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(Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos!
Asian American resistance to Orientalism -- the Western tradition dealing with the subject and subjugation of the East -- is usually assumed. And yet, as this provocative work demonstrates, in order to refute racist stereotypes they must first be evoked, and in the process the two often become entangled. Sheng-mei Ma shows how the distinguished careers of post-1960s Asian American writers such as Maxine Hong Kingston, Amy Tan, Frank Chin, and David Henry Hwang reveal that while Asian American identity is constructed in reaction to Orientalism, the two cultural forces are not necessarily at odds. The vigor with which these Asian Americans revolt against Orientalism in fact tacitly acknowledges the family lineage of the two.
From Mr. Ed., Old Yeller, and Flipper to Gentle Ben, Morris the Cat, and Benji, animal stars have spawned coloring books, trading cards, lunch boxes, and other collectibles. This book provides a catalogue on each of these animal star's collectible memorabilia. 450 photos, 300 in color.
Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in softcover format (ISBN 978-1-4766-6618-1).
Walking through the streets of his hometown of Vienna, Lucas Grassi sees an archduke's coach, with the archduke's faithful dog running alongside. He wishes he could be the dog and be free from his everyday life. Then his wish comes true: Lucas does become the dog. Every other day he switches from his normal body to that of the archduke's canine companion. Soon he learns the dog is treated badly and the archduke is not a nice man. Lucas decides he'll do anything to reverse his wish... if only he knew what to do!
What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.
One of the most influential thinkers of his era, H.G. Wells is primarily known for his science fiction writings that looked ahead in time to teach and warn. These novels and stories inspired many filmmakers to bring his visions (if often greatly altered or misfocused) to life on screen. He himself wrote screenplays and closely supervised the production of some of his work. This book is a study of every theatrically released film from 1909 to 1997 that is based, even loosely, on the writings of H.G. Wells, including The Time Machine, The Island of Dr. Moreau, The Invisible Man, The War of the Worlds, The First Men in the Moon, The Food of the Gods and The Empire of the Ants, to name a few. For each film, the author discusses the circumstances surrounding its creation, its plot, how it compares with the literary work, its production and marketing, and its strengths and weaknesses based on aesthetic qualities.
Pain travels through family lines Until someone is ready to heal it in themselves. By going through the agony of healing You no longer pass the poison chalice Onto the generations that follow. It is important and sacred work. Author Unknown