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This spectacular action drama novel will keep you right at the edge of your seat! This is a gangster’s story of nine individuals that have set forth goals of conquer and control, not like any other you may have heard about before. These individuals are trained in military tactics. They are very bright and intelligent but with a dark and twisted outlook on society and the economy. Paul Meadows is a very high-class real estate broker who has more than just a building going up for sale. He pulls together connections that he remembers from Special Forces in the military. With grand connections and tactical training, this group is more than a mob. They’re a force to be reckoned with! So if you thought Nino Brown from New Jack City, Beans from State Property, and Tony Montana from Scarface was something (humph, mere amateur), then for all you gangster lovers, this book is for you!
See through the eyes of the Brontës as you immerse yourself in their lives and landscapes, wandering the very same paths they each would have walked in search of the inspiration behind their novels and poetry. An ‘imaginative and elegant trek through the landscape of the Brontës’ Grazia
"The Invisible Line" shines light on one of the most important, but too often hidden, aspects of American history and culture. Sharfstein's narrative of three families negotiating America's punishing racial terrain is a must read for all who are interested in the construction of race in the United States." --Annette Gordon-Reed, Pulitzer Prize winning author of The Hemingses of Monticello In America, race is a riddle. The stories we tell about our past have calcified into the fiction that we are neatly divided into black or white. It is only with the widespread availability of DNA testing and the boom in genealogical research that the frequency with which individuals and entire families crossed the color line has become clear. In this sweeping history, Daniel J. Sharfstein unravels the stories of three families who represent the complexity of race in America and force us to rethink our basic assumptions about who we are. The Gibsons were wealthy landowners in the South Carolina backcountry who became white in the 1760s, ascending to the heights of the Southern elite and ultimately to the U.S. Senate. The Spencers were hardscrabble farmers in the hills of Eastern Kentucky, joining an isolated Appalachian community in the 1840s and for the better part of a century hovering on the line between white and black. The Walls were fixtures of the rising black middle class in post-Civil War Washington, D.C., only to give up everything they had fought for to become white at the dawn of the twentieth century. Together, their interwoven and intersecting stories uncover a forgotten America in which the rules of race were something to be believed but not necessarily obeyed. Defining their identities first as people of color and later as whites, these families provide a lens for understanding how people thought about and experienced race and how these ideas and experiences evolved-how the very meaning of black and white changed-over time. Cutting through centuries of myth, amnesia, and poisonous racial politics, The Invisible Line will change the way we talk about race, racism, and civil rights.
A cloth bag containing eight copies of the title, that may also include a folder.
Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act. Artists surveyed include Stanley Brouwn, Laura Grace Ford, Regina Jose Galindo, Emily Hesse, Tehching Hsieh, Kongo Astronauts, Myriam Lefkowitz, Sharon Kivland, Andre Komatsu, Steve McQueen, Jade Montserrat, Sara Morawetz, Paulo Nazareth, Carmen Papalia, Ingrid Pollard, Issa Samb, Sop, Iman Tajik, Tentative Collective, Anna Zvyagintseva. Writers include Jason Allen-Paisant, Tanya Barson, André Brasil, Amanda Cachia, Sarah Jane Cervenak, Annie Dillard, Jacques Derrida, Dwayne Donald, Darby English, Édouard Glissant, Steve Graby, Antje von Graevenitz, Stefano Harney and Fred Moten, Elise Misao Hunchuck, Kathleen Jamie, Carl Lavery, JeeYeun Lee, Michael Marder, Gabriella Nugent, Isobel Parker Philip, Rebecca Solnit.
In 1913, at the age of nineteen, Elsie Dunn - later to be known as Evelyn Scott - turned her back on the genteel Southern world she was born into and ran off to Brazil with a married Tulane University dean more than twice her age. Living in tropical exile under assumed names, the couple produced a son and endured a grueling series of hardships and failures that would provide Evelyn Scott with the raw material for a singular work of fictionalized autobiography. That work, published in 1923 amid expressions of mingled outrage and admiration from the critical establishment, was Escapade.
An indispensable guide to seeing and understanding our planet through the divisions we make, find, or feel. Our world has innumerable boundaries. They range from the obvious—an ocean, or a mountain range—to subtle differences in language or climate. We cross boundaries all the time, sometimes without realizing it. They can be subjective: our perceptions of a boundary may not be shared by others. And yet they shape the way we engage with the world. Geographer Maxim Samson examines invisible lines, exploring the ways in which we divide this world—from meteorology and ecology to race and religion—and how they allow us to define “insiders” and “outsiders,” to identify places where particular attention and resources are especially urgent, to distinguish between two sides, two groups, two futures. From segregation along Detroit’s infamous 8 Mile to herds of red deer that still refuse to cross the former Iron Curtain, the existence—or perceived existence—of dividing lines has manifold implications for people, wildlife, and places. Vividly written and illustrated with maps, Invisible Lines is a compelling exploration of boundaries in all their consistency, and all their messiness too.
This is the story of Akash and Dharani: Akash means sky; Dharani means earth. He came to me and held my hair again and made me look at him. "Don't you dare to question me again or else I will make you regret it" he said to me dangerously and slapped me again. "What do you think that you can become my wife so easily? Did you look at yourself anytime in the mirror? Do you know how disgusting you look?" he said with so much hate. It is usual for me to get abused but I never thought my husband would also be one of them. I thought I would be free from that hell. However, I came to another hell. We all know that earth and sky don't touch each other but can Akash and Dharani fall in love?
In 'Walking and Mapping', Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. Some chart "emotional GPS"; some use GPS for creating "datascapes" while others use their legs to do "speculative mapping." Many work with scientists, designers, and engineers. O'Rourke offers close readings of these works and situates them in relation to landmark works from the past half-century. She shows that the infinitesimal details of each of these projects take on more significance in conjunction with others. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomena.
This book gathers together an array of international scholars, critics, and artists concerned with the issue of walking as a theme in modern literature, philosophy, and the arts. Covering a wide array of authors and media from eighteenth-century fiction writers and travelers to contemporary film, digital art, and artists’ books, the essays collected here take a broad literary and cultural approach to the art of walking, which has received considerable interest due to the burgeoning field of mobility studies. Contributors demonstrate how walking, far from constituting a simplistic, naïve, or transparent cultural script, allows for complex visions and reinterpretations of a human’s relation to modernity, introducing us to a world of many different and changing realities.