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The West Wing premiered in 1999. That's a long time ago. Back then, we were worrying about the Millennium Bug, paying $700 for DVD players, and using pagers. 1999: a century ago. And yet, the show continues to have an impact that is arguably unique. If you live or work in DC, references to it are inescapable. People have walked down the aisle to the theme music. Or they’ve named children, pets, GPS systems, and even an iPhone app after the characters. Or they’ve started Twitter accounts as the characters to continue the storyline and comment on current political events. Or they credit it for closer relationships with their family members or a way out of depression. In this anthology of quotes and essays, contributors from six countries, ranging in age from twenty to seventy years old, tell their West Wing stories.
A transformative collection of essays on the power of walking to connect with ourselves, each other, and nature itself. In 2010, Jonathon Stalls and his blue-heeler husky mix began their 242-day walk across the United States, depending upon each other and the kindness of strangers along the way. In this collection of essays, Stalls explores walking as waking up: how a cross-country journey through the family farms of West Virginia, the deep freedom of Nevada’s High desert, and everywhere in between unlocked connections to his deepest aches and dreams--and opened new avenues for renewal, connection, and change. While most of us won’t walk or roll across the country, the deep wisdom and insights that Stalls receives from the people, land, and animals he meets on his pilgrimage have profound impacts for each of us. He shares how walking deepened his relationship to himself as a gay man, offering deep and clarifying emotional medicine. He confronts the systemic racism, classism, and ableism that shape and reshape the communities he walks through. And he invites readers to become awakened activists, to begin healing our culture’s profound separation from the natural world. WALK is for those who crave to feel and embody, not just know and study, their way through complex themes that live in each chapter: vulnerability, human dignity, presence, mystery, and resistance. With dedicated practices--like connecting to Earth stewardship, moving into vulnerability, and walking and rolling with intention--Stalls’ WALK is an urgent and glorious call to slow down, look around, and engage with the world in front of us. It awakens us to what we miss when we’re driving by, flying over, and rushing past what surrounds us. It’s an invitation to move, to connect, to participate deeply in the world--and to dissolve the barriers that disconnect us from each other and the living Earth.
A tour of not-to-be-missed public places—parks, plazas, memorials, streets—that shape the New York experience. The thirty-eight urban gems covered here range from newly created linear spaces along the water’s edge, such as Brooklyn Bridge Park and the East River Waterfront Esplanade, to revitalized squares and circles, such as those at Gansevoort Plaza in the Meatpacking District and Columbus Circle, to repurposed open spaces like the freight tracks, now the High Line, and Concrete Plant Park in the Bronx. Readers can discover midtown atriums, mingle with the crowds in Union Square, travel offshore to nearby Governors Island, and enjoy the vistas of historic Green-Wood Cemetery. Pete Hamill writes in his foreword, “I’ve . . . made a list of new places I must visit while there is time. With any luck at all, I’ll see all of them. I hope you, the reader, can find the time too.” Concise descriptions, helpful maps, and vivid photographs capture the New York urban scene.
Twenty-five years ago, a disillusioned young man set out on a walk across America. This is the book he wrote about that journey -- a classic account of the reawakening of his faith in himself and his country. "I started out searching for myself and my country," Peter Jenkins writes, "and found both." In this timeless classic, Jenkins describes how disillusionment with society in the 1970s drove him out onto the road on a walk across America. His experiences remain as sharp and telling today as they were twenty-five years ago -- from the timeless secrets of life, learned from a mountain-dwelling hermit, to the stir he caused by staying with a black family in North Carolina, to his hours of intense labor in Southern mills. Many, many miles later, he learned lessons about his country and himself that resonate to this day -- and will inspire a new generation to get out, hit the road and explore.
It's 1863 and 10-year-old Emmy Blue Hatchett has been told by her father that soon their family will leave their farm, family, and friends in Illinois, and travel west to a new home in Colorado. It's difficult leaving family and friends behind. They might not see one another ever again. When Emmy's grandmother comes to say goodbye, she gives Emmy a special gift to keep her occupied on the trip. The journey by wagon train is long and full of hardships. But the Hatchetts persevere and reach their destination in Colorado, ready to start their new life.
Let's Walk West presents recent work by Brad Kahlhamer, an Arizona-born, New York-based artist and musician. It includes large-scale watercolor-and-ink paintings, texts excerpted from his journals and song lyrics, working photographs, and preliminary studies, along with a selection of nineteenth-century Plains Indian ledger drawings selected by Kahlhamer from the collection of the Heard Museum in Phoenix. Let's Walk West looks at Kahlhamer's rambling journey into his Native American heritage and the landscape of the West. He was born in Tucson in 1956 of Native American parentage, but was adopted and raised in rural Wisconsin. His art is propelled by a quest to reconnect with his Native identity and to reconcile it with his middle-American upbringing. His paintings arm-wrestle with an unknown biography, with people and places both real and imagined, part visionary, part pop culture. Eagles, coyotes, and javelinas appear like talismans, alongside caricatures of family and friends.
Peter Steele had already spent several years trekking and working in the Himalayas when he reluctantly took the position of medical officer on the 1971 International Everest Expedition. He expected it to be a hard climb; what he didn't expect were the series of disasters that included a near-epidemic, a walk-out, and the death of a team member. Struggling against bad weather, hostile news reports, and violent infighting, the members still attempted to climb Everest via the treacherous, never-before-attempted southwest face. As much an expos� of Steele's colorful climbing companions -- foreign and Sherpa -- as a chronology of the perilous day-to-day challenges of attempting a difficult new route on the world's highest mountain, Doctor on Everest is a white-knuckle ride into an extreme environment and a compelling look at the limits of human endurance.