciences, and the way we understand ourselves and the societies we live in today. Each chapter provides a thorough yet engaging introduction to a particular theoretical school, style or conceptual issue. Together they build up to a detailed and comprehensive critical introduction to the most salient areas of the field. The introduction reflects on the substantive themes which tie the chapters together and on what the very notions of ‘theory’ and ‘theoretical school’ bring to our understanding of anthropology as a discipline. The book tracks a core lecture series given at Cambridge University and is essential reading for all undergraduate students undertaking a course on anthropological theory or the history of anthropological thought. It will also be useful more broadly for students of social and cultural anthropology, sociology, human geography and cognate disciplines in the social sciences and humanities.
This book uses survey data in "hot spots" around the globe, to analyse various models of social justice, particularly the principle of equality, from a pragmatic perspective. Starting with ordinary actors, social movements, and concrete contexts, the authors question foundations of social and political democracy in our times. They focus on how social actors deal with the principles of justice and judgments of justice at work and in their social lives. The book suggests that the increase in social inequalities in recent decades contrasts with the blurring of the aims of social justice. At a time when the reconsideration of politics largely depends on its relevance to and aspirations for social justice, the authors of this book question contemporary developments by illustrating its variety, according to specific historical, institutional, social and organizational contexts.The book will be useful to students and scholars in the social sciences, especially those interested in moral questions regarding social justice, from an empirical and practical point of view.
The first book to examine in detail Benjamin's Theses on the Philosophy of History Benjamin's collection of fragments, Theses on the Philosophy of History, play a determining role in how Benjamin's thought is understood, as well as in the debate about the interplay between politics, history and time. Walter Benjamin and History is the first volume to give access to the themes and problems raised by the Theses, providing valuable exegetical and historical work on the text. The essays collected here are all the work of noted Benjamin scholars, and pursue the themes central to the Theses.
Cinq siècles après sa découverte en 1500, le Brésil méritait un ouvrage d'histoire rassemblant une part représentative des spécialistes travaillant, de chaque côté de l'atlantique, sur cet immense pays. Pour réunir autant de spécialistes, il fallait une raison impérieuse : un hommage à Katia de Queiros Mattoso, professeur émérite de la Sorbonne qui a longtemps occupé, la première, l'unique chaire française d'histoire du Brésil.
In his book Josef Hrdlička opens the question of what exactly constitutes Exile Poetry, and indeed whether it amounts to a category as fundamental as Romantic or Bucolic lyricism. He covers the intricately complex and diverse topic of exile by exploring selected literary texts from antiquity to the present, giving due attention to writers that have influenced the exile discourse; from Ovid, Goethe and Baudelaire to the thinkers and poets of the 20th century like Adorno or Saint-John Perse. Against this backdrop of exile poetics, he turns his attention to Czech poets who left their homeland after the Communist Coup of 1948 and were notable contributors to Czech literature abroad. Hrdlička considers the works of Ivan Blatný, Milada Součková, Ivan Diviš and Petr Král, to show the continuity and changes in the western poetic tradition and expressions of exile.