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Imagine yourself a newly married nineteen year old American woman thrust into living in a foreign country, where your new husband is the only person you know. Now imagine that foreign country is not just any country; it's Iran. Back in 1975, Ann Craig-Cinnamon, a teenager from Kentucky, rather brashly married a man nine years her senior who she had dated for only a few months and moved to Tehran, Iran where she lived for a year and a half. Walking Naked in Tehran tells the story of her time in Iran. Living there was difficult and challenging but was also an incredible, rich life experience which she tells with candor and wit. It's also a look inside a country and culture that has been closed off to much of the world for decades. This story is inspiring and has a message for others about the journey to find oneself and the relationships along the way that help to mold you. Ann Craig-Cinnamon is a broadcast professional with thirty years of experience in both radio and television. For most of her career, she served as the host of popular high profile morning radio shows. She also has been a TV anchor/reporter and the News Director of a statewide radio network. Ann and her husband, John, are currently the publishers of an Indianapolis area magazine and she writes regularly for several other publications as well. In addition, she and John have owned numerous other businesses and currently own a travel company. Owning a travel business fits perfectly with Ann's passion for travel which she developed during her time living in Tehran, Iran, the inspiration for Walking Naked in Tehran. A popular travel public speaker, Ann has visited all fifty states, more than seventy countries and all seven continents. Her proudest accomplishment, however, is being the mother of two sons.
After a brief overview of the glorious history of Iran interrupted by the invasion of external forces and periods of darkness, Journey from Tehran to Chicago addresses the mutual, beneficial interaction between Islamic and Iranian civilizations and cultures. It dissects and analyses maladaptive and adaptive behavioral patterns of certain Iranian leaders throughout history. Dr. Dizadji, an American-Iranian, describes his childhood, schooling, medical school training, and his army experience in Iran. He elaborates on the social, political, and economic states of Iran during that period, which he thinks have contributed to the Iranian revolution and the establishment of the Islamic Republic of Iran. After the completion of his cardiology training in the United States, the author returns to Iran to achieve his intended goal, to practice medicine in Iran. However, disappointed, he returns to the United States as a postdoctoral fellow in cardiology sponsored by the National Heart Institute of the United States. He eventually engages in a successful medical practice, and takes additional educational courses in Chicago. Holding several prestigious positions in the medical community, he then focuses on the health care system of the United States, discussing its rapid changes with advantages and weaknesses.
"Not since the London of Joseph Conrad's Secret Agent has a city ticked with as much tense significance as the Tehran of Salar Abdoh's edgy, topical, yet deeply humane Tehran at Twilight."?Brad Gooch, author of City Poet "A remarkable meditation on violence, and on all the ways one bears witness to pain. Abdoh depicts a pulsating portrait of Tehran?a mad city of entrenched loyalties and corrupt alliances, of smugglers, hustlers, and lifelong runners, of forged documents and lost corpses."?Dalia Sofer, author of The Septembers of Shiraz The year is 2008. Reza Malek's life is modest but manageable?he lives in a small apartment in Harlem, teaches at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan where he worked as a reporter, interpreter, and sometime lover for a superstar journalist who has long since moved on to more remarkable men. After a terse phone call from his childhood best friend in Iran, Reza reluctantly returns to Tehran. Once there, Reza finds far more than he bargained for: the city is on the edge of revolution; his friend is embroiled with murderous Shiite militants; his missing mother, who was alleged to have run off with a lover before the revolution, is alive and well; while his own life is in danger. Against a backdrop of corrupt mullahs, shady fixers, political repression, and the ever-present threat of violence, Abdoh offers a telling glimpse into contemporary Tehran, and spins a compelling morality tale of identity and exile, the bonds of friendship, and the limits of loyalty. Salar Abdoh was born in Iran, and splits his time between Tehran and New York City, where he is co-director of the Creative Writing MFA Program at the City College of New York.
THE NUMBER ONE SUNDAY TIMES BESTSELLER WHAT DOES IT MEAN TO FEEL TRULY ALIVE? Aged 24, Matt Haig's world caved in. He could see no way to go on living. This is the true story of how he came through crisis, triumphed over an illness that almost destroyed him and learned to live again. A moving, funny and joyous exploration of how to live better, love better and feel more alive, Reasons to Stay Alive is more than a memoir. It is a book about making the most of your time on earth. 'I wrote this book because the oldest clichés remain the truest. Time heals. The bottom of the valley never provides the clearest view. The tunnel does have light at the end of it, even if we haven't been able to see it . . . Words, just sometimes, really can set you free.'
