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The long history of the Black Hills controversy between the Sioux Nation and the U.S. Government involved Yellow Thunder Camp. While the issue has been amply analyzed in many books, it has never been related by someone like this author. It is a first-hand account: the writer lived at YTC, attended court proceedings and established solid friendships with Lakota individuals. In addition to years of research into the Lakota culture, she worked with elders throughout the reservation and was accepted as associate member of the Pine Ridge Grey Eagle Society. She joined them in visits of Black Hills sacred sites.
This book examines the origin of many Plains Indian families, which began with the union of French trappers and traders with young Indian women in the early days of contact between Europeans and American Indians of the Dakota territory and the Sioux Indian territory of Nebraska. The famous Indian activist Russell Means, who made a name for himself through the activities of the American Indian Movement, the 1973 occupation of the Village of Wounded Knee, an unsuccessful political life, and a more successful Hollywood movie career, is at the core of the book. Though he proclaimed he was an Oglala Lakota patriot, Russell Means was in reality a European descendant of mostly French-Indian intermarriages on both paternal and maternal sides of his family. Indeed, he was more French than Indian, as documented in the carefully researched genealogy presented by French Moroccan anthropologist Hélène E. Hagan. The genealogy presented in this book dispels the fictitious claims advanced by Russell C. Means about his father’s and mother’s family surnames in the autobiographical account he wrote with the help of independent author Marvin J. Wolf, Where White Men Fear to Tread (St. Martin’s Press, 1996). The book also addresses the unfortunate use of fictitious material attributed to Chief Seattle for the publication of a small book purportedly on ancestral Indian spirituality, If You’ve Forgotten the Names of the Clouds, You Lost Your Way, published under his name shortly before he succumbed to a fatal cancer in 2012. In addition, the author evokes her fieldwork among the Oglala Lakota people of Pine Ridge Indian Reservation in the 1980s, the research she conducted with traditional elders as a volunteer with the archives of the Oglala Lakota College in her reservation-wide photo project covering years 1890 to World War II of the history of Pine Ridge families and her involvement with the Yellow Thunder Camp in the Black Hills of South Dakota. The last part of the book describes her later collaboration with the American Indian activist for the Public Access Television series of The Russell Means Show, which she conceived and produced in Los Angeles from 1999 to 2003.
The Introduction of the book indicates the necessity to start with the archaeology of the early settlements of the West Bank of the Nile , a territory to be considered as the mother or matrix of all Egyptian civilization. It establishes the pioneer nature of this Etymological Essay in the English language, as most of the studies in keeping with its findings are to be found in the scholarly literature of Europe and North Africa. 1. Archaic Terminology: The chapter traces the origins of early settlements of the northwestern region of Egypt, the desert oases, the Fayum, the region of the Lakes, and the western portion of the delta of the Nile, by Saharan and Libyan archaic people, with specific emphasis on archaic topography which can be directly related to Modern Amazigh spoken today in North Africa (Tamazirt.) 2,The Pillar People: The review of a number of terms from the mythology and ceremonial procedures of dynastic Egypt shows the influence of those early settlers named The People of the Pillars (Intui) on the beliefs and practices perpetuated through centuries in Egypt, and the presence of an all pervasive worship of these early origins: (cult of ancestors.) 3.The Holy rulers of First Princes of Egypt: An intensive comparative review of ancient Egyptian and Modern Amazigh terms reveals that the first noble rulers of the area were of Amazigh origin. A series of families of terms link quite clearly a number of beliefs and practices to the North African cultural complex. 4.Tehuti, time and the Wisdom of the stars is a chapter delving a little more deeply into the cosmogony and cosmology of the early Egyptians, and the roots of that knowledge in archaic practices, which have parallel indicators in North Africa. 5. The Innermost Shrine from The Book of the Dead: The geography of the Land of the Beyond, Tu-at (Du-Ament), and a variety of important indices throughout the Book of the Dead indicate quite clearly that the final return of the defunct to the Blessed Land of the Ancestors was also a step by step description of their claim of descent from these original beings. The rule of “Ma-aa-at,” the organizing principle of an entire civilization for centuries, or ‘NTR,” originated in the area of the Sacred lakes and the ancient settlements of the Fayum and oasis complex. Linguistic comparison with Modern Amazigh continues to indicate the kinship of those people with North African Imazighen (also known as Berbers.) 6. A Conclusion, Notes, and an Appendix, which is the reproduction of an article published in The Amazigh Voice, a publication of the Amazigh Cultural Association in America, indicate the pioneer aspect of such a work and the direction in which further linguistic studies could bring increasing light into areas of Egyptian scholarship heretofore deemed as obscure and/or of barbarous origin. .
