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Anyone fascinated with the genealogy or history of the family of George Washington should own this elegant publication. For in this profusely illustrated work originally published in 1944 and reprinted by arrangement with the Virginia Book Company, John Wayland, one of the giants of Virginia genealogy, recounts the Washington family history by taking us on a tour of the legendary homesteads they inhabited.
"The Stronghold" by Miriam Haynie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Driven to the Field traces the culture of sharecropping—crucial to understanding life in the southern United States—from Emancipation to the twenty-first century. By reading dozens of works of literature in their historical context, David A. Davis demonstrates how sharecropping emerged, endured for a century, and continues to resonate in American culture. Following the end of slavery, sharecropping initially served as an expedient solution to a practical problem, but it quickly developed into an entrenched power structure situated between slavery and freedom that exploited the labor of Blacks and poor whites to produce agricultural commodities. Sharecropping was the economic linchpin in the South’s social structure, and the region’s political system, race relations, and cultural practices were inextricably linked with this peculiar form of tenant farming from the end of the Civil War through the civil rights movement. Driven to the Field analyzes literary portrayals of this system to explain how it defined the culture of the South, revealing multiple genres of literature that depicted sharecropping, such as cotton romances, agricultural uplift novels, proletarian sharecropper fiction, and sharecropper autobiographies—important works of American literature that have never before been evaluated and discussed in their proper context.
A twelve-month excursion through nature's seasons as recounted by a lifetime naturalist In this "personal encyclopedia of nature's seasons," lifetime naturalist Bruce Beehler reflects on his three decades of encountering nature in Washington, D.C. The author takes the reader on a year-long journey through the seasons as he describes the wildlife seen and special natural places savored in his travels up and down the Potomac River and other localities in the eastern and central United States. Some of these experiences are as familiar as observing ducks on the National Mall in Washington, D.C., or as unexpected as collecting fifty-million-year-old fossils on a Potomac beach. Beyond our nation's capital, Beehler describes trips to nature's most beautiful green spaces up and down the East Coast that, he says, should be on every nature lover's bucket list. Combining diary entries, riffs on natural subjects, field trips, photographs, and beautiful half-tone wash drawings, this book shows how many outdoor adventures are out there waiting in one's own backyard. The author inspires the reader to embrace nature to achieve a more peaceful existence.
The New Cambridge Companion to William Faulkner offers contemporary readers a sample of innovative approaches to interpreting and appreciating William Faulkner, who continues to inspire passionate readership worldwide. The essays here address a variety of topics in Faulkner's fiction, such as its reflection of the concurrent emergence of cinema, social inequality and rights movements, modern ways of imagining sexual identity and behavior, the South's history as a plantation economy and society, and the persistent effects of traumatic cultural and personal experience. This new Companion provides an introduction to the fresh ways Faulkner is being read in the twenty-first century, and bears witness to his continued importance as an American and world writer.
Situated where the rugged Tunica Hills skirt the Mississippi River, St. Francisville began as part of Spanish West Florida in the early 1800s. The first settlers were adventurous Anglos who rebelled against Spain, established a short-lived independent republic, stopped the Civil War to bury a Union officer, and planted vast acres of indigo, cotton, and cane. In the 1900s, St. Francisville became the cultural and commercial center of the surrounding plantation country. Today, overlooking the river from atop a high, narrow ridge two miles long and two yards wide, it remains the West Feliciana parish seat. Tourists visit its picturesque downtown, a lively Main Street Community and National Register Historic District. Antebellum plantations and gardens draw tourists year-round, and the unique hilly terrain provides unsurpassed recreational opportunities for hiking, bicycling, birding, hunting, and nature studies. Ever since John James Audubon painted dozens of his birds in West Feliciana in 1821, artists, writers, and other visitors have found inspiration in this scenic, unspoiled spot.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.