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A grasshopper who sings and dances all summer while the ants diligently gather food, winds up cold and hungry when winter arrives.
In this stunning companion to the Caldecott Medal-winning The Lion & the Mouse and the highly acclaimed The Tortoise & the Hare, a playful grasshopper wonders why the busy ants around him won't join in his merrymaking as the seasons pass by. But when winter arrives, he soon sees the value of his friends' hard work--just as the ants learn the value of sharing what they've worked for. Featuring a striking, surprise gatefold page, this third book in Jerry Pinkney's gorgeous trilogy of picture book fables subtly suggests a resonant moral: Don't put off for tomorrow what you can do today.
The storyboard so far -- The Roosevelt honeymoon 1932-1934 -- Animating depression America 1934-1937 -- International relations in animation 1936-1941 -- Animated nationalism 1937-1941 -- Animation at war: Disney, Warner Brothers and the United States government 1941-1943 -- Animation at war: Disney, Warner Brothers and war-time entertainment 1941-1945 -- That's all folks
Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this ebook offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.
A collection of animal fables told by the Greek slave Aesop.
‘The Ant and The Grass Hopper’ is a fable that teaches the importance of planning, of self-reliance and hard work. The frolicking grass hopper spends his summer dancing and never working while the ant makes sure to put aside supplies for the coming winter. It is a tale that resonates to this day thanks to its important message of the importance of hard work as well as having fun. It is great reading for all ages on the importance of being able to plan and support yourself. Aesop's fables feature animals, legendary creatures, plants, inanimate objects, or forces of nature that speak, solve problems, and generally have human characteristics. All the stories story lead to a particular moral lesson. Aesop (620-564 BCE) was a Greek story teller and fabulist who’s collection of fables continue to resonate and be taught to this day. His work is characterised by animals and inanimate objects with distinctly human traits, that speak and solve problems. None of his original work survives to this day, it is thanks to his popularity that his works survive in sources from Aristotle, Plutarch and Herodotus. Little is known about him but ancient stories describe him as an exceptionally ugly slave who, thanks to his cleverness, acquired his freedom, becoming an advisor to Kings and city-states.
Retells the tale of the beautiful princess and her adventures with the seven dwarfs she finds living in the forest.
A simple retelling of a favourite Aesop fable. Grasshopper thinks Ant should stop working so hard and just enjoy the hot summer. But what will happen when the cold winter comes?