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After returning to Emerald City and finding it in ruins, Dorothy and her friends Tik Tok and Billima, try to find a way to restore the city by searching out the Nome King and getting back the things he stole.
Dorothy returns to the Emerald City to find it in ruins. She visits the Nome King, breaks the spell and returns the City to its former glory and returns Ozma to the throne.
Oz is the magical land at the end of the rainbow where little Dorothy Gale's adventures with the Scarecrow, the Cowardly Lion and the Tin Man had begun. But, back in Kansas, nobody would believe that Oz was real ... Dorothy returns to the land of Oz only to find that a terrible change has taken place. However, her friends Tik Tok, Billina and Jack Pumpkinhead are determined to help her: together they overcome Princess Mombi and the Wheelers, discover what a Gump is, and find out why Nomes are just terrified of chickens!
Second Oz book; Scarecrow and Tin Woodman are back with hero named Tip. 120 black-and-white, 16 full-color illustrations.
Press kit includes 1 booklet.
Dorothy returns to the Emerald City of Oz and finds the buildings falling down and her old friends turned to stone.
What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.
Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.