Download Free Walter Benjamin 1892 1940 Book in PDF and EPUB Free Download. You can read online Walter Benjamin 1892 1940 and write the review.

The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art, and thought; a reservoir of texts, commentaries, scraps, and fragments of everyday life, art, and dreams. Throughout his life, Benjamin gathered together all kinds of artifacts, assortments of images, texts, and signs, themselves representing experiences, ideas, and hopes, each of which was enthusiastically logged, systematized, and analyzed by their author. In this way, Benjamin laid the groundwork for the salvaging of his own legacy. Intricate and intimate, Walter Benjamin's Archive leads readers to the heart of his intellectual world, yielding a rich and detailed portrait of its author.
Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin, 1910–1940 is a revelatory look at the man behind much of the twentieth century’s most significant criticism.
Cette petite collection - " Philo-philosophes " - a choisi d'aller à l'essentiel : les concepts fondamentaux qui seuls permettent de saisir l'unité et la cohérence d'une pensée. Chaque ouvrage de la collection comprend trois parties : un exposé doctrinal s'attachant à mettre en évidence le noyau conceptuel d'une philosophie ; des textes commentés, permettant d'approfondir cette analyse, tout en offrant l'occasion - et l'expérience - d'un contact direct avec l'œuvre elle-même ; un vocabulaire, enfin, qui s'efforce de présenter et de clarifier ces mots (souvent techniques, mais parfois d'une banalité trompeuse) dans lesquels s'exprime toute philosophie. L'œuvre de Walter Benjamin présente une cohérence beaucoup plus grande qu'on ne l'admet communément, sous le prétexte qu'elle est demeurée inachevée. Toute sa réflexion part, comme on essaie de le montrer dans cet essai, du " Programme d'une philosophie à venir " rédigé en 1917. La philosophie du langage qu'il requiert contient déjà in nuce la théorie de l'allégorie développée dans " Origine du drame baroque allemand ". Elle fonde également les essais sur la critique et sur l'œuvre d'art, car l'art et la philosophie ont en commun la présentation de la vérité et il importe de comprendre les formes artistiques et les systèmes philosophiques comme des " langages ", voire des " langues ". Quant aux " images dialectiques " du grand œuvre inachevé, les " Passages parisiens ", elles appliquent la théorie de la critique et de l'allégorie aux mythologies modernes du XIXe siècle afin de détruire leur charme. L'intention politique de cette " théorie du réveil " prend toute sa portée en faisant de l'œuvre d'art le médium du combat politique contre le fascisme, un combat qui devra aller au bout de la destruction de l'apparence esthétique afin de contrecarrer l'esthétisation de la politique.
Seven decades after his death, German Jewish writer, philosopher, and literary critic Walter Benjamin (1892–1940) continues to fascinate and influence. Here Uwe Steiner offers a comprehensive and sophisticated introduction to the oeuvre of this intriguing theorist. Acknowledged only by a small circle of intellectuals during his lifetime, Benjamin is now a major figure whose work is essential to an understanding of modernity. Steiner traces the development of Benjamin’s thought chronologically through his writings on philosophy, literature, history, politics, the media, art, photography, cinema, technology, and theology. Walter Benjamin reveals the essential coherence of its subject’s thinking while also analyzing the controversial or puzzling facets of Benjamin’s work. That coherence, Steiner contends, can best be appreciated by placing Benjamin in his proper context as a member of the German philosophical tradition and a participant in contemporary intellectual debates. As Benjamin’s writing attracts more and more readers in the English-speaking world, Walter Benjamin will be a valuable guide to this fascinating body of work.
Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
Expanded and revised, as well as translated, from the 1985 German edition, details the thought of Benjamin (1892-1940), an all-around European intellectual most active between the wars. Annotation copyrighted by Book News, Inc., Portland, OR
Marking the centenary of Walter Benjamin's immensely influential essay, "Toward the Critique of Violence," this critical edition presents readers with an altogether new, fully annotated translation of a work that is widely recognized as a classic of modern political theory. The volume includes twenty-one notes and fragments by Benjamin along with passages from all of the contemporaneous texts to which his essay refers. Readers thus encounter for the first time in English provocative arguments about law and violence advanced by Hermann Cohen, Kurt Hiller, Erich Unger, and Emil Lederer. A new translation of selections from Georges Sorel's Reflections on Violence further illuminates Benjamin's critical program. The volume also includes, for the first time in any language, a bibliography Benjamin drafted for the expansion of the essay and the development of a corresponding philosophy of law. An extensive introduction and afterword provide additional context. With its challenging argument concerning violence, law, and justice—which addresses such topical matters as police violence, the death penalty, and the ambiguous force of religion—Benjamin's work is as important today as it was upon its publication in Weimar Germany a century ago.