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This compact edition offers a substantial selection of Whitman’s writing. Highlights include the full text of the 1855 Preface to Leaves of Grass, the 1855 text of the poem later titled “Song of Myself,” the complete “Live Oak, with Moss” sequence, numerous selections from the 1881 edition of Leaves of Grass, and several samples of Whitman’s early and late prose. The appendices include nineteenth-century reviews of Leaves of Grass, a selection of illustrations showing Whitman’s design choices for various editions of the book, and numerous portraits of the author. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and explanatory footnotes, and is designed to meet the needs of today’s students. This edition departs from most other editions in the series in one important respect—its format. The large page size of the edition facilitates the reading of Whitman’s long lines of verse.
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. W is for Whitman. When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his life, Whitman continuously revised, expanded, and republished Leaves of Grass, but the 1855 original marked Whitman’s fresh and bold arrival, greeted by Ralph Waldo Emerson as “the beginning of a great career.” This volume specially compiled for Penguin Drop Caps will also include a range of additional popular poems including selections from "Calamus," "Crossing Brooklyn Ferry," and "Drum-Taps," as well as Whitman’s 1855, 1856 and 1976 prefaces and “Democratic Vistas.”
The Toby Edition brings together the earliest and last editions of Leaves of Grass, together with other major works of the writer, including such seminal works as Song of Myself, I Sing the Body Electric, and Democratic Vistas. It includes an introductory essay and chronology by the editor, Shira Wolosky, Professor of English and American Literature at the Hebrew University of Jerusalem. --Toby Press.
A fully unexpurgated collection that restores the sexual vitality and subversive flair suppressed by Whitman himself in later editions of Leaves of Grass. A century after his death, Whitman is still celebrated as America's greatest poet. In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over 200 poems in their original pristine form, in the chronological order in which they were written, with Whitman's original punctuation. Included in this volume are facsimiles of Whitman's original manuscripts, contemporary - and generally blistering - reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing - sometimes graphically - in homoerotic love. Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between l853 and l860. These poems are faithfully presented as Whitman first gave them to the world - fearless, explicit and uncompromised - before he transformed himself into America's respectable, mainstream Good Gray Poet through 30 years of revision, self-censorship and suppression. Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation first great poet.
Presents twenty-four poems from "Leaves of Grass," including "I Hear America Singing," "I Sing the Body Electric," and "O Captain! My Captain!"
An anthology of Walt Whitman's poetry and some of his prose works, includes introductions and prefaces to some of the poems.
American literature and culture are inconceivable without the towering presence of Walt Whitman. Expansive, ecstatic, original in ways that continue to startle and to elicit new discoveries, Whitman's poetry is a testament to the surging energies of 19th-century America and a monument to the transforming power of literary genius. His incantatory rhythms, revolutionary sense of Eros, and generous, all-embracing vision invite renewed wonder at each reading. Although he has been a defining influence for many poets -- Garcia Lorca, Fernando Pessoa, Robinson Jeffers and Allen Ginsberg -- his style is ultimately inimitable, and his achievement unsurpassed in American poetry. "One always wants to start out fresh with Walt Whitman," writes Harold Bloom in his introduction, "and read him as though he never has been read before." In a selection that ranges from early notebook fragments and the complete "Song of Myself" to the valedictory "Good-bye My Fancy!," Bloom has chosen 47 works to represent "the principal writer that America -- North, Central, or South -- has brought to us." Book jacket.
Bloom, author of "The Western Canon" and one of the world's most renowned literary critics, surveys Walt Whitman's vast poetic work, from early notebook fragments of "Song of Myself" to the late poems of "Good-bye My Fancy."
This carefully crafted ebook: "The Complete Works of Walt Whitman" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Poetry: Leaves of Grass (The Original 1855 Edition): Song of Myself A Song for Occupations To Think of Time The Sleepers I Sing the Body Electric Faces Song of the Answerer Europe the 72d and 73d Years of These States A Boston Ballad There Was a Child Went Forth Who Learns My Lesson Complete Great Are the Myths Leaves of Grass (The Final Edition): Inscriptions Starting from Paumanok Song of Myself Children of Adam Calamus Salut au Monde! Song of the Open Road Crossing Brooklyn Ferry Song of the Answerer Our Old Feuillage A Song of Joys Song of the Broad-Axe Song of the Exposition Song of the Redwood-Tree A Song for Occupations A Song of the Rolling Earth Birds of Passage A Broadway Pageant Sea-Drift By the Roadside Drum-Taps Memories of President Lincoln By Blue Ontario's Shore Autumn Rivulets Proud Music of the Storm Passage to India Prayer of Columbus The Sleepers To Think of Time Whispers of Heavenly Death Thou Mother with Thy Equal Brood From Noon to Starry Night Songs of Parting Sands at Seventy Good-Bye My Fancy Other Poems Novels: Franklin Evans Life and Adventures of Jack Engle Short Stories: The Half-Breed Bervance; or, Father and Son The Tomb-Blossoms The Last of the Sacred Army The Child-Ghost Reuben's Last Wish A Legend of Life and Love The Angel of Tears The Death of Wind-Foot The Madman Eris; A Spirit Record My Boys and Girls The Fireman's Dream The Little Sleighers Shirval: A Tale of Jerusalem Richard Parker's Widow Some Fact-Romances The Shadow and the Light of a Young Man's Soul Other Works: Manly Health and Training Specimen Days Collect Notes Left Over Pieces in Early Youth November Boughs Good-Bye My Fancy Some Laggards Yet Letters: The Wound Dresser The Letters of Anne Gilchrist and Walt Whitman
When lilacs last in the dooryard bloom'd, And the great star early droop'd in the Western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring. Bloomsbury Poetry Classics are selections from the work of some of our greatest poets. The series is aimed at the general reader rather than the specialist and carries no critical or explanatory apparatus. This can be found elsewhere. In the series the poems introduce themselves, on an uncluttered page and in a format that is both attractive and convenient. The selections have been made by the distinguished poet, critic, and biographer Ian Hamilton.