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Acclaimed travel writer Rick Antonson (Full Moon Over Noah’s Ark) tackles his most challenging adventure yet: a formidable trail through the remote jungles of Papua New Guinea. Rick Antonson has traveled to parts of the world that are not simply exotic but sometimes damned near inaccessible. He has climbed to the summit of Mount Ararat in eastern Turkey, traveling beyond to Iraq and Iran and Armenia. He has undertaken an improbable overland journey to the ancient city of Timbuktu, an enlightening look into efforts to preserve the city’s priceless manuscripts. Now he has traversed the notorious Kokoda Trail in Papua New Guinea, a country some call “the last wild place on earth.” The trail is a narrow, 60-mile footpath featuring rough jungle, 6,000 feet in elevation change, and punishing weather extremes. In a country unfairly locked in Western misperceptions, the track is inhospitable terrain yet home to hospitable indigenous peoples, who live among the rusting reminders of the Japanese, Australian, and American armies that clashed in some of the deadliest protracted combat of World War II. In Walking With Ghosts in Papua New Guinea, Antonson shares a journey of physical and mental endurance in his inimitable way, in the company of a mixed band of resolute adventurers, blending fascinating historical context with the tribulations of unexpected discoveries in faraway lands.
“A gripping memoir” by the Irish actor “that is anything but typical Hollywood . . . evokes a beautiful sense of nostalgia, melancholy and vulnerability” (Winnipeg Free Press). As a young boy growing up in the outskirts of Dublin, Gabriel Byrne sought refuge in a world of imagination among the fields and hills near his home, at the edge of a rapidly encroaching city. Born to working class parents and the eldest of six children, he harbored a childhood desire to become a priest. When he was eleven years old, Byrne found himself crossing the Irish Sea to join a seminary in England. Four years later, Byrne had been expelled and he quickly returned to his native city. There he took odd jobs as a messenger boy and factory laborer to get by. In his spare time, he visited the cinema, where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of 1960s Ireland. In this memoir he revels in the theater and poetry of Dublin’s streets, populated by characters as eccentric and remarkable as any in fiction, and recounts his decision to join an amateur theater group—a decision that would change his life forever. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and on Broadway, Byrne also courageously recounts his battle with addiction and the ambivalence of fame. “[Byrne] writes with much more depth than the typical celebrity memoirist, accessing some of Heaney’s earthiness and Joyce’s grasp of how Catholic guilt can shape an artist. . . . a winning dry humor that reads as authentically humble.” —Kirkus Reviews (starred review) “A masterpiece . . . by turns poetic, moving, and very funny. You will find it on the shelf alongside other great Irish memoirs including those by Frank McCourt, Nuala O’Faolain and Edna O’Brien.” —Colum McCann “A real writer, a born storyteller.” —The Washington Post “A dreamy book . . . He writes passionately about his first love and hilariously about his early fame as an actor.” —Irish Times
This book aims to present a reality view for Papua New Guinea based on many years of first-hand field work and research accounts. It further assesses sustainability in the light of 47,000 years of a self-sustained type of civilization without bad global impacts. This book contrasts the modern sustainable development failures from the colonial times onwards, as promoted by the ‘western world’, namely Australia, the UK, EU and the U.S as well as Japan and now, China, in times of globalization, Trump’ism and royal governance (Papua New Guinea is still part of the British Dominion and of the Antarctic Treaty etc). This assessment and book is the first of its kind also employing modern data analysis, Landscape Ecology principles (patterns and processes, telecoupling) and Geographic Information Systems (GIS) with Open Access data focusing on ecological economics, marxism, socialism and contrasting it with current capitalism and neoliberalism that Papua New Guinea is fully exposed to. Throughout the 31 book chapters various aspects are covered how a further insistence on the ‘new’ Sustainable Development Goals (SDGs) and so-called Development Aid will result in unwanted side effects and perverse outcomes for Papua New Guinea and for the world in times of wider ‘global change’ and unprecedented man-made crisis.
A captivating journey blending memoir, history, and biography that takes the reader on one of the world's most famous trains and tells of carving the dramatic route it follows, while pondering other international railways through the eyes of travellers past and present. Rick Antonson has ridden trains in more than thirty-five countries—but almost everything he thinks he knows about train travel changes when he boards the Rocky Mountaineer with his ten-year-old grandson, Riley. As they wind over trestles and through tunnels, each mile of track uncovers stories of dynamite and discovery, surveyors and schemers, explorers and visionaries, and the people who helped to build Canada against the odds of geography and politics. Surrounded by a wild landscape that sparks imagination, fellow passengers recount train travels in other countries, get nostalgic for the era of steam locomotives, and consider life’s unfinished journeys. Peppered with spirited dialogue, heartrending vignettes, and intriguing anecdotes, Train Beyond the Mountains is a travelogue with urgency: to make your travel dreams happen now. As one passenger muses, "The mistake we make is that we think we have time."