Awards: One Book South Dakota Common Read, South Dakota Humanities Council, 2022. PEN Oakland/Josephine Miles Literary Award, PEN America, 2020. One Book One Tribe Book Award, First Nations Development Institute, 2020. Finalist, Stubbendieck Great Plains Distinguished Book Prize, 2019. Shortlist, Brooklyn Public Library Literary Prize, 2019. Our History Is the Future is at once a work of history, a personal story, and a manifesto. Now available in paperback on the fifth anniversary of its original publication, Our History Is the Future features a new afterword by Nick Estes about the rising indigenous campaigns to protect our environment from extractive industries and to shape new ways of relating to one another and the world. In this award-winning book, Estes traces traditions of Indigenous resistance leading to the present campaigns against fossil fuel pipelines, such as the Dakota Access Pipeline Protests, from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan “Mni Wiconi”—Water Is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even with the encampment gone, their anti-colonial struggle would continue. While a historian by trade, Estes draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires) and his own family’s rich history of struggle.
For you, it may look like a small unimportant detail, like your thumbnail. But for me, it is the whole vast world. Look at this jewel... here is the ant, here is the hyena, the jackal, the hoof of a horse, that of a gazelle, the sun, the moon, the stars, the good eye... this triangle, this is woman, and here are the eyebrows of the Malignant One, there, laughter... it is all of our lives in one piece of silver. (Translated from the French by Helene E. Hagan, from original Tuareg words of an artisan cited by J. Gabus, 1971) An extensive study of the symbolism of Tuareg jewelry has not yet been undertaken to date. It is this simple realization that brought the authors together in a decision to collect information on the topic, from past scholarly journals and books, contemporary articles and web sites, but also from Tuareg informants whose expert knowledge was sought. Though this book is small and does not aspire to be all encompassing, it is the first work totally dedicated to the presentation of the elaborate silver jewelry of Tuareg men and women of Northern Niger in the English language, and the only one we know that is solely dedicated to providing information concerning the function, meanings, and symbols of that jewelry. The book introduces the reader to the culture of the Tuaregs, a remarkable group of African nomads of the Sahara Desert, which has fascinated the Europeans who came into contact with them in the nineteenth and twentieth centuries. In the last decade or so, as the Tuareg societies of Niger and Mali underwent major change, a number of American researchers began to document some of their ways. Research and publications in the English language are, however, lagging far behind those in the French language. Fortunately, the primary author of this book, Helene Hagan, was originally educated in the French language, and as an Amazigh (Berber) herself, is very familiar with North African scholarship in the Amazigh culture. Thus, as a bilingual anthropologist of Berber ancestry, born and raised in Morocco, and an activist for Amazigh cultural, linguistic and human rights, she benefits from a fourfold source of valuable information: French scholarship, American contemporary accounts, the latest Amazigh research emanating out of North Africa, and Northern Niger Tuareg informants she knows. This unique set of circumstances gives the book an extra dimension of depth and insight. The book recounts the myth of origin of the Kel Tamasheq of Niger, and looks at the continuity and development of symbols from archaic inscriptions and rock art of the Sahara to present-day engravings on silver jewelry and the Tifinagh alphabet. The second chapter is entirely devoted to retracing this development and showing the correspondence between Tifinagh characters of the Amazigh alphabet and the elegant, clear lines of geometric designs, which characterize the silver jewelry of the Tuareg people. The two are deeply connected. Modern Tifinagh Calligraphic Art is also featured in this chapter. The next chapter delves into the mystery of the famous Cross of Agadez and the various hypotheses that have been offered as to its meaning. It depicts the artisanal mode of production, and the functions the crosses hold for Tuareg people themselves. Nowadays, the production of crosses for the western world diminishes the role this cross, Tenghelet tan Agadez, had as a clan identifier. It has become, like other less well known pieces of Tuareg jewelry, a simple ornament or necklace devoid of any particular significance, and the markings on those crosses are losing some of their intentions of yore. The book reviews specific masculine jewelry and feminine adornment in the next two chapters, and looks at the role various pieces of silver jewelry play in the relations
The author entered the United States at age twenty as a student, schooled in French Literature, Classics and Philosophy. After twenty years of marriage, raising three children and running a French Import business in Palo Alto,, she embarked in her American career as a cultural and psychological anthropologist. She has documented some forty years of fieldwork through a variety of substantial essays, crafting a rare collection of fascinating papers about American Indians and Amazigh (Berber and Tuareg) people , a unique book by an immigrant to the United States. From fond memories of Mustapha and her childhood in Morocco, to extensive scholarly research on Egyptian civilization and late writings about the unexplored topic of intermarriages between American Indians and French explorers of North America, the book captivates the reader's attention, always informs, and in some instances, as in The People of Niram, delights in unsuspected irony and wit.
"The column, Notes from Indian Country, has appeared in several daily and weekly newspapers in South Dakota, New Mexico and Colorado for the past five years."--Book jacket.