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This significant architect was raised as Southern California aristocracy, as an heir to one of the founders of Rand McNally & Company, and grew up to influence the course of architectural history in California. Illustrated with archival photographs that document Neff's family life and professional accomplishments, journalist Diane Kanner's narrativ
Architecture of Famous Los Angeles architect Wallace Neff
Imagine a house constructed in less than forty-eight hours, without using lumber or nails, that is more resistant to fire, earthquakes, and hurricanes than any traditionally built structure. This may sound like the latest development in prefab housing or green architecture, but the design dates back to 1941 when architect Wallace Neff (1895–1982) developed Airform construction as a solution to the global housing crisis. Best known for his elegant Spanish Colonial–revival estates in Southern California, Neff had a private passion for his dome-shaped "bubble houses" made of reinforced concrete cast in position over an inflatable balloon. No Nails, No Lumber shows the beauty and versatility of Neff's design in new and vintage photography, previously unpublished illustrations, and archival material and ephemera.
In a remarkable career that spanned over six decades, Wallace Neff produced hundreds of exceptional designs that ranged from vernacular styles to grand mansions, reaching from Bel-Air to Santa Barbara to Hollywood and Hancock Park, with a proliferation of homes in the Pasadena area.
The series is devoted to the era when oil titans, film industry moguls, bankers, and successful entrepreneurs who were new to the region sought to hire the most accomplished and talented architects they could find.
This volume will showcase the 50 grandest estates in Southern California. Each estate will have its own chapter, with lavish colour illustrations of the house and grounds accompanied by a complete history from the home's original completion to the present day.
Filled with beautiful, vivid photographs, Trousdale is the definitive history of the architecture and design that defined both Beverly Hills and the ultimate American Dream. Trousdale Estates is a 410-acre enclave of large, luxurious homes in Beverly Hills, California. Primarily developed in the 1950s and ’60s, it quickly became famous for its concentration of celebrity residents and the unrestrained extravagance of its midcentury modern architecture. Often working with unlimited budgets, these designers created sprawling, elegant backdrops for the ultimate expression of the American Dream in the mid-to-late twentieth century. In Trousdale, Price explores the architectural backgrounds, details, and floor plans of the amazing homes, giving readers an inside view of the world-famous Beverly Hills style. Lavish new photography is interspersed with archival and historic images, illustrating the glamour of Trousdale both then and now. Some of the architects of Trousdale include Lloyd Wright, Wallace Neff, Paul R. Williams, Harold Levitt, and A. Quincy Jones.
In the early 20th-century, architects designing houses for the balmy climate of Southern California were influenced by the style of the villas and palaces that dominated the architecture of Italy, France, Spain, Greece, and Morocco, and a few other North African locales. The resulting style-noted for its pleasing combination of simplicity and dignity, for its often asymetrical undecorated facades-reflected romantic, European forms, and yet distinguished itself by adding American ingenuity. Prime examples of this include Villa Narcissa, widely celebrated for its unimposing grandeur, and Casa Leon, with its stunning hillside location and ocean views. Included here are residences by noted architects such as Julia Morgan, Bertram Goodhue, Addison Mizner, George Washington Smith, Wallace Neff, and others. While some of the houses are lavishly decorated villas with lush landscaping, others are more spare, creations; what all these interpretations of the California Mediterranean style have in common is an indoor-outdoor approach to living.
In Material Dreams, Starr turns to one of the most vibrant decades in the Golden State's history, the 1920s, when some two million Americans migrated to California, the vast majority settling in or around Los Angeles. Although he treats readers to intriguing side trips to Santa Barbara and Pasadena, Starr focuses here mainly on Los Angeles, revealing how this major city arose almost defiantly on a site lacking many of the advantages required for urban development, creating itself out of sheer will, the Great Gatsby of American cities. He describes how William Ellsworth Smyth, the Peter the Hermit of the Irrigation Crusade, propounded the importance of water in Southern California's future, and how such figures as the self-educated, Irish engineer William Mulholland (who built the main aquaducts to Los Angeles) and George Chaffey (who diverted the Colorado River, transforming desert into the lush Imperial Valley) brought life-supporting water to the arid South. He examines the discovery of oil ("Yes it's oil, oil, oil / that makes LA boil," went the official drinking song of the Uplifters Club), the boosters and land developers, the evangelists (such as Bob Shuler, the Methodist Savanarola of Los Angeles, and Aimee Semple McPherson), and countless other colorful figures of the period. There are also fascinating sections on the city's architecture (such as the remarkably innovative Bradbury Building and its eccentric, neophyte designer, George Wyman), the impact of the automobile on city planning, the great antiquarian book collections, the Hollywood film community, and much more. By the end of the decade, Los Angeles had tripled in population and become the fifth largest city in the nation. In Material Dreams, Kevin Starr captures this explosive growth in a narrative tour de force that combines wide-ranging scholarship with captivating prose.
Surveys the work of the father of the Spanish-Colonial Revival style ofrchitecture that can be found throughout the warm, dry climate of Southernalifornia and is identified by enclosed courtyards, white stucco walls,rought-iron window grilles, and shady balconies.