Through the stories of one of Canada's most enthusiastic travellers explore the famous American highway that inspired the likes of Al Capone, Salvador Dali, Mickey Mantle, and the countless fans of this iconic American landmark.
“Perhaps the finest and most profound account of ethnographic fieldwork and discovery that has ever entered the anthropological literature.” —The Wall Street Journal “If you want to experience a profoundly different culture without the exhausting travel (to say nothing of the cost), this is an excellent choice.” —The Washington Post As a young anthropologist, Don Kulick went to the tiny village of Gapun in New Guinea to document the death of the native language, Tayap. He arrived knowing that you can’t study a language without understanding the daily lives of the people who speak it: how they talk to their children, how they argue, how they gossip, how they joke. Over the course of thirty years, he returned again and again to document Tayap before it disappeared entirely, and he found himself inexorably drawn into their world, and implicated in their destiny. Kulick wanted to tell the story of Gapuners—one that went beyond the particulars and uses of their language—that took full stock of their vanishing culture. This book takes us inside the village as he came to know it, revealing what it is like to live in a difficult-to-get-to village of two hundred people, carved out like a cleft in the middle of a tropical rainforest. But A Death in the Rainforest is also an illuminating look at the impact of Western culture on the farthest reaches of the globe and the story of why this anthropologist realized finally that he had to give up his study of this language and this village. An engaging, deeply perceptive, and brilliant interrogation of what it means to study a culture, A Death in the Rainforest takes readers into a world that endures in the face of massive changes, one that is on the verge of disappearing forever.
A harrowing portrait of a largely forgotten campaign that pushed one battalion to the limits of human suffering. Despite their lack of jungle training, the 32nd Division’s “Ghost Mountain Boys” were assigned the most grueling mission of the entire Pacific campaign in World War II: to march over the 10,000-foot Owen Stanley Mountains to protect the right flank of the Australian army during the battle for New Guinea. Reminiscent of the classics like Band of Brothers and The Things They Carried, The Ghost Mountain Boys is part war diary, part extreme-adventure tale, and—through letters, journals, and interviews—part biography of a group of men who fought to survive in an environment every bit as fierce as the enemy they faced. Theirs is one of the great untold stories of the war. “Superb.” —Chicago Sun-Times “Campbell started out with history, but in the end he has written a tale of survival and courage of near-mythic proportions.” —America in WWII magazine “In this compelling and sprightly written account, Campbell shines a long-overdue light on the equally deserving heroes of the Red Arrow Division.” —Military.com
Acclaimed travel writer Rick Antonson sets his adventurous compass on Mount Ararat, exploring the region’s long history, religious mysteries, and complex politics. Mount Ararat is the most fabled mountain in the world. For millennia this massif in eastern Turkey has been rumored as the resting place of Noah’s Ark following the Great Flood. But it also plays a significant role in the longstanding conflict between Turkey and Armenia. Author Rick Antonson joined a five-member expedition to the mountain’s nearly 17,000-foot summit, trekking alongside a contingent of Armenians, for whom Mount Ararat is the stolen symbol of their country. Antonson weaves vivid historical anecdote with unexpected travel vignettes, whether tracing earlier mountaineering attempts on the peak, recounting the genocide of Armenians and its unresolved debate, or depicting the Kurds’ ambitions for their own nation’s borders, which some say should include Mount Ararat. What unfolds in Full Moon Over Noah’s Ark is one man’s odyssey, a tale told through many stories. Starting with the flooding of the Black Sea in 5600 BCE, through to the Epic of Gilgamesh and the contrasting narratives of the Great Flood known to followers of the Judaic, Christian and Islamic religions, Full Moon Over Noah’s Ark takes readers along with Antonson through the shadows and broad landscapes of Turkey, Iraq, Iran and Armenia, shedding light on a troubled but fascinating area of the world.
With the fabled city of Timbuktu as his goal, author Rick Antonson began a month-long trek. His initial plan? To get a haircut. The second edition of this important book outlines the volatile political situations in Timbuktu following the spring 2012 military coup in Mali and the subsequent capture of the city by Islamic extremists.
Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Métis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatán, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.