Shakespeare in Tehran is a personal history of Iran through the eyes of an award-winning Iranian American artist. Drawing on parallels between life and the stage, it uses A Midsummer Night’s Dream as a roadmap to explore social, political, economic, and cultural aspects of Iran before and after the revolution of 1979. Through first-person accounts, interspersed with emotional reflections of the universal human experience, it delves into the historical and sociological context of a divided country. Storytelling, flashbacks, and flashforwards paint an intimate picture of public life in Iran in a time of uncertainty. Accessible, engaging, and nuanced, this volume will be of interest to scholars and researchers of politics, history, theater and performance studies, and West Asian studies.
This work presents a hilarious, charming, and astonishing account of one Westerner's life-altering rambles across Iran and the secret counterculture world he discovers. 24 color illustrations.
Arguing that the unprecedented nature of our first postmodernist war demanded either the revision of traditional modes of war writing or the discovery of new styles that would render the emotional and psychological center of a new national trauma, this study assesses the most important novels and personal memoirs written by Americans about the Vietnam War. Myers examines the work of Tim O'Brien, David Halberstam, Ward Just, Stephen Wright, John Del Vecchio, and others working in the modes of realism, the classical memoir, black humor, revised romanticism, and mnemonic narrative. Drawing on the work of thinkers such as Hayden White, Fredric Jameson, and Michel Foucault--whose understanding of the written text as a battleground of competing historical voices expands any definition of historical text--Myers defines the historical novel as a text that self-consciously and imaginatively shapes lived experience into a readable aesthetic form.
#1 NEW YORK TIMES BESTSELLER • We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true. For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading—Pride and Prejudice, Washington Square, Daisy Miller and Lolita—their Lolita, as they imagined her in Tehran. Nafisi’s account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi’s class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of “the Great Satan,” she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi’s luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice. Praise for Reading Lolita in Tehran “Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don’ t know it, but Nafisi is one of the heroes of the Islamic Republic.”—Geraldine Brooks, author of Nine Parts of Desire
The portrayal of Iran as the source of regional instability and a threat to America's ally, Israel, and potentially to the world, has been an essential element in the formulation of America's foreign policies in the Middle East for far too long. It is time to rethink this strategy. Iran has been rapidly developing its resources, strengths and international connections in the face of economic sanctions by the West, pursued and enforced entirely by the United States, and quite clearly on behest of Israeli interests. As an unintended consequence of this policy, Iran has been gaining not only the status of an Islamic superpower in the region, but an increasing global recognition, as well. My travel to Iran, my conversation with a broad spectrum of people, and my observations and experiences there, did not invoke the need in me to redress my views and analyses of the Iranian situation as reflected in the opus of my writings and addresses in the past two decades. If anything, I am now even more convinced that the United States is dealing with an Iran that is justifiably and increasingly considering itself the powerhouse of the Middle East. This has led me to conclude that America's true strategic and economic interests in the Middle East would best be served through a rapprochement with Iran and the acknowledgement of Iran's own regional and global strategic interests. If we still need an enemy or a potential source of threat to serve certain other agendas, Pakistan is ready to replace Iran as that bogeyman. And, I believe we are already heading in that direction. Kam Zarrabi
“A highly recommended literary page-turner worth a second reading; fans of Gabriel García Márquez will delight in this fantastical—and fantastic novel.”—Library Journal, starred review "Impactful . . . Araghi’s skillful combination of revolutionary politics and magical realism will please fans of Alejo Carpentier."—Publishers Weekly A sweeping, multigenerational epic, this stunning debut heralds the arrival of a unique new literary voice. As a child living in his family's apple orchard, Ahmad Torkash-Vand treasures his great-great-great-great grandfather's every mesmerizing word. On the day of his father's death, Ahmad listens closely as the seemingly immortal elder tells him the tale of a centuries-old family curse . . . and the boy's own fated role in the story. Ahmad grows up to suspect that something must be interfering with his family, as he struggles to hold them together through decades of famine, loss, and political turmoil in Iran. As the world transforms around him, each turn of Ahmad's life is a surprise: from street brawler, to father of two unusually gifted daughters; from radical poet, to politician with a target on his back. These lives, and the many unforgettable stories alongside his, converge and catch fire at the center of the Revolution. Exploring the brutality of history while conjuring the astonishment of magical realism, The Immortals of Tehran is a novel about the incantatory power of words and the revolutionary sparks of love, family, and poetry--set against the indifferent, relentless march of time.