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Selected as ForeWord Magazine's 1999 Gay/Lesbian Book of the Year In Pratt's fourth volume of poems, Walking Back Up Depot Street , we are led by powerful images into what is both a story of the segregated rural South and the story of a white woman named Beatrice who is leaving that home for the postindustrial North. Beatrice searches for the truth behind the public story-the official history-of the land of her childhood. She struggles to free herself from the lies she was taught while growing up-and she finds the other people who are also on this journey. In these dramatically multivocal narrative poems, we hear the words and rhythms of Bible Belt preachers, African-American blues and hillbilly gospel singers, and sharecropper country women and urban lesbians. We hear the testimony of freed slaves and white abolitionists speaking against Klan violence, fragments of speeches by union organizers and mill workers, and snatches of songs from those who marched on the road to Selma. Beatrice walks back into the past and finds the history of resistance that she has never been taught; she listens to her fellow travelers as they all get ready to create the future. ForeWord Magazine said of these poems, "This is an exceptional collection in every way: broad in subject, skilled inc raft, divese in its population and conscious of the tragic world." Pratt has created a Beatrice as momentous as Dante's." Lillian Smith once wrote, "Your poet and demagogue-and mine-inhabit the same terrain; poet transforming, bringing new forms out of chaos, demagogue destroying." Walking Back Up Depot Street is the act of one poet reclaiming her land and her history from the demagogues of the 20th century.
A Study Guide for Minnie Bruce Pratt's "The Great Migration", excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
An inspiring anthology that celebrates our nation with more than one hundred of the greatest poems ever written about the landscapes, institutions, and transforming events of America. This remarkable volume commemorates our country's struggles and triumphs with poems chronicling the American experience in all its vastness, from the late seventeenth century through the present day. Alongside poems about New York, Florida, and California are descriptions of railroads, amusement parks, hotels, and road trips; scenes of rural and western life; vivid descriptions of our grandest cities; and poems that illuminate the complexity of the most shameful chapters in U.S. history, such as slavery and the oppression of Native Americans. Taken together, these poems -- whether voices of celebration or dissent -- honor the astonishing and enduring spirit of our nation. Here are classics such as "The Battle Hymn of the Republic," "Crossing Brooklyn Ferry," and "Paul Revere's Ride"; works by American masters, including Emily Dickinson, Robert Frost, Wallace Stevens, Marianne Moore, Langston Hughes, and Elizabeth Bishop; and lesser-known gems by important American writers, such as Ernest Hemingway's "I Like Americans" and Henry David Thoreau's "Our Country." Also featured are poems by contemporary talents, including Richard Wilbur, Philip Levine, Adrienne Rich, Yusef Komunyakaa, Rita Dove, and Sherman Alexie. A timeless volume that traces the history of the United States through verse, Poems for America is essential for poetry lovers and for anyone who appreciates the rich and fascinating story of our nation.
Suffused with pain and power, Minnie Bruce Pratt's poetry is as evocative of the swamps and streets of the southern United States as it is of the emotional lives of those too often forced into the margins of society. Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention.
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and little magazines, journals, and reviews.
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society. Each entry is written by an expert contributor and lists additional sources of information. To further enhance study and understanding, the encyclopedia closes with a selected general bibliography of print and electronic resources for student research.
Millions of Southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of Southerners—and people in general—are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of Southern nationhood and redefined Southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted Southerners to leave the region and changed perceptions of Southerners to outsiders as well as how Southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant’s journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and she connects the history of border crossings to the issues being considered in today’s national landscape.