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Walt Whitman was already famous for Leaves of Grass when he journeyed to the nation's capital at the height of the Civil War to find his brother George, a Union officer wounded at the Battle of Fredericksburg. Whitman eventually served as a volunteer "hospital missionary," making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years. With the 1865 publication of Drum-Taps, Whitman became poet laureate of the Civil War, aligning his legacy with that of Abraham Lincoln. He remained in Washington until 1873 as a federal clerk, engaging in a dazzling literary circle and fostering his longest romantic relationship, with Peter Doyle. Author Garrett Peck details the definitive account of Walt Whitman's decade in the nation's capital.
Reproduction of the original: The Wound Dresser by Walt Whitman
In 1863 Walt Whitman first proposed to the publisher John Redpath a book about his Civil War experiences. It was never published. But in a draft prospectus Whitman described ”a new book . . . with its framework jotted down on the battlefield, in the shelter tent, by the wayside amid the rubble of passing artillery trains or the moving cavalry in the streets of Washington . . . a book full of the blood and vitality of the American people.” Walter Lowenfels has edited the book Whitman could only envision. From a mosaic of materials—newspaper dispatches, letters, notebooks, published and unpublished works—as well as thirty-six of Whitman's great war poems, Lowenfels has created a thrilling and unique document. Sixteen pages of drawings by Winslow Homer, another distinguished eyewitness, are reproduced here from the artist's field sketches. The result is a book that produces in the reader exactly what Whitman had hoped, one that captures ”part of the actual distraction, heat, smoke, and excitement of those times.”
During Walt Whitman's decade in Washington, DC, 1863-1873, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps and later folded it into heavily revised and expanded versions of Leaves of Grass; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman's work through the first three editions of Leaves often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning—and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general's office when much was accomplished on the road toward a multi-racial democracy including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general's office and by Whitman) in the efforts to advance a more just and vibrant union. This book analyses Whitman's integrated life, writings, and government work in his urban context to re-evaluate the writer and the nation's capital in a time of transformation. Drawing on an expanded Whitman corpus, including nearly 3,000 Whitman documents the author recently identified in the National Archives, Whitman in Washington demonstrates that the power of Whitman's Civil War and Reconstruction writing emerges, more fully than we could ever before have imagined, from his intimate knowledge of the capital city, its bureaucracies, and its tumultuous post-war history.
“An energetic study of the famed writer’s time in the nation’s capital and the loves of his life” (Washington Independent Review of Books). Walt Whitman was already famous for Leaves of Grass when he journeyed to Washington at the height of the Civil War to find his brother George, a Union officer wounded at the Battle of Fredericksburg. Eventually, Whitman would serve as a volunteer “hospital missionary”—making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years. With the 1865 publication of Drum-Taps, Whitman became poet laureate of the Civil War, aligning his legacy with that of Abraham Lincoln. He remained in Washington until 1873 as a federal clerk, engaging in a dazzling literary circle and fostering his longest romantic relationship, with Peter Doyle. This fascinating blend of biography and history details the definitive account of Walt Whitman’s decade in the nation’s capital. Includes photos!
Walt Whitman's name is all over Washington, D.C. There's a street near Gallery Place called "Walt Whitman Way." The Whitman-Walker health clinic on 14th Street Northwest is named, in part, for the poet. Walt Whitman High School is just over the state line in Montgomery County, Maryland, and a line from one of his poems is engraved at the Dupont Circle Metro entrance. But why? In this book, you will discover: 1. Walt Whitman, An American 2 The City of ArmvWagons 3. The Wound-Dresser 4. Nurses Stewards Sr Surgeons 5. The First Disci 6. Hospital Malaria 7. Of aYouth Who Loves Me - And so much more! Get your copy today!
For nearly three years, Walt Whitman immersed himself in the devastation of the Civil War, tending to thousands of wounded soldiers and recording his experiences with an immediacy and compassion unequaled in wartime literature anywhere in the world. In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest account of Whitman's profoundly transformative Civil War years and an historically invaluable examination of the Union's treatment of its sick and wounded. Whitman was mired in depression as the war began, subsisting on journalistic hackwork, his "great career" as a poet apparently stalled. But when news came that his brother George had been wounded at Fredericksburg, Whitman rushed south to find him. Deeply affected by his first view of the war's casualties, he began visiting the camp's wounded and found his calling for the duration of the war. Three years later, he emerged as the war's "most unlikely hero," a living symbol of American democratic ideals of sharing and brotherhood. Brilliantly researched and beautifully written, The Better Angel explores a side of Whitman not fully examined before, one that greatly enriches our understanding of his later poetry. Moreover, it gives us a vivid and unforgettable portrait of the "other army"--the legions of sick and wounded soldiers who are usually left in the shadowy background of Civil War history--seen here through the unflinching eyes of America's greatest poet.
Walt Whitman's name is all over Washington, D.C. There's a street near Gallery Place called "Walt Whitman Way." The Whitman-Walker health clinic on 14th Street Northwest is named, in part, for the poet. Walt Whitman High School is just over the state line in Montgomery County, Maryland, and a line from one of his poems is engraved at the Dupont Circle Metro entrance. But why? In this book, you will discover: 1. Walt Whitman, An American 2 The City of ArmvWagons 3. The Wound-Dresser 4. Nurses Stewards Sr Surgeons 5. The First Disci 6. Hospital Malaria 7. Of aYouth Who Loves Me - And so much more! Get your copy today!
Walter Whitman was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. Walt Whitman was already famous for Leaves of Grass when he journeyed to Washington at the height of the Civil War to find his brother George, a Union officer wounded at the Battle of Fredericksburg. Eventually, Whitman would serve as a volunteer hospital missionary-making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years... Buy this book now for more information.
It was more than coincidence—indeed, it was all but fate—that the lives and thoughts of Abraham Lincoln and Walt Whitman should converge during the terrible years of the Civil War. Kindred spirits despite their profound differences in position and circumstance, Lincoln and Whitman shared a vision of the democratic character that sprang from the deepest part of their being. They had read or listened to each other’s words at crucial turning points in their lives. Both were utterly transformed by the tragedy of the war. In this radiant book, poet and biographer Daniel Mark Epstein tracks the parallel lives of these two titans from the day that Lincoln first read Leaves of Grass to the elegy Whitman composed after Lincoln’s assassination in 1865. Drawing on the rich trove of personal and newspaper accounts, diary records, and lore that has accumulated around both the president and the poet, Epstein structures his double portrait in a series of dramatic, atmospheric scenes. Whitman, though initially skeptical of the Illinois Republican, became enthralled when Lincoln stopped in New York on the way to his first inauguration. During the war years, after Whitman moved to Washington to minister to wounded soldiers, the poet’s devotion to the president developed into a passion bordering on obsession. “Lincoln is particularly my man, and by the same token, I am Lincoln’s man.” As Epstein shows, the influence and reverence flowed both ways. Lincoln had been deeply immersed in Whitman’s verse when he wrote his incendiary “House Divided” speech, and Whitman remained an influence during the darkest years of the war. But their mutual impact went beyond the intellectual. Epstein brings to life the many friends and contacts his heroes shared—Lincoln’s debonair private secretary John Hay, the fiery abolitionist senator Charles Sumner, the mysterious and possibly dangerous Polish Count Gurowski—as he unfolds the story of their legendary encounters in New York City and especially Washington during the war years. Blending history, biography, and a deeply informed appreciation of Whitman’s verse and Lincoln’s rhetoric, Epstein has written a masterful and original portrait of two great men and the era they shaped through the vision they held in